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“Most people can’t imagine a futurist Africa,” says Ethiopian photographer Aïda Muluneh. She challenges this in her project, Water Life, exploring real-world issues with an otherworldly twist. Muluneh went to Dallol, Afar, Ethiopia, an extreme landscape where it is dry and hot to capture the essence of water to life. Through her work, Muluneh highlights how water scarcity is mainly a burden on women.

Josh Keyes is a contemporary artist who takes a "satirical look at the impact urban sprawl has on the environment and surmises, with the aid of scientific slices and core samples, what could happen if we continue to infiltrate and encroach on our rural surroundings."

Last week, a dozen of female artists turned the walls of a downtown parking lot in Cairo into a street art gallery. Colourful group murals carrying personal stories and spreading messages to increase women’s visibility, and positively affect public consciousness.

The Cowboy and Indian Alliance, a coalition of indigenous tribes, ranchers, farmers, stages a protest named "Reject and Protect" against the Keystone XL oil pipeline project along the Keystone XL tar sands pipeline route, as a part of series of demonstrations around the Capitol Hill in Washington D.C., capital of the United States, April 22, 2014, on the occasion of the World Earth Day.

"Under the Same Sky" bearing the name and the first part of my project completed. I collected the letters written to 40 Armenian young people from 40 random Turkish young people. The mutual translations of all letters and video subtitles were made. Letters and photographs are handed out to young people, friendships are being established.

Young women in South Korea are fighting for a new future. The #MeToo movement which has highlighted sexual harassment and abuse around the world has taken a surprising hold in this socially conservative country.

The campaign bus was attracting funny looks. On its side was the by now all-too-familiar last name of the Republican presidential frontrunner. Somewhere inside the castle-shaped hotel next door, Donald Trump was holding court, as hundreds awaited another rally of bombast and branding.

At first, you don’t know what you’re looking at. A gray expanse of uneven geometry surrounded by undulating brown. Shift your perspective a bit and it might be a close-up of a distressed textile, with subtle hues and textures surfacing as your eyes adjust. And then the horizon comes into focus. Now you know where you are. In the distance are the classic jutting buttes of Monument Valley, familiar to anyone who’s ever seen a John Ford Western.

In this black-and-white image, there are no strands of hair or remnants of makeup to be found, except a shaved head belonging to a South Korean. Jeon photographed this image in 2019 for her exhibition that aimed to "destroy the socially defined idea of a woman” (Kuhn 1). The visuals in this image is a brazen response to the conventional beauty standards that has been gripping South Korean women.