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It can be important to reflect on the artistic recounts of activists experiences under state imprisonment. In a revealing interview with Artspace, Chinese artist and dissident Ai Weiwei reflects on his 81-day secret detention in 2011 and the psychological strategies used to dismantle identity and autonomy.

Veteran Industrial band Skinny Puppy have objected to their disturbingly dark music being played to discombobulate inmates at Guantanamo, and plan to “charge” the government for doing so. They are not the first band to express such objections.

Jes Baker is cutting retailer Abercrombie & Fitch down to size. Baker, who blogs under the name "The Militant Baker" and wears a size 22, changed the brand's A&F logo to "Attractive & Fat" in a mock, black-and-white Abercrombie ad to challenge the line's branding efforts.

Resonate, Reverberate, Roar (Re-Re-Roar) is a growing archive of original sounds that express an experimental, independent, and socially progressive spirit. The sounds on Re-Re-Roar include field recordings, interviews, songs, speeches, experimental music, and more. Re-Re-Roar is a site for research and activ[ist] listening, with the purpose of distributing sounds of resistance to eager ears around the globe.

Officials in Thailand had an unorthodox approach to deal with visitors who left a tent filled with litter in a national park: mail the trash to the offenders.

"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.

Born on June 30, 1902, in Mexico City, Leopoldo Méndez would become one of Mexico’s most significant and beloved graphic artists of the twentieth century. Méndez was one of eight children in a poor household. At a young age, Méndez used art as a means to bring joy to the Mexican community and attended the Academy of San Carlos located in Mexico City.

A pair of activist groups have taken a tactic straight from the Oscar front-runner “Three Billboards Outside Ebbing, Missouri.”

Before it was called the Downtown Arts District, many more artists lived and worked in this stretch of central Los Angeles. The neighborhood was a rough-edged alternative for people in need of large, industrial spaces. A home for those willing to be Skid Row-adjacent and amenity-non-adjacent. But Los Angeles is making an attempt at urbanization, at feeling like a much denser city, and rapid gentrification has followed.