From the two shores of the Mediterranean, Zoukak theatre company and cultural association (Beirut) and Center for cultural decontamination CZKD (Belgrade) collaborates by sharing their experiences and knowledge in working within sociopolitical contexts in the field of art and culture.
ISLAMABAD —
A prominent female rights activist in Afghanistan lambasted the global community Saturday for failing to come up with a plan or agreement on how to help her crisis-ridden country since the Taliban took control of it 18 months ago.
Mahbouba Seraj, a Nobel Peace Prize nominee, spoke virtually from the Afghan capital, Kabul, to a town hall at the Munich Security Conference on prospects for her country under Taliban rule.
In the context of the PhD research “Consciousness-raising: Activism in Digital Art” (by Ana Barata, Faculdade de Ciências Sociais e Humanas da UNL, Lisbon, Portugal) Carlos Latuff was interviewed concerning his political graphical work that focuses on present conflicts and issues.
UK design students focusing on the use of design that moves beyond exclusivity, wealth, entitlement, and privilege, have created a coat that is also a shelter. The functional pocketed coat that converts into a tent and a sleeping bag, is intended for Syrian refugees. The students under the guidance of Dr.
Meet Shamsia Hassani. At age 24, she is one of Afghanistan's first female graffiti artists.
An associate professor of sculpture at Kabul University, she was first introduced to graffiti in 2010 by British artist, Chu, during a week-long course in street art.
Meet also Malina Suliman, 23, who has been receiving threats from extremists due to her work in graffiti.
"Oda Projesi is an artist collective based in Istanbul. It is composed of three members; Özge Açıkkol, Güneş Savaş and Seçil Yersel who turned their collaboration into an art project in 2000. The project members had met in 1997 and decided to rent and share an apartment as a private studio in Galata.
Creative activism and the remaking of Palestine
While policy wonks and media pundits wallow in endless debates about Jewish settlements and the threat of terror, Palestinian groups are creatively exploring alternative ways to realise their national aspirations.
Often in military style video games we kill without much regard for the enemy. They are faceless or stereotypical, the Nazi or evil Cold War–era Russian. They are enemies that were fought on the battlefields of great wars, or they are aliens that have no resemblance to humans save for a general humanoid form.
On October 2nd, three animal rights activists shocked the world with an extraordinarily bold act, organized by Alex Bojour. They all were branded alive (http://www.youtube.com/watch?v=RA4q1pU957c) as a symbolic act of identification with the animals that are branded and used by the human species, conveying the message of animal equality.
It all started when a 70-year-old fish market stall owner nicknamed “Booghy” was grooving in public, in violation of Iranian law.
A new form of protest against the government is rocking Iran: a viral dance craze set to an upbeat folk song where crowds clap and chant the rhythmic chorus, ‘oh, oh, oh, oh.’
Acknowledging that sexual harassment is a serious problem in Egypt, the volunteer based organization HarassMap has created a series of strategies -both on site and online- to stamp out the social acceptability of sexual harassment in the country.
Wafaa Bilal's childhood in Iraq was defined by the horrific rule of Saddam Hussein, two wars, a bloody uprising, and time spent interned in chaotic refugee camps in Kuwait and Saudi Arabia. Bilal eventually made it to the U.S. to become a professor and a successful artist, but when his brother was killed at a U.S. checkpoint in 2005, he decided to use his art to confront those in the comfort zone with the realities of life in a conflict zone.
In June 2002, the Israeli Government decided to construct a physical barrier separating Israel and the West Bank. The declared purpose of this (as yet unfinished) 709 kilometers long barrier—which came to be known as Gader Ha’hafrada (The Separation Wall)—was to prevent the entry of Palestinian terrorists from the occupied territories into Israel in order to protect Israeli citizens.
from "Laugh, O Revolution: Humor in the Egyptian Uprising" by Anna Louie Sussman, in 2011.
Revolutions can be messy. They can be tragic. As long as the Internet is working, they can be tweeted. And, as Egyptians demonstrated during their 18 days of protest, they can also be funny.
#ChallengeAccepted, also known as the Challenge Accepted campaign, is an Instagram tagged challenge as well as an awareness campaign on empowering women involving sharing posts of black-and-white selfies.
As the rest of the world continues to dump buckets of cold water over their heads in support of ALS research, some Palestinians have created their own version of the Ice Bucket Challenge to raise awareness about the ongoing crisis in Gaza.
Turks Party (CTP) deputy Arif Albayrak arrived at the Parliament of the Turkish Republic of Northern Cyprus (KKTC) on a donkey on Monday in protest of rising oil prices and a recent government decision to purchase new
cars.
The Iranian filmmaker Mohsen Makhmalbaf opens “The Gardener” with the declaration: “I am an agnostic filmmaker.” From anyone else, this might seem like a simple statement, but not from the complex Mr. Makhmalbaf. In 1974, when he was 17, religious and involved in a guerrilla group, he stabbed a policeman, for which he received a bullet to the stomach and a prison sentence.
Decolonizing Architecture/Art Residency (DAAR) is an art and architecture collective set up by Alessandro Petti, Sandi Hilal and Eyal Weizman, based in Palestine. Their work is a critical examination of the role played by architecture in the occupation of the Palestinian territories.
I was 24 years old. We were in danger. The Israeli planes were flying raids overhead. And I was designing posters." Hosni Radwan won't easily forget the conditions in the Beirut offices of the PLO Information Department, as an exhibition of the work it produced opens in London.
When Behnaz Babazadeh was young, her family moved from Afghanistan to the US. She loved almost everything about her new home — especially America’s amazing selection of candy — but she also loved wearing her familiar pink-flowered headscarf, which she’d grown used to wearing as part of her school uniform in her old home.
For weeks, 14 giant balloons had been mysteriously parked in front of the Sidra Medical and Research Center, a hulking steel, glass and white ceramic building devoted to women’s and children’s health that is to open on the outskirts of this city in 2015.
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