Last August, as protesters marched in Ferguson, Missouri, after the death of Michael Brown, the 18-year-old unarmed teen shot by a police officer, another group of activists began thinking about how to incorporate the creative community into the movement. The result is Manifest:Justice, a free pop-up art show taking place in Los Angeles.
A group of protesters calling themselves the "Gmuni dancers" block a Google Bus from moving on 24th Street at Valencia Street on Tuesday April 1, 2014 in San Francisco, Calif.
By Latoya Peterson, Racialicious
Looking for a way to celebrate the folks who raised you–but from a slightly different perspective than you would get down at Hallmark? The good people over at Strong Families (a project of Forward Together/Asian Communities for Reproductive Justice) present Mama’s Day, a multicultural, queer-friendly celebration of the folks who do some of the most significant (and unpaid) work in our society.
It was a quick turnaround for federal employers to recognize Juneteenth as a new federal holiday. But some cities were ready with new statues honoring George Floyd, whose killing by police in Minneapolis last year sparked a nationwide racial justice movement.
Chuu Wai Nyein felt an overwhelming sense of guilt when she first arrived in Paris from Myanmar at the end of April. “I was pushed to leave the country, but it was not how I wanted to leave,” says the 28-year old. As an artist working for the last ten years, mostly in the central city of Mandalay, Chuu built up an international reputation for her expressive paintings of women.
Aaron Hughes, an artist-activist and Iraq War veteran walked into the middle of a busy intersection in Champaign, Il. where he was then going to college, and propped up a signboard that read:
“I am an Iraq War Veteran.
I am guilty. I am alone.
I am drawing for peace.”
“My image was inspired by the #MeToo Revolution, my personal experiences with the male gaze and a healthy amount of frustration and repulsion. What I hope to convey in this image is the sense of verbal, physical and energetic male ownership that is placed on women in society.”
— Beata Kruszynski is a freelance illustrator and art teacher in Ontario, Canada.
The protracted queue. That was the first thing I noticed when I arrived. It was winding, unending and impossible to see exactly where it began. I asked one of the security guards if he had any indication as to the waiting time. His response was a “your guess is as good as mine” shrug. As the mammoth line snaked around the building, my heart sank further – it is a myth that Brits love to queue; we feel compelled to, we don’t love it.
From Public Delivery:
For Ice Watch (2014), he extracted 30 blocks of glacial ice from the waters of Greenland and in 2018 strategically placed them in front of Tate Modern in London . The ice was left here to melt. Ice Watch was to inspire public action against climate change, advocating for a rapid public response.
"Dark Side of the Prism" is a Firefox Add-on that provides a soundtrack for our surveilled internet meanderings.
The public recently learned that the US National Security Agency's on-going internet surveillance program, Prism, collects data from users of major websites.
Amplify HER is a visually dynamic, character driven feature documentary that offers intimate access into the lives of numerous emerging female artists. By combining ecstatic energy and feminine artistry, these talented young women in the global electronic music scene are harbingers for the emerging paradigm.
Five leaders of British political parties called for dramatic action to confront climate change in a televised debate on Thursday, just two weeks before the country’s general election.
A melting ice sculpture stole the show.
In 2007, Andrew Danziger had an architecture class assignment at the University of Texas at Austin to propose an urban intervention in Austin. The goal was to think about public art in unexpected ways. One classmate dreamed up a blank traffic sign; another suggested putting a bench at a bus stop that lacked one. Danziger hit on the idea of installing swings in surprising places, and then he went beyond the assignment by actually doing it.
Elina Chauvet’s red shoes are worldly. They’ve been in Milan, Italy, and Grand Rapids, Michigan. Not just one pair, but hundreds — red boots, red heels, red toddler shoes. They’re not there to see the sights, but to take up space. Especially when the women or girls who would have worn them no longer take up any space, except in the lives of their loved ones.
"Medicine Man," a mobile sculpture that MAKE ART/STOP AIDS commissioned from San Francisco-based artists Daniel Goldstein and John Kapellas. The piece is constructed of pill bottles that Goldstein and Kapellas, and their partners, saved up from treatment regimens dating as far back as 1985. The artists assembled the bottles in the shape of the Virgin of Guadalupe, with an aureole of syringes arrayed around her body in a halo.