In May 2020, a team of artists, activists, folklorists, and people who lost loved ones to Covid-19 came together to make monthly memorial sites in New York City to remember victims of the Covid-19 pandemic. They continued installing memorials around New York City every month during the summer of 2020.
In Borrando la Frontera (Erasing the Border)", Ana Teresa confronted the fence between the United States and Mexico by putting on her black dress and heels and painting the fence sky blue.
"Four theatrical spaces and the full inventory of of 3LD Art & Technology Center were enlisted in the transformation of the space into SupremacyLand, a dystopian theme park where white supremacy and racist carnage was raised and twisted into totally immersive, experiences.
Monday June 18, 2007 marked history with Operation First Casualty (OFC) – part IV, Chicago, Illinois. As IVAW members were coming into town, organizers were finishing last minute details. Participating IVAW members were from Illinois, New York, Pennsylvania, DC and Indiana.
Throughout the weekend, big box stores across the country were stocked with an unexpected item: “The Justice Kavanaugh Boof Kit.” The item, an alcohol enema kit (known as “boofing” or “butt chugging”), appeared on dozens of retailer’s shelves over the weekend in New York, Los Angeles, San Francisco, Minneapolis, and Detroit. Some of the stores included Walmart, Target, Bevmo and other major super market chains.
The People’s Bank of Govanhill uses social and activist art practices to involve people in re-imagining the local economy, looking at how we can put feminist economics into practice in the local community.
Amid ongoing protests and government repression in Iran, a group of artists at Michigan State University is raising awareness about the women fighting for their rights in the country.
The group hosted a packed crowd one January evening for a night of music, dance, and poetry performances. The pieces, inspired by Iranian stories and icons, show solidarity with the ongoing movement abroad.
The Brooklyn Paper
March 26, 2012
BY ELI ROSENBERG
Occupy Wall Street wants to occupy your wall space.
A collective of poster printers in Gowanus is attempting to help reignite the social movement’s flames for a May 1 “General Strike,” with a handful of new pin-ups it hopes will be as arresting as the image of a ballerina atop a bull that kicked off the whole protest in September.
Without water, life would not exist. And yet, those of us in developed countries take it for granted; our shelves are stocked with hundreds of branded bottles, and it is freely given at restaurants, at schools, and even in parks. We seem to have an unslakable thirst for it; attained in excess, we throw it away like dirt—just as many developing countries liken its value to gold.
Originally a project of San Francisco-based art and design studio Rebar, Park(ing) Day participants from Tucson to Tehran set up temporary installations ranging from simple unrolled sod to art galleries and even free health clinics.
Cosmic Generator presents a network of characters working in nonsensical, and at times absurd, economies. Artist Mika Rottenberg uses footage from actual discount dollar stores in Calexico, CA; Mexicali, Mexico; and Yiwu, China to recreate the imaginary “life” of a product, from its production in the factory to the moment it is sold.
On May 12, 2008, a massive earthquake in China’s Sichuan province killed approximately 90,000 people. Ai Weiwei created this serpentine sculpture, made of backpacks, to commemorate the more than 5,000 school children who were killed when their shoddily constructed schools collapsed.
Artist and disability rights activist Liz Crow has produced another iteration of her long-standing performance project, “Bedding Out.” In an attempt to bridge the divide between her private and public lives, she invited the world to witness the way she exists in the privacy of her own bed. Staged at the Salisbury Arts Centre just outside of London, visitors could watch Crow as she lives in an installed bedroom for 48 hours straight.
On 6 January 2012, Metrópolis (TVE 2) broadcast "Activismo y Ficción", a report directed by Enmedio members Leónidas Martín and Núria Campabadal. It looks at a series of creative projects that lie somewhere between fiction and social activism.
A group of Syrian artists in Damascus has created the world's biggest mural made of recycled materials, a rare work aimed at brightening public space in a city sapped by war and sanctions.
The brightly coloured, 720-sq metre work was constructed from aluminum cans, broken mirrors, bicycle wheels and other scrap objects and displayed on a street outside a primary school in the centre of the Syrian capital.
Yu Hong’s Female Writer, a painted and photographic portrait of the writer Zhao Bo 趙波 (b. 1971), recalls courtly images of idealized beauties. Yu, however, deliberately complicates the perspective in her composition: she asked the sitters for her She series to select photographs of themselves that could be paired with her paintings, meaning that the images together convey dual female perspectives, both the artist’s and the subject’s.
As Black History Month commemorations start to wind down, one festival is just gearing up. Afropunk the Takeover — Harlem, running from Tuesday through Feb. 25, will celebrate black culture with music, art, film screenings, discussions and comedy.
A performance art piece by a student who sat in a cage to protest a draconian lockdown of the Beijing Film Academy (BFA) recently went viral, and was censored just as quickly. Like many other Chinese citizens, university students have been living under strict lockdowns, and are beginning to chafe at the restrictions—and at administrators’ lack of responsiveness to students’ concerns.