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The two sources linked in this post are separate reviews of the incident currently occurring in Baltimore. It illustrates the factor of hindsight.... what supposedly began as a peaceful protest, in one article, is portrayed as clearly intended to fight back for #blacklifesmatter... however, "(CNN)The arrest and death of Freddie Gray in Baltimore has stoked protests and accusations of police brutality.

In 1988, rap group the N.W.A from Compton, California released their second album, “Straight Outta Compton”. Without any radio play or media coverage, the album still managed to become an underground hit, and the notorious rap group successfully introduced socially conscious gangsta rap into the mainstream.

Everyone knows that unemployment is one of the most serious problems that plagues society today. Yet, even though this problem is widely acknowledged, it remains difficult for many people to relate to and truly understand the personal hardships that unemployment gives rise to.

A group of unidentified guerrilla activists staged a unique pro recycling flashmob in a Quebec mall in July 2015. An actor 'forgot' an empty water bottle on the ground in a food court a couple of feet from a recycling receptacle. Numerous people walked past the bottle and did nothing. Finally a woman walking past it reached down and recycled the bottle. She was then given a standing ovation and thunderous applause from the entire food court.

Frank Waln, a 25 year old Native American hip hop artist, tours the country and Canada performing and teaching motivational workshops to students across the country. He took to rap at a young age when he found a cd (Eminem's The Marshall Mathers LP) on the side of the road. Growing up on the Rosebud Sioux Reservation of South Dakota, he realized that the hip hop music genre was an outlet for expressing pain and frustration.

With the intention of recognizing the work of the Latin American carreteros (garbage pickers) that collect recyclable materials in wheel carts, and increase environmental consciousness, artist Mundano created “Pimp My Carroça"

The Center for the Study of Political Graphics and the Esperanza Community Housing Corporation have combined forces to bring 75 powerful and engaging poster works on broad issues of health care to audiences traditionally excluded from the art world in Los Angeles and elsewhere. Both organizations have been in the forefront of social change for three decades.

Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.

Natalie Ball’s work challenges dominant stories of Native American identities, taking to task the historical and visual legacies that misrepresent what it means to be “Indian.” She dives deeply into Indigenous histories and forms of knowledge, the use of language, and a wide range of materials—including animal hides, clothing, and synthetic hair—to create a new narrative around Indigenous experiences and identities.