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The image is stark. And shocking. A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."

Khushboo Kataria Gulati lights an off-white candle and passes the flame to a switch of sage, casting a spell around the purple-lit room as she places paintbrush to canvas. The herbaceous smoke billows around her, time suspends and her paint strokes create a scene of three multicolored faces surrounded by plants.

Created a platform to showcase disparities that are therein in public basic schools verses the private schools. Simple a call to duty bearers to act on the deplorable physical learning environment existing in the public schools , because the environment impacts teaching and learning.

On September 5th, 1991, I put a giant condom over Jesse Helms’ house. Why? Because, as the condom said, “Helms is deadlier than a virus.” Senator Jesse Helms was one of the chief architects of AIDS-related stigma in the U.S. He fought against any federal spending on HIV research, treatment or prevention.

Converse Rubber Tracks is a global community of professional recording studios, which provides free studio time to emerging artists. Bands and artists record without any fee whatsoever and maintain all the rights to their music.

Originally a project of San Francisco-based art and design studio Rebar, Park(ing) Day participants from Tucson to Tehran set up temporary installations ranging from simple unrolled sod to art galleries and even free health clinics.

Two climate activists scrawled blue ink across a series of Andy Warhol screen prints at the National Gallery of Australia in Canberra, Australia this week to raise awareness of the country’s fossil fuel subsidies. Images and video of the protest posted to social media show the two activists also trying to glue their hands to the famous print series titled Campbell’s Soup I, which is framed and under glass.

In a gallery in Hong Kong’s Chai Wan district last week, during the city’s third annual installment of the international Art Basel fair, the Beijing-based artist Huang Rui introduced a new live work called “Red Black White Grey.” At the start of the performance, four affectless women walked onstage wearing trench coats, then disrobed one by one as Huang, who is sixty-three, slathered their bodies with black and then white paint.

Dozens of moms organized a breastfeeding protest at an Australian mall after nursing mom Luci White was asked to leave the food court. White says she was finishing up her lunch at Bendigo Marketplace, about 90 minutes outside Melbourne, when her 7-month-old son, Zaydd, started crying for milk. White started nursing him, but other patrons, an older man and a mom of two, started to complain.