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"Passionate about ocean life, a filmmaker sets out to document the harm that humans do to marine species - and uncovers alarming global corruption."

The U.S./Iraq War Memorial is an augmented reality public art project and memorial, dedicated to the thousands of individuals who have died on both sides of the conflict.

Between the late 1960s and 1970s numerous alternative printshops were set up across the UK, with the founding objective of producing, providing or facilitating the cheap and safe printing of radical materials. They were started by libertarians, aligned and non-aligned Marxists, anarchists and feminists, and as such were constitutive of the fractured and fractious politics of the post-1968 left.

Matthew “Levee” Chavez sits at a table in New York City’s Union Square, sporting a thrift store suit and tie, holding a sign that reads “Subway Therapy.” This act of social practice, which started as an invitation for conversation, went viral after he set up shop at the subway the day after the 2016 presidential election. He wrote “Express Yourself” on a Post-It and stuck it to the tiled wall.

The “Occupy Men’s Toilets” movement, initiated by Chinese feminist activists including Li Tingting (Li Maizi) and Wu Rongrong, emerged in 2012 as a creative, non-violent protest against gender inequality in access to public facilities.

Since the 1980s, revitalizing the economy has always been the country's development strategy. Although China's economy has grown rapidly in just twenty years, attracting worldwide attention, environmental destruction has also become a problem. For example, the Fu Nan River in Chengdu, like many rivers nationwide, is severely polluted.

Brian Larney is an AI.tivist or American Indian artist. He is also an Artivist where he performs Artivism, a concept that includes art as a form of activism.

If you visit the Art AIDS America exhibition expecting to see activist slogans and memorial pieces along with some art-world superstars, you won’t be disappointed—Keith Haring, Robert Mapplethorpe and the “Silence = Death” slogan are present and accounted for—but you might also walk through the show scratching your head in confusion.

The Propaganda Machine is a battle cry delivered in the language of extreme metal. On Sahil Makhija’s fourth solo album as Demonstealer, he takes aim at the right-wing politicians, racist nationalists, disinformation artists, and religious extremists who manipulate and exploit the masses, in his native India and all over the world. He doesn’t mince his words; just about every lyric on the album could easily be printed on a protest sign.