School desks placed by parents, district graduates and activists block a street in front of the Los Angeles Unified School District headquarters in a demonstration against student dropout rates Tuesday, April 8, 2014, in downtown Los Angeles. Protest organizers say the 375 desks are there to represent the 375 students who drop out of the district every week during the school year.
The Mexican Pavilion is an immersive space based on a 1:1 scale fragment of the expanded model of the campesino basketball court, an infrastructure that has become repurposed as a space for poly- and pluri-valent processes of decolonisation in Mexico’s indigenous communities.
Amidst a crowd of protesters and oversized signs, Pat Walsh shouted, “What’s disgusting? Union busting?”
At a glance, Walsh, a woman with well-kept gray hair and an open
smile, didn’t strike one as the usual angry protester. But that night,
Walsh was fighting.
“My husband, John, has been locked out from Sotheby’s,” says Walsh.
“He’s been a worker for 30 years. I’m here to fight for him.” Currently,
Julie Dillon is a critically acclaimed illustrator, having been nominated and won multiple awards, including two Hugos and a Chesley. Her work often deals with science fiction and fantasy stories, and her work in the field has made her aware of the lack of diversity in this optimistic speculative fiction.
The Great Wall of Los Angeles represents a minority perspective/p.o.v. of the history of the city. Judy Baca first began the mural in 1974 through SPARC at the rise of the Chicano movement. The project was a part of the community and completed by Baca, other local artists and local youth volunteers. This mural is effective in depicting the racial tension of the past, but maybe it would be enhanced by a prospective future.
A 7-year-old's sneakers. An accountant's slippers. Gold heels with spikes and a piece of paper carrying a message: "Invest in renewable (energy) ... now."
Thousands of shoes stood in silent protest on Sunday in Paris.
Public Movement is a Tel Aviv based ‘performative research body’. Through large-scale performances in the public realm they construct alternative arenas for the consideration of communal identities – national, religious and cultural – revitalising debate around the distribution of power.
Reversing decades of discrimination set into place when New Deal labor laws intentionally excluded domestic workers, New York State in 2010 passed the very first Domestic Workers Bill of Rights. Hawaii and California followed soon after with other states soon to follow.
Little Amal is the 12 foot puppet of a 10 year old Syrian refugee child at the heart of The Walk. Over the last year she has become a global symbol of human rights, especially those of refugees.
Since July 2021, Amal has travelled over 9,000km and been welcomed by more than a million people on the street, including hundreds of artists and civil society and faith leaders, as well as by tens of millions online.
GrowNYC is a nonprofit that promotes community values through environmental missions. One of GrowNYC's programs is the GreenMarkets, which are fresh produce markets that are set up in various neighborhoods in the city, each one unique to the area. These markets focus on bringing local farmers into the community as well as promoting awareness of seasonal produce in order to limit the environmental damage of importing goods.
Artist Chris Jordan shows us an arresting view of what Western culture looks like. His supersized images picture some almost unimaginable statistics -- like the astonishing number of paper cups we use every single day.
https://www.ted.com/talks/chris_jordan_turning_powerful_stats_into_art?r...
Racist adverts promoting hatred against Muslims are currently being run on buses in San Francisco - but someone has started covering them up with anti-hatred messages from Marvel's première Muslim superhero, Ms. Marvel.
A woman’s head is bisected by a line that splits her face into positive and negative halves. Over the image, a commanding text, stated in the second person, reads: “Your body is a battleground.”
The beacon flashed incessantly. On. Off. On again.
Like some sort of traffic light gone crazy, it pierced the thick nighttime mist hovering over San Francisco Bay. The light sent a message five miles across the dark waters from Ghirardelli Square to Alcatraz Island. There, cheers erupted as the light flashed the words, "Go Indians!"
“Nude” and “vulnerable” aren’t words commonly used to describe Arab males. But that’s how Tamara Abdul Hadi pictures them—literally—in the project Picture an Arab Man. With the goal of breaking the stereotype of Arab men as violent and dangerous, Abdul Hadi has traveled during the past three years to countries including Egypt, Palestine, and Yemen to photograph semi-naked men.
It’s the summer of 1971 and tourists flock around one of Washington DC’s most famous hotspots – the Capitol steps. Journalist Art Goldberg recalls ‘a squad of soldiers moving through the space. They are grubby-looking troopers, clad in jungle fatigues. Jumping a low fence, they begin shouting at a group of tourists. “All right! Hold it! Hold it! Nobody move. Nobody move!” Their voices full of tension and anger. A man runs from the crowd.
On Friday, in room 43 of London's National Gallery, two young women opened cans of tomato soup and threw their contents onto Vincent van Gogh’s famous painting Sunflowers. The soup-throwers donned shirts displaying the logo of Just Stop Oil, an activist group that has been staging nonviolent demonstrations across the United Kingdom to protest the production of fossil fuels.
The ZAD (zone à défendre, or “zone to defend”) in Western France is 4000 acres of wetland, farmland and forest that was originally intended to be built into an airport in 1965 but is now an autonomous territory occupied by 40 different collectives looking to reclaim the land. There are around 200 people living permanently on the zone, in addition to some 2,000 people coming and going.
Vince Staples mentioned Long Beach's Ramona Park approximately 80 times on his debut album Summertime '06 and even allotted the park two of its own tracks: "Ramona Park Legend Pt. 1" and "Ramona Park Legend Pt. 2." "The sun come down and guns come out, you know Ramona Park."