Eleven students have locked themselves in the Peter Cooper Suite of the eighth floor of the Cooper Union building to protest the institution's decision to charge graduate students tuition.
Rapper Logic's song "1-800-273-8255" may have helped prevent a significant number of suicides around the time of its release, according to a study published Monday.
These thirteen life-like sculptures resemble familiar politicians, admirals, generals, bishops, and dictators. Portrayed as frail seniors, they sit dozing off and drooling in electric wheelchairs. They roll on a slow collision course, crashing into each other like bumper cars.
Northeast Minneapolis is going to have the first full-fledged water bar of its kind, an establishment where you can sit and drink a variety of local tap waters to your heart’s content. Their delightful motto: “Water is all we have.”
On the small island of Teshima in Japan’s Seto Inland Sea, Multibasket – No One Wins invites visitors to reconsider competition, collaboration, and the intersection of art and play.
Seventeen editor Ann Shoket met yesterday with Julia Bluhm, the 14-year-old reader who started an online petition to ask the magazine to curb its use of Photoshop.
The smuggling of illicit cargo and people has played a significant role in shaping the culture as well as the economy of the southernmost american city of Key West since its foundation in 1821.
On February 1st, 2014, approximately 600 participants, convened in 31 locations in six countries to edit Wikipedia articles on women and the arts. During this day, at least 101 new articles were created, and at least 90 articles improved.
New York artist Donna Choi wanted to create a “weird, memorable way” to discuss fetishization of Asian women, so she put together a satirical series about how to diagnose Yellow Fever—the specific obsession many Western men have with Asian culture.
The over-the-top series is a discussion of race crafted for the attention span of the Internet.
I emailed with Choi about her thinking behind the Yellow Fever series.
Artist Zoran Naskovski continued his project "Mandala and Cross / farewell to arms” with analysis of media representations of social processes in 2015, that resulted with a new installation: “Mandala and Cross / blackness, refugees and economic gamble”.
On Sept 21, 2017, the professional committee of dementia and related diseases of China geriatric health association, together with many caring enterprises, jointly launched a public welfare activity entitled "no longer forget", hoping to call on the public to pay attention to Alzheimer's disease and promote early screening.
There are few artists more innocuous, more neutered, more universally loved and reviled than Thomas Kinkade. His soft-focus images present an idyllic vision of America and of Christianity, like Norman Rockwell without the blue-collar populism, where everything is beautiful, nothing hurts, and there’s always a warm fire going in the Lincoln-Log cabin just down the trail.
An advertising agency creates a one-time action for traffic safety, then uses documentation to generate awards and free promotion for their company. Did traffic fatalities actually drop after this was done once? Their Press Release doesn't make mention.
From McCann's Press Release:
Amplify HER is a visually dynamic, character driven feature documentary that offers intimate access into the lives of numerous emerging female artists. By combining ecstatic energy and feminine artistry, these talented young women in the global electronic music scene are harbingers for the emerging paradigm.
Women's collectives and feminist groups occupied the National Commission of Human Rights demanding results to several neglected, open investigations of feminicide in the country. During the occupation, they interviewed the portraits of historical "national heroes" with spray-paint, glitter, markers, and liquid paint.
The duo Libia Castro (b. 1970) & Ólafur Ólafsson (b. 1973) are the recipients of the Art Prize 2021 for their collective performance with the Magic Team In Search of Magic - A Proposal for a New Constitution for The Republic of Iceland.
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond: