“ARTICULO 6: narratives of gender, strength and politics” is an activist design project that aims to raise awareness about the case of forced sterilizations implemented during the government of Alberto Fujimori in Peru.
The pink "pussy hats" in The Women's March were created by a group of activists and knitters, including Krista Suh and Jayna Zweiman. The hats were designed as a form of protest and a symbol of resistance to the new administration and its policies.
March 20, World Sleep Day is approaching, Chongqing Fuling wine town square placed 2 transparent sleep house, staff in the form of performance art to call on people to "put down the phone, sleep at ease". It is reported that the purpose of World Sleep Day is to make people pay attention to the importance of sleep and sleep quality, to remind people to pay attention to sleep health and quality.
Close to 100 artists and activists staged a protest at the Brooklyn Museum yesterday afternoon in response to displacement — both in Brooklyn and Palestine.
The following description is taken from Wikipedia.com:
PeaceMaker is a video game developed by ImpactGames, and published in February 2007 for Windows and Mac OS. It is a government simulation game which simulates the Israeli-Palestinian conflict. Labelled as a serious game, it is often pitched as "a video game to promote peace".
Sitting at a folding table in the basement of Trinity Episcopal Church in downtown Columbus, Monica Jacobo used a felt tip marker to write the words “No means no!” on a white bandana.
The crisis is here, let the party begin! April 30, 2009. At first the crisis was just a state of being, a kind of social sadness that paralyzed everything. To break this atmosphere we couldn’t think of anything better than to throw a party. The first thing you need for a party is a good location, so we set out to find a place where social sadness and fear were extremely present. It didn’t take us long to find one: an unemployment office.
For over 60 years, Colombia has been facing war between guerrilla groups, the State, paramilitary groups and drug dealers. Hundreds of thousands of people have been killed, raped, displaced and threaten by this armed conflict. The common trait of this tragedy has been the people being in the middle, the people that still today pay the consequences.
One film to change the world. Curated every month.
BURDEN OF PEACE follows Guatemala’s first female Attorney General Claudia Paz y Paz in her fight against impunity.
Throughout April 2018 a global audience came together to watch BURDEN OF PEACE, and to dig deep into the issues of women in power with our action kit, bonus features and Impact Talks podcast.
O artista norte-americano Shepard Fairey inaugura esta sexta-feira, em Lisboa, “Printed Matters”, exposição que mostra sobretudo peças impressas, técnica que crê “não ter os dias contados”, e cujo conteúdo activista gostava de ver mais vezes nas Artes Visuais.
Troy, Michigan couldn't afford to keep its library open, so it scheduled a vote for a tax increase. A strong anti-tax group waged a dominating campaign against it. Posing as a political group, an outside advertising agency posted signs around town that said, "Vote to close Troy library Aug 2, book burning party Aug 5." We invited everyone to our Facebook page, adding Twitter, Foursquare, want ads, flyers and more to drive engagement.
Visions from the Inside is a project enlisting 15 artists from across the country to create a piece of art based off letters from women in detention. The initiative, a collaboration between CultureStrike, Mariposas Sin Fronteras and End Family Detention, illuminates the horrific realities of life inside some for-profit detention facilities in the U.S., as well as the resilient spirit that keeps the inmates going.
order Crossers comprise a series of lightweight robotic sculptures that poetically explore the notion of borders and boundary conditions. The inflatable sculptures rise up to several stories high and extend across a given threshold. Their choreographed performance, originating on both sides of the border, would stage a symbolic connection.
An Israeli member of the Taiji Dolphin Action Group, with a red body painting to evoke blood, is curled up on a sheet depicting the Japanese flag, during a January 30, 2014 protest against the killing of dolphins, notably in the Japanese city of Taiji, held outside the building housing the Japanese Embassy, Tel Aviv. Similar rallies outside Japanese consulates and embassies were expected to take place worldwide.
The structure teeters over fields of knee-high grass, looking like a cross between a camping tent and a giant wedding cake. Eleven stories of dark red wooden rooms, diminishing in size as they ascend, balance atop one another, seemingly held together by only the thicket of cords that stretches from the peak to the ground.
David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.
Welcome To Palestine
by Saed Bannoura
Israeli daily Haaretz, reported that 470 of the 1200 persons that Israel blacklisted as “pro-Palestinian” and part of the Welcome To Palestine campaign, were not activists; two of them were a French diplomat and his wife.
Anti-opioid activists unfurled banners and scattered pill bottles on Saturday inside the Sackler Wing of the Metropolitan Museum of Art in New York, which is named for a family connected to the powerful painkilling drug OxyContin.
The protest, which was organized by a group started by the celebrated photographer Nan Goldin, started just after 4 p.m., when several dozen people converged at the Temple of Dendur inside the wing.
Miguel Hernández was a spanish shepherd, poet and playwright that dedicated most of his works to dignify the poor peasants of the rural areas of Spain.