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A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.

New York performance artist Matthew Silver is at it again. In his most recent stunt he reminded people that self love can't be achieved through commodities. Chanting "You don't need stuff to love yourself" in his underwear at Columbus Circle he created a spectacle that attracted more and more people to his message.

As the female gaze comes to the fore, artists are beginning to examine and explore the possibilities of what exists, what it is to be a woman looking at the world outside of her self. For American artist Dani Lessnau, the gaze opened the door into uncharted realms in search of the things that a camera can capture that the human eye might otherwise miss.

The large crowds and brightly coloured placards of the school climate strikes became some of the defining images of 2019. “There would be lots of chanting and the energy was always amazing,” says Dominique Palmer, a 20-year-old climate activist from London who has been involved with the strikes for more than a year. “Being there with everyone in that moment is truly an electrifying feeling. It’s very different now.”

"Eight-year-old Christian Bucks from Roundtown Elementary School noticed that some of his classmates did not have any friends to play with during recess. His solution was to introduce a “Buddy Bench”, where lonely classmates could choose to sit if they wanted a playmate. If two children were seated there, they could ask each other if they wanted to play or talk.

American Painter, Joe Lovett completes painting of historic magnitude, Stretch the Strangle Hold is a painting that captures an emotional response to the lie of war.

It’s the summer of 1971 and tourists flock around one of Washington DC’s most famous hotspots – the Capitol steps. Journalist Art Goldberg recalls ‘a squad of soldiers moving through the space. They are grubby-looking troopers, clad in jungle fatigues. Jumping a low fence, they begin shouting at a group of tourists. “All right! Hold it! Hold it! Nobody move. Nobody move!” Their voices full of tension and anger. A man runs from the crowd.

Artist and disability rights activist Liz Crow has produced another iteration of her long-standing performance project, “Bedding Out.” In an attempt to bridge the divide between her private and public lives, she invited the world to witness the way she exists in the privacy of her own bed. Staged at the Salisbury Arts Centre just outside of London, visitors could watch Crow as she lives in an installed bedroom for 48 hours straight.

Fashion designers from L.A. to Milan are picking up their shears in solidarity to do their part to prevent the spread of COVID-19 to at-risk patients and primary care providers.