Drama Queens Ghana's “MoonGirls” is an Afrofuturistic graphic novel series. Through an Afrofuturistic lens, “MoonGirls follows the adventures of 4 African "supersheroes" with varying superpowers to save the world from a diverse range of forces; from patriarchy, rape culture to pollution and global warming.
The work of Marcela Cantuária (b. 1991, Rio de Janeiro; lives in Rio de Janeiro) often portrays female figures who navigate regional, international, and social boundaries. Often highlighting symbols from tarot and astrology as well as themes that reflect political and environmental activism in Latin America, she weaves narratives of social spheres, political associations, and ethereal wishes.
One of the most critical artists on the contemporary art scene is Zhang Huan. His works are of great social insight and unique in how he applies his artistic expression. He thus makes them an almost visual feast with a peek into the multilevel structure of modern society. One such work is the masterpiece "Family Tree," which shows how art can mould our social cognition through multilayered symbolism and profound imagery.
Essential workers at major companies like Amazon, Instacart, and Target across the United States on Friday protested for better safety protections, working conditions, and pay during the coronavirus pandemic.
Blair Holt was shot and killed while he shielded another classmate from the bullets a gunman sprayed on a CTA bus in Chicago in 2007. His father is a police officer and his mother is a fire department chief, and that’s what they had taught him to do.
Despite the pushes to motivate more young girls into STEM (science, technology, engineering, and math) fields, women are still very underrepresented in almost every scientific field. Part of this motivation is because a lot of young girls would rather do something else.
In many of his works, the Belgian-Mexican conceptual and performance provocateur Francis Alÿs questions the relationship between action, effort, and outcome. His works tend to inspire one toward a blurring of lines between the actions done in artistic expression and those in social response, making the viewer question the value and effect of the toil.
LONG BEFORE WOMEN finally — though incompletely — won the right to vote in the United States in 1920, they were finding ways to influence politics. In late 18th-century New England, colonial women would make muster cakes — spiced, doorstop-heavy confections flecked with candied fruit and soaked in alcohol — for soldiers being gathered (or “mustered”) to fight in the Revolutionary War.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.
The idea was born in an instant.
A curator attending an opening at the Baltimore Museum of Art was immediately captivated by a painting from an artist she had barely heard of, Mary Lovelace O’Neal.
Homeworkers 1977 is the central piece of a multidisciplinary project that comprised photographs, interviews, news clippings and a large canvas documenting the situation of non-unionised women doing manual work at home.
NAME OF PROJECT: ‘CHILDREN SHOULD BE SEEN AND HEARD’
TEAM MEMBERS: Caroline, Yasir, Sile, Audrey & Mary
GLOBAL CHALLENGE: To give children a voice and create empathy
among adults for children
♯childrenshouldbeseenandheard
Huelga decir, gráficas de brazos caídos, es un libro digital de gran importancia estético-política, dados los recientes acontecimientos sociales a escala mundial, en los que el llamado a la huelga de nueva cuenta se pone de manifiesto en las plazas públicas como instrumento de transformación social.
There are over 200,000 migrant domestic workers living in Lebanon
today — a large number when you considered that Lebanon’s population is
only a little over 4 million. Most migrant workers live with their
Lebanese employers, cleaning their houses, washing their clothes,
cooking their food and looking after their children. Yet these workers
are not included under Lebanon’s labor laws — they are not entitled to
Whose Utopia? was made by the Chinese artist Cao Fei and filmed at the OSRAM lighting factory in Foshan in the Pearl River Delta in southern China during 2005 and 2006. It was commissioned as part of a project entitled ‘What Are They Doing Here?’ that was run by the Siemens Art Program from 2000 to 2006 and involved Chinese artists undertaking six-month-long residencies at industrial facilities across the country.
When the last detention facility in Guantanamo Bay was officially decommissioned in 2010, an international team of artists, curators and architects began planning and designing a museum that would take the place of the detention facility - a little less than two years later, their work became reality.
On the 5th of May 2021, the subway's 12-line partially collapsed, killing 24 people and injuring more than 70. Onboard, were children, young women and men, and the elderly. The accident also killed a man and injured a woman who was driving a car, upon which the train fell.
The poorly conditions of the subway structure had been repeatedly reported by neighbors living nearby. No institutional response was given.
BRAVE VOICES POETRY JOURNAL is the scripture of FREEDOM religion, with her twin’s doctrine of justice and resilience. It comprises two Testaments. (1) the old testament of precolonial Africa; from Genesis of civilization through Exodus to slavery. From kings; Mansa,Tshaka , Selassie…through Psalms; Senghor, Diops,Okara,Brutus.
Text by David Artavia
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An ad from Calvin Klein on Mother's Day featuring a pregnant transgender man and his trans partner has sparked a wave of backlash on social media.
The TRANSummer Camp on the Croatian coast inspired members of the Croation trans community to become creative activists, and led to a public media campaign, video series and event advertising the “opening” of a (fake) clinic for trans health. The project included an ambitious survey on the healthcare experiences and needs of trans and gender variant people in the Balkans in multiple languages.