ART COLLECTIVE LUZINTERRUPTUS has created an installation made up of 100 glowing “radioactive” figures for the Dockville Festival in Hamburg.
The human-size figures appear to be wearing special white protective clothing and marching, heads down, across the landscape. The eerie structures contain a number of lights which make them appear to glow ominously in the dark.
Ai Weiwei is a Chinese artist and activist. He has been vocal and openly critical of the Chinese government’s stance on democracy and human rights. His work has captured global attention and served to bring attention to social injustices, human rights violations and systemic violence. Ai never shies away from saying what he truly feels and he encourages people to state exactly what they want.
In 1972, something unheard of happened on national television. An Asian American singer-songwriter duo was invited to perform on the widely-watched The Mike Douglas Show by guest hosts John Lennon and Yoko Ono. “They’re beautiful singers,” Lennon said in his introduction. “And they have a story to tell.”
“I am the dishes, the ironing, I am everything, I am nothing. But remind me: Who are you?” So plays the hook of a new feminist anthem released by the Palestinian rappers, DAM. The video for “Who You Are” plays on sexist attitudes by having men and women switch domestic roles typical in the Middle East, but also familiar across most cultures.
MIAMI — Officials at the recently inaugurated Pérez Art Museum Miami confirmed on Monday that a valuable vase by the Chinese dissident artist Ai Weiwei had been deliberately destroyed by a visitor in what appeared to be an act of protest.
As South Koreans took to the streets this month demanding the ousting of their president, some found an unexpected outlet to express their fury: jokes and satire.
They hoisted banners and flags with whimsical messages about cats, sea otters and food. They waved signs joking that President Yoon Suk Yeol’s declaration of martial law had forced them to leave the comfort of their beds. Pictures of the flags spread widely on social media.
“Nude” and “vulnerable” aren’t words commonly used to describe Arab males. But that’s how Tamara Abdul Hadi pictures them—literally—in the project Picture an Arab Man. With the goal of breaking the stereotype of Arab men as violent and dangerous, Abdul Hadi has traveled during the past three years to countries including Egypt, Palestine, and Yemen to photograph semi-naked men.
Introduction: The Ambulatory Free States of Obsidia
The Ambulatory Free States of Obsidia is a tiny, Matriarchal, Micro-nation located at the confluence of feminism and geography.
Grand Marshal Yagjian's Great Vision for The Ambulatory Free States of Obsidia came in 2015 when its land claim was 'liberated' from a former lover’s house for a greater purpose.
IMPEACH
An online exhibition of art work by twenty artists
Katherine Aoki, Deborah Harris, Nicolas Lampert,Cicely Cottingham,
Art Hazelwood, Ilse Schreiber-Noll, Priscilla Stadler, Tim Fite, Anne Q McKeown, Anne Dushanko Dobek, Robyn Ellenbogen, Joseph O’Neal, Donna Coleman, Robert Geshlider, Michael Dal Cerro, Leona Strassberg Steiner, Barbara Madsen, Ray Must, Carol Radsprecher and Patricia Dahlman
The coronavirus outbreak has prompted climate activists to abandon public demonstrations, one of their most powerful tools for raising public awareness, and shift to online protests.
This week, for example, organizers of the Fridays for Future protests are advising people to stay off the streets and post photos and messages on social media in a wave of digital strikes.
Beijing and the rest of cities in northern China suffer from years of smog pollution.The beige-gray miasma of smog brings coughs and rasping. Hospitals are crowded from respiratory ailments and a midday sky is so dim. But “Brother Nut(坚果兄弟)“, a performance artist, has something solid to show from the acrid soup in the air: a brick of condensed pollution.
Brooklyn deli re-brands as artisanal emporium to protest rent hike
The owners of an imperiled Boerum Hill deli have staged an “artisanal takeover” of their 25-year-old corner store, re-branding products with yuppified names and jacking up prices to illustrate the kind of shop that could afford the 250-percent rent hike they say the store’s landlord is demanding.
The theatre has luxurious red velvet upholstered seats, grand ceilings and gilded trimmings. The rows of chairs stretch back into the ostensible blackness, with light beaming from the projector room. Ahead, archival footage of stylish black travelers pack the screen as an unseen narrator discusses the hardships of mid-20th-century black travel.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
Title 18, Part 1, Chapter 17 of the United States Criminal Code:
"Whoever mutilates, cuts, defaces, disfigures, or perforates, or
unites or cements together, or does any other thing to any bank bill,
draft, note, or other evidence of debt issued by any national banking
association, or Federal Reserve bank, or the Federal Reserve System,
Project Row Houses (PRH) is a neighborhood-based nonprofit art and cultural organization in Houston’s Northern Third Ward, one of the city’s oldest African-American communities. PRH began in 1993 as a result of discussions among African-American artists who wanted to establish a positive, creative presence in their own community.
It is a clear, fresh New York night in March 1939. You're on a date and you've decided to investigate a new club in a former speakeasy on West 4th Street: Cafe Society, which calls itself "The Wrong Place for the Right People".
UK photographer Alicia Bruce collaborated with Zero Tolerance, a Scottish non-profit to end GBV, to produce a new version of the Violence Unseen campaign, launched for the first time in the 1990s and created by Franki Raffles. The new one was launched in 2018, 25 years after the original iconic Zero Tolerance campaign, shot by the late Franki Raffles.