There are no whistles, no loud speakers, and no placards held up high in this quiet act of subversion. Pimsiri Petchnamrob stands silently in a mass of sharply dressed Bangkok commuters, her hands clutched around a copy of George Orwell's 1984.
Next to her a small group of young men and women, their faces sombre and their heads bowed low, also read books about fictional and real totalitarian worlds in silence.
On Christmas day in 1993, kids were finding more than they bargained for under their trees: Mattel’s new talking Barbie dolls growled “Dead men tell no lies,” while Hasbro’s macho GI Joe’s chirped “I love to shop with you.”
In the wake of the amount of police brutality that has been occurring since the dawn of the damn police, an institution that began as a way to find escaped slaves, across the United States, #manisfestjustice chooses to make its explicit artistic mission to demand that power take responsibility, and to provide avenues to community empowerment in the meantime.
This afternoon, in the Sackler Wing of the Metropolitan Museum of Art in New York, a mother and daughter threw coins into its reflecting pool while a couple posed for engagement photos in front of the Temple of Dendur, the man in red pants and a gray blazer, the woman in a black jumpsuit. A long line snaked out of the temple. It was tranquil, most people speaking in a whisper. That grand space has such an effect on people.
“There are many problems in rural areas. For example, agriculture is declining, no one is farming, traditional things are falling apart, farmers are brainwashed by the idea of urbanization, and they don’t like their hometown. They all want to move to the city.”Activist Ou Ning said. Rural construction is an important issue. As an activist, he chose Bishan village in Anhui, China as the field to start his experiment, which is “Bishan Project”.
Over the past twenty-five years or so, ever since her spectacular New York début at the Drawing Center, in 1994, the now forty-four-year-old artist Kara Walker’s visual production—sculptures, cutouts, drawings, films—has been diaristic in tone.
Comic artist Huda Fahmy has been breaking down walls with her hilarious comic "Yes, I'm Hot in This."
In her own words, "What started as my therapeutic way of dealing with the Islamophobia and prejudice I encounter on the daily has now turned into this amazing opportunity to tell the story of the American hijabi."
At 12:00 noon (New York time) on November 19, 2016, Chinese artist Ning Kong, wearing a wedding dress with hundred dove, appeared at the 911 site in New York. Even though the theme of performance art is calling for peace, the police banned it and showed the handcuffs because doing performance art was not allowed at the 9/11 site. So Kong Ning turned to Times Square, New York, successfully completing her performance art.
According to the World Health Organization, China is home to two-thirds of the world's women who wear IUD devices. This is a form of contraception that was developed after World War II, and in essence, comes from discrimination against women. In 2014, artist Zhou Wenjing made a work of IEDs, which was recently exhibited in Beijing.
The Harlem Festival of Culture not only pays homage to the past but also envisions a brighter future. It serves as a platform to showcase the rich diversity and dynamism of Harlem's artistic community, while also acting as a catalyst for social change and community empowerment. The festival boasts a lineup of artists from various genres and backgrounds, including jazz, soul, hip-hop, gospel, blues, rock, Latin, and Afrobeat.
All those who practice surfing know firsthand the serious problem our beaches face: pollution. While some only complain, others do something about it. Two Brazilian surfers decided they could help raise public awareness of the need to protect nature of the proliferation of plastics used in the oceans through a novel idea: create surfboards plastic bottles.
Kokumo, pronounced "koh-koo-mah", is a trans gender activist whose very name embodies her bold path of resistance. Taken from the West African dialect Yoruba, Kokumo means "this woman will not die." Kokumo chose her name in response to constantly being told that she would die of AIDS while growing up.
The long-awaited New Museum retrospective of conceptual art pioneer Hans Haacke fell victim to internet hackers over the weekend trying to make a political point. The intervention drastically skewed the results of an iPad-based artwork that was meant to record real-time visitor responses.
An exercise that used drama/and audio visuals to engage with with all election partners, especially the political parties especially the political parties and their candidates/leaders, Electoral Commission, Musicians Association of Ghana, etc to push for a free, fair and peaceful Presidential and Parliamentary election and hand over of power to who ever won the elections peacefully.
Jeremy Scott and Moschino may no longer be a thing but the designer is still plenty busy. Case in point, Scott's new partnership with Korean car manufacturer Hyundai, the latest in the latter's ongoing Re:Style upcycling program.
For Hyundai Re:Style 2023, Jeremy Scott has saved discarded Hyundai Motor Car parts from the junk pile, instead transforming them into wearable couture (car-ture?).
A minibus is parked on the side of the road with a series of pipelines wrapped around it. One end of the pipeline is connected to the exhaust port of the minibus, and the other end is put into the car, so that the exhaust gas can be directly introduced into the car, forming a " Street gas chamber".
“OUTRAGE: Artists Respond
to the Election of Donald Trump” an online exhibition of art work by 20 artists
https://sites.google.com/site/outrageartistsrespondtotrump/
Art Hazelwood, Aileen Bassis, Patricia Dahlman, Donna Coleman, Anne Dushanko Dobek,
As tech leaders faced tough questions from Congress, SumOfUs, an 18 million member advocacy organization, was right outside with a larger-than-life installation of the January 6th Capitol riot that shows the role Big Tech played in sparking the insurrection.
The elimination of Net Neutrality is a much bigger issue than most people would like to admit. This issue stems far from just an issue dealing with an open internet, free from biased control of the internet service providers, whom which we rely on.
For more than 30 years, the Guerrilla Girls have travelled the world exposing sexism and inequality in the art industry, and this week they proved Hong Kong was no exception.
Three members of the anonymous feminist collective—calling themselves Frida Kahlo, Käthe Kollwitz and Zubeida Agha—spoke at the University of Hong Kong on Monday, dressed in their signature black outfits and gorilla masks.