Artist Michael Landy catalogued, inventoried, and systemically destroyed all of his possessions for the 2001 public installation Break Down, commissioned by British arts organization Artangel. It took him three years just to itemize the 7,227 objects included in the project.
On a freezing Friday in January, Khmer-American artist Kat Eng sits in front of retail giant H&M’s Time Square store working on a manual sewing machine. For eight hours, Eng stitches together U.S. dollar bills while wearing a surgical mask and bloodstained shirt. Her performance “</3 Less Than Three” protests the way fast fashion and consumer culture creates oppressive conditions for Khmer workers.
During a cold January morning in 2020, Animanaturalis, a nonprofit group focused on ending the suffering of animals across Spain and Latin America gathered to protest the use, production, and sale of fur in Spain. In a blog post on their website, the group discusses the horrid living conditions on fur farms as well as statistics and alternatives related to fur sales (Animanaturalis, n.d.).
Sian Ka’an is an extraordinary UNESCO tropical nature reserve along Mexico’s Carribean coastline, but the currents that pass by this area bring garbage from all over the world to the shores of this paradise. Alejandro Duran, an artist working in Brooklyn, NY, collects this trash and arranges it into works of colorful landscape art to examine “the tension between the natural world and an increasingly overdeveloped one.”
Creative Time, Social Practice Archive: Brinco is an art project, product, and intervention created by the Argentinean artist Judith Werthein for the 2005 inSITE Biennial held on the border of Tijuana and San Diego. Brinco—Spanish for "jump"—is a specially designed shoe the artist created for illegal migrant workers and immigrants who navigate the border region at night.
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This was a little installation that took place in the beauty of West Texas. The goal was to reorientate the site specific Prada Marfa into something more relevant, TOMS Marfa. Prada Marfa, being in the middle of nowhere, a structure placed as sort of a apocalyptic trophy for the high art world meant to challenge time; TOMS Marfa was to accelerate that vision with 2014 subject matter.
The Story of Stuff Project launches a new video. What is instructional, educational, and inspirational is a call for all the people in America to exercise their citizenship rather than their right to consume.
Here is what Annie Leonard (co-founder and spokes person for the project) has to say about this new film:
During a cold January morning in 2020, Animanaturalis, a nonprofit group focused on ending the suffering of animals across Spain and Latin America gathered to protest the use, production, and sale of fur in Spain. In a blog post on their website, the group discusses the horrid living conditions on fur farms as well as statistics and alternatives related to fur sales (Animanaturalis, n.d.).
Students from the School of Communication and Art of the University of Sao Paulo perform a skit titled 'Blind Ones' as a protest against consumerism inside a shopping mall of Natal, capital of Rio Grande do Norte state, December 9, 2013.
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Brazil shopping malls: New epicenter for social protest?