Rage Against the Machine have always been rabble rousers, but the political statement that got them banned from Saturday Night Live sounds positively prosaic compared to other acts of protest they committed in their heyday, like shutting down the New York Stock Exchange or sporting a "Free Mumia Abu-Jamal" shirt on live television.
On 19 November 2011 over 100 dancers converged at Occupy SF & Oakland to dance the world awake. Flashmob Produced & Directed by Magalie Bonneau-Marcil of DancingwithoutBorders.org, Video Directed & Edited by Ben Flanigan (BenFlanigan.com), Thanks to our team of choreographers: Giuliana Blasi, Samantha Sweetwater and Mika Lemoine. Co-sponsors: CODEPINK.org & SFNOW.org Want to bring the flash mob to your community?
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
You could hear their chants from the White House.
On June 6, hundreds of activists and protesters gathered on Black Lives Matter Plaza, a two-block section on 16th Street in Washington D.C. that was renamed amid BLM protests.
Stickers imitating the Land O Lakes Butter packaging are being placed in grocery stores over the original packaging. The packaging has been altered to say "Land O Rape - Culture" by street artist Recycled Propaganda.
In 1900, Montgomery, Alabama had passed a city ordinance to segregate bus passengers by race, and conductors were empowered to assign seats to achieve that goal. The first four rows of seats on each Montgomery bus were reserved for whites, and buses had "colored" sections for black people generally in the rear of the bus, although blacks composed more than 75% of the ridership.
On March 3, 1913, President-elect Woodrow Wilson arrived at Union Station in Washington, DC. It was the day before his inauguration, but the teeming mobs that typically appeared to greet a new president were nowhere to be found. Instead, the streets of Washington seemed deserted. A disappointed Wilson asked, “Where are all the people?” “Over on the Avenue watching the suffrage parade,” he was told.
Rice University’s O’Connor Building for Engineering and Science now houses an immersive public art installation titled “Climate Parliament,” a thought-provoking work by Mexican-Canadian artist Rafael Lozano-Hemmer. Commissioned by Rice’s Moody Center for the Arts for the Rice Public Art collection, the interactive artwork engages visitors with a dynamic experience that addresses the growing global climate crisis.
For the launch of a new organization fighting to end the water crisis, Matt Damon, Co-founder of Water.org, has produced a video using humor to shed light on the issue of access to clean water. In the spoof, he holds a press conference at which he announces that he will "not go to the bathroom until everyone has access clean water," calling for a "toilet strike."
Sam Durant is an LA based artist who engages in social, cultural and political issues through his interactive public sculptures. Durant is interested in investigating historical narratives and their contemporary communities. From 2005-2010 Durant was part of the collective Transforma Projects, a grassroots cultural rebuilding initiative in New Orleans. One of his most recent interactive public sculptures Scaffold is on view at the Hague.
At TED2009, audience member Cindy Gallop gave a 4-minute presentation that became one of the event’s most talked about. Speaking from her personal experience, she argued that hardcore pornography had distorted the way a generation of young men think about sex, and talked about how she was fighting back with the launch of a website to correct the myths being propagated.
Without water, life would not exist. And yet, those of us in developed countries take it for granted; our shelves are stocked with hundreds of branded bottles, and it is freely given at restaurants, at schools, and even in parks. We seem to have an unslakable thirst for it; attained in excess, we throw it away like dirt—just as many developing countries liken its value to gold.
This is a prime example of the marriage of art and activism. The Silence = Death poster is simple but extremely powerful representation of the obstacles the AIDS movement was facing (suppression of gay people + their problems, lack of awareness surrounding the pandemic).
On Tuesday morning, when Google CEO Sundar Pichai testified before the House Judiciary Committee about his company’s data collection practices, there was a familiar mustachioed face in the crowd. To most people, this person — also wearing a monocle and toting a bag of cash — is none other than the famous board game character most commonly known as Monopoly Man.
In the 20th century India's Mahatma Gandhi famously used the hunger strike as political protest. In America today we demonstrate by eating fast food.
Call it an “eat-in,” call it a “buycott”: By whatever name, it’s a tactic that’s growing in popularity. As Wednesday's Chick-fil-A Appreciation Day indicates, it’s a form of protest Americans find increasingly easy to swallow.
To raise awareness among the general public about the global clean water crisis, the artist Belo created an image composed of 66,000 cups of colored rainwater simulating levels of impurities found in water all over the planet. This major work of 3,600 square feet, representing a fetus in the maternal womb, emphasizes the necessity of water, even before birth, for each living person.
If the way to one’s heart really is through the stomach, Rirkrit Tiravanija must have more than his share of admirers. Now at GAVIN BROWN, the Buenos Aires-born artist with a history of dishing out tasty edibles in his exhibitions invites viewers to enjoy a bowl of soup in his interactive show, Fear Eats the Soul.
As Black History Month commemorations start to wind down, one festival is just gearing up. Afropunk the Takeover — Harlem, running from Tuesday through Feb. 25, will celebrate black culture with music, art, film screenings, discussions and comedy.
In the broad context of the modern world of art, the work of Beili Liu has always seemed extraordinary in visual terms and deeply profound in thematic development. Born in China and living in the United States, much of her work usually circles themes tightly interwoven with notions of identity, culture, and time.
The ad agency Badger & Winters in collaboration with immigrant rights nonprofit organization Refugee and Immigrant Center for Education and Legal Services (RAICES) installed 20 cages with mannequins representing immigrant children inside across New York City. Each cage had a sign that said #NoKidsInCages and played audio of a child crying.
TED TALK:
I consider it my life's mission to convey the urgency of climate change through my work. I've traveled north to the Arctic to the capture the unfolding story of polar melt, and south to the Equator to document the subsequent rising seas. Most recently, I visited the icy coast of Greenland and the low-lying islands of the Maldives, connecting two seemingly disparate but equally endangered parts of our planet.
In anticipation of Climate March NYC 2014, Good Old Lower East Side, a non-profit focused on defending tenants rights and disaster preparedness outreach following the wake of Hurricane Sandy, implemented a arts-based intervention called "The LES vs. Hurricane Sandy".