Greenpeace advocates displayed a banner outside of the Ministry of the Environment in Warsaw. The banner reads "I love primeval forests" to protest against tree felling in Bialowieza Forest.
Protesters dressed as construction workers wearing hard hats and scaling the Ministry of the Environment building on harnesses.
A series of creative workshops for sex workers, including a 7-day workshop modeled on the C4AA Art Action Academy. The workshops enabled sex workers to tell their own stories, and shift the narratives and stigma around sex work, and videos created during the workshop have been shown at festivals in New York and Berlin.
It all started when an Icelandic girl took off her top on Twitter in a bid to promote sexual equality, only for her to be verbally attacked by some male Icelandic tit troll. Despite both comments being deleted, Twitter was suddenly awash with bare breasted ladies ("Th?"s one here is for feeding babies.
In Borrando la Frontera (Erasing the Border)", Ana Teresa confronted the fence between the United States and Mexico by putting on her black dress and heels and painting the fence sky blue.
In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).
(Honoring our Origins, Ourselves and our Dreams) is an all-womyn and womyn-identified crew from the northeast San Fernando Valley dedicated to creating awareness through public art.
Olafur Eliasson's latest project Little Sun was first debuted at the World Economic Forum on Africa in 2012. The global initiative is bringing tiny, sunburst shaped, plastic solar powered LED lights to the most marginalized regions of the world. Elliasson calls Little Sun, "A work of art that works in life."The lights are also capable of self renewable energy, which makes them practical and portable to those without proper electricity.
In March 1939, a 23-year-old Billie Holiday walked up to the mic at West 4th's Cafe Society in New York City to sing her final song of the night. Per her request, the waiters stopped serving and the room went completely black, save for a spotlight on her face.
In Halt, a new solo piece premiered at
NYU Gallatin, dancer and choreographer
Jamar Roberts examined the language of
the body in protest. The work focuses
on what it means for human beings-the
committed individual and the organized
collective- to be equally the subjects
of progressive change and the targets
of unjust corporeal punishment.
Global corporation Unilever dumped toxic and contaminated waste behind its thermometer factory located in Kodaikanal, a city in the South Indian state Tamil Nadu. In 2001, once word spread about this breach in environmental precautions, Unilever closed its factory. However, it is yet to adequately compensate its workers, many of whom suffered mercury poisoning. The corporation has also yet to clean up its mess and remediate the land.
In the early hours of Sunday 10th November, Extinction Rebellion activists staged an action on the river Thames in London. A classic suburban house was seen floating down the river, sinking into the water in yet another attempt to send an SOS to the government on climate inaction and draw attention to the threat humans face from climate change and rising sea levels.
Melissa is a down-to-earth, friendly woman in her 50s, and it seems that she has always met life with a certain amount of courage. She grew up on another continent, and after early motherhood, then divorce and a first career in business, she moved to the UK with her second husband. She then built another career working with survivors of domestic violence, before setting up a climate emergency centre in Abingdon, Oxfordshire.
It was 1967, and sentiment against the Vietnam War was in the air nationwide. The counterculture was flourishing on the heels of the Summer of Love. Organizers from Mobe — the National Mobilization Committee to End the War in Vietnam — initially called for a massive march on Washington.
The enforcement of city and state law pertaining to graffiti, advertising, and other signage has enormous power to visually shape public space. In New York City, enforcement is heavily skewed to ignore illegal commercial advertising, while simultaneously aggressively targeting graffiti and, in some cases, symbols of dissent.
Women around the world fed up with long lines for the ladies’ restroom have a new folk hero: a Beijing college student leading her own version of an “occupy” movement in southern China.
Brandalism, an organization out of the UK that aims to reclaim public spaces from advertisers, used Black Friday to protest "partner" brands to the COP21 Climate Conference.
Anonymous artists contributed subvertisements that criticized these brand for their hypocrisy in saying they are advocates for the environment when more often than not they are the worst contributors to the problem.
In a case of voter fraud, an investigation revealed that the party in power had won fifty votes from the residents of a single apartment.
A group of activists reproduced the apartment in a downtown square and invited 50 people inside.
The action took just one part of the case, literally brought it into three dimensions, and showed the absurdity that this could ever be legitimate.
In this black-and-white image, there are no strands of hair or remnants of makeup to be found, except a shaved head belonging to a South Korean. Jeon photographed this image in 2019 for her exhibition that aimed to "destroy the socially defined idea of a woman” (Kuhn 1). The visuals in this image is a brazen response to the conventional beauty standards that has been gripping South Korean women.
The 9,000 bottles of water on display at an art gallery in Beijing last month appeared identical to those of Nongfu Spring, one of China’s most popular spring water brands, with one jarring difference. Inside each bottle was brown, murky groundwater collected from a Chinese village.
This country belongs to whoever shows up. And do you know who shows up for every election? Old people. But only 46% of people18-34 years old voted in the last election.
So the elderly have a disproportionate influence on our politics and our country. And a lot of them would like to keep it that way.