Mansour began rapping in 2003 and has gained recognition in the Middle East, Europe and the United States for her own songs and collaborations with other artists. She performs wearing a traditional Palestinian thawb and has said that she considers herself to be part of a "musical intifada" against the occupation of Palestine, conservatism and oppression of women.
In 2005, Emad Burnat got a video camera to record the birth of his son. That same year, Israel's security barrier went right through his village of Bil'in in the West Bank. The fence cut off some fields and olive groves on the other side.
When protests broke out against the establishment of the barrier, Burnat became the unofficial cameraman for the weekly anti-wall protests that drew support from around the world.
Creative activism and the remaking of Palestine
While policy wonks and media pundits wallow in endless debates about Jewish settlements and the threat of terror, Palestinian groups are creatively exploring alternative ways to realise their national aspirations.
“I am the dishes, the ironing, I am everything, I am nothing. But remind me: Who are you?” So plays the hook of a new feminist anthem released by the Palestinian rappers, DAM. The video for “Who You Are” plays on sexist attitudes by having men and women switch domestic roles typical in the Middle East, but also familiar across most cultures.
Youngsters on the West Bank will have the chance to benefit creatively from a new project this summer. From the beginning of July, Handheld Stories plans to teach filmmaking skills to groups between eight and 16 years old from youth centres and refugee camps in East Jerusalem, Nablus and Hebron, while also giving them video equipment, computers and software.
Bil'in is a Palestinian village located 12 kilometres west of the city of Ramallah in the central West Bank. In 2005, the Israeli government began constructing the security barrier in the Bil’in area, and since then approximately 55 percent of Bil’in’s former land has been used for the construction of the Modi’in Illit settlement.
This year, Bethlehem is sombre and quiet. There is no Christmas tree and there are no holiday lights or tourists to see them.
Instead, the city of Jesus’s birth – which is in the middle of a war zone – is marking Christmas with a powerful and poignant message: solidarity with Palestine.
On the Internet people only look at pictures of kittens.
British street artist Banksy has posted pictures and video of works made during a trip to the war-torn Gaza Strip.
One shows a figure reminiscent of Rodin’s “The Thinker” — though, set in a still-standing doorway surrounded by nothing but rubble, the figure seems more distraught than contemplative.
Last Friday, Pablo Picasso’s Buste de Femme, (1943), was put on display at the International Art Academy Palestine in Ramallah. Marking the very first time that the Picasso’s work has been shown in Palestine and as the result of a loan request to the Van Abbemuseum in Eindhoven, this project is the tenacious vision of artist Khaled Hourani (also the Artistic Director of IAAP).
As the rest of the world continues to dump buckets of cold water over their heads in support of ALS research, some Palestinians have created their own version of the Ice Bucket Challenge to raise awareness about the ongoing crisis in Gaza.