I Wish This Was began in New Orleans in November 2010. It was inspired by vacant storefronts. There are a lot of them where Candy lives in New Orleans. There are also a lot of people who need and want things. What if we could easily voice what we want, where we want it? How can we influence the businesses and services in our neighborhoods?
The group of students from NYU took to the streets of Manhattan to shout back against sexual harassment and bring awareness to the Everyday Sexism project. Armed with business cards that said "#shoutingback" on one side, and "Real men don't catcall" on the other side, the group waited for men to yell at the women while they walked down the street.
Whose Chinatown? Examining Chinatown Gazes in Art, Archives, and Collections, brings together an art history of Chinatowns and their communities by historical and contemporary Canadian artists such Emily Carr, Unity Bainbridge, Yucho Chow, Fred Herzog, Paul Wong, Mary Sui Yee Wong, Morris Lum, and aiya哎呀, among others.
#makeamericagreatagain is a group exhibition of diverse media that ran during February and coincided with the initial Democratic and Republican primaries. The exhibition’s title is culled verbatim from Donald Trump’s campaign slogan.
Beyoncé’s album Renaissance is grounded in black queer ballroom culture. It debuted at no. 1 on the Billboard 200 and had the third highest album debut of 2022.
With more than 48,000 panels and 94,000 names, the AIDS quilt is a constantly growing testament to the deadly toll the disease has taken on the world. At roughly 1.3 million square feet, it is so large that it can’t be displayed in its entirety in one place. Parts of it are currently on display at the National Mall, with volunteers constantly switching sections in and out.
Reverend Billy and the Stop Shopping Choir is a New York City based radical performance community, with 50 performing members and a congregation in the thousands. We are wild anti-consumerist gospel shouters and Earth loving urban activists who have worked with communities on four continents defending community, life and imagination. Our Devils over the 15 years of our "church" have remained the same: Consumerism and Militarism.
Jay-Z rapped alongside side Bono, the Edge and Rihanna; Coldplay's Chris Martin moonlighted as Beyoncé's piano player; Justin Timberlake covered Leonard Cohen — and those performances, from January 22nd's multinetwork, $66 million-grossing telethon for Haitian earthquake victims, were just the most visible of musicians' efforts to raise funds.
On completion the 100 Faces project will consist of 100 Portraits of Americans who have been to the theaters of war in Iraq or Afghanistan (OEF,OIF). Each portrait is accompanied by a placard featuring a statement written by the person pictured and a brief biography of the person pictured. The biographical information and the statement reflect the person at the time of the creation of the portrait.
Visions from the Inside is a project enlisting 15 artists from across the country to create a piece of art based off letters from women in detention. The initiative, a collaboration between CultureStrike, Mariposas Sin Fronteras and End Family Detention, illuminates the horrific realities of life inside some for-profit detention facilities in the U.S., as well as the resilient spirit that keeps the inmates going.
Following the murders of George Floyd and Breonna Taylor, corporations jumped on the opportunity to commodify the Black Lives Matter movement. In June of 2020, Netflix launched a Black Lives Matter collection, and by December, they had released Cops and Robbers, an animated short about racial injustice.
When And Where Will #TeamTrees Plant 21.5 Million Crowdfunded Trees?
Two months after reaching one of the most ambitious crowdfunding goals in YouTube history, #TeamTrees is getting closer to delivering on behalf of its 800,000+ unique donors.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.
By Evan Mulvihill, Queerty.
When Tea Party activists gathered in Boston yesterday afternoon, they weren’t given license to shout their Small Government slogans at disinterested passersby—liberal activists of all stripes showed up to shout them down.
Who doesn’t love a good counter-protest?
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
Collective Creativity in the Beginning
Project Row Houses (PRH) is, and has always been, a unique experiment in activating the intersections between art, cultural and historic preservation, affordable and innovative housing, community engagement and development, neighborhood revitalization, and human empowerment.
Urban Landscape as Canvas
American Painter, Joe Lovett completes painting of historic magnitude, Stretch the Strangle Hold is a painting that captures an emotional response to the lie of war.
By Catherine Porter
I spent an hour Wednesday morning talking pigs and Leo Tolstoy on a traffic island outside the Princes' Gates.
Anita Krajnc and her group call this “Pig Island.” They come here most weeks to watch and photograph the pigs en route to their death at nearby Quality Meat Packers.
ŠTO TE NEMA is a public monument created as a response to Europe’s worst atrocity since World War II - the systematic killing of 8,372 Muslim men and boys in the UN-protected safe area of Srebrenica in Bosnia and Herzegovina in July of 1995.
The artist has assembled a set of 300 installations around New York City, based around the concept of fences and borders, to showcase the ‘narrow-minded’ attempts used to ‘create some kind of hatred between people’