QUESTION: Year after year, decade after decade, you alert the legal authorities to cruelty violations and suffering animals in peril, yet nothing ever happens. You know for a fact there are thousands of screaming and suffering hens inside a factory farm and you know the authorities will once again turn a blind eye, so what do you do?
In Venezuela, the far right opposition has protested against the leftist regime of Maduro. Violence has swept through the capital, Caracas, and other cities throughout the country. Meanwhile, the Western world has had its eye on Ukraine, and received relatively little news coverage of what is actually going on in Venezuela. An epidemic of misinformation has spread as a result.
On the small island of Teshima in Japan’s Seto Inland Sea, Multibasket – No One Wins invites visitors to reconsider competition, collaboration, and the intersection of art and play.
On April 23rd, in commemoration of the International Day for Animals in Laboratories, Animal Equality's activists in Rome, Madrid, Barcelona and many other cities across Europe carried out demonstrations against animal testing.
Tate Modern considers activists' wind turbine for art collection: Liberate Tate, an art collective who object to BP sponsorship, have offered the 16 metre turbine blade to the gallery
A 1.5 tonne, 16.5 metre-long wind turbine blade carried last month to the Tate Modern by artists objecting to the gallery's sponsorship by oil company BP is being considered for the national art collection.
Wafaa Bilal's childhood in Iraq was defined by the horrific rule of Saddam Hussein, two wars, a bloody uprising, and time spent interned in chaotic refugee camps in Kuwait and Saudi Arabia. Bilal eventually made it to the U.S. to become a professor and a successful artist, but when his brother was killed at a U.S. checkpoint in 2005, he decided to use his art to confront those in the comfort zone with the realities of life in a conflict zone.
“How different. Exotic,” commented one women as she watched a group of almost 50 people — mostly young and black, many wearing bright fabrics with African designs — stroll through the Shopping Leblon mall.
The project involved creating portraits of garbage pickers from the Jardim Gramacho landfill near Rio de Janeiro, Brazil, using materials found in the landfill itself.
Muniz worked with the garbage pickers to create the portraits, which were then photographed and exhibited in galleries around the world. The project aimed to raise awareness of the plight of the garbage pickers and the environmental issues associated with landfill waste.
IT’S 7 AM, and a thin layer of mist still hovers over the harbor in Talamone as fisherman Paolo Fanciulli stretches out his nets. Pulling them out of a plastic tub, he examines them section by section, setting the ripped ones aside to be repaired. It’s a time-consuming process—one that’s occupied men from this tiny village on the coast of Tuscany for centuries.
Boricua artist Castorillo discusses the crisis, diaspora, and the enduring significance of the Young Lords Party for Puerto Rican social movements today using illustrations:
Kanami Kusakima, also known as the woman who dances in Washington Square Park with the long black hair and the paint, was happy to allow the Mayor's Office of NYC use her image as a promotional tool for a "post-coivd" New York. Yet, she has had multiple encounters with police who want to shut her performance down.
Female Frequency is a collective dedicated to empowering women & girls through the creation of music that is entirely female generated. "We are making an album created entirely by females, start to finish --
this means that all writing, instrumentation, arrangement, performance, production, engineering, mixing, mastering, marketing and visual media will be carried out by females."
Through his environmental, social justice organization, Instituto-E, Dr. Oskar Metsavaht, the creative director behind ethical fashion brand, Osklen, joined forces with Rainer Nolvak, founder of international civic sanitation movement, Let's Do it and Umer Pter, head of External Relations and Estonian delegate at the Rio+20 U.N.
Maryland Hall, in partnership with the Banneker Douglass Museum and Maryland Commission on African American History and Culture, invited Maryland-based Black artists, whose work encapsulates activism and social justice and using the creative process to educate their audiences about diversity, equity and inclusion to send proposals to take one of six 5 ft.
In March of 2022, JR, with the help of 100 volunteers, unfurled the portrait of five-year-old, Ukrainian refugee Valeriia in Lviv, Ukraine. Leaving Ukraine, JR saw firsthand how difficult it was for women and children to get to safety due to long queues at the border. In response, he released two NFTs of Valeriia as part of his solidarity project titled: Can Art Change the War?
A young and beautiful girl posted a piece of paper selfie every day on Instagram, the most popular social network at the moment. In just over 4 months, with 184 selfies, her fans quickly rose to 90,000. In the photo, she is sometimes sweet and lovely, sometimes sexy and attractive, and sometimes turned into a healthy and positive "organic girl"... Now there are nearly 150,000 people around the world who follow her every day.
First: inflatables uplift a grim protest situation into a playful event. There is something magic about what inflatables induce in people. Their enormous size combined with the weightlessness and softness makes them irresistibly attractive and dreamlike. People have a natural tendency to touch the inflatable sculpture and to join the game of throwing inflatables in the air—changing a march into a poetic, joyful and participatory event.
The ad agency Badger & Winters in collaboration with immigrant rights nonprofit organization Refugee and Immigrant Center for Education and Legal Services (RAICES) installed 20 cages with mannequins representing immigrant children inside across New York City. Each cage had a sign that said #NoKidsInCages and played audio of a child crying.
From Creative Time, Social Practice Archive: Produced by the Windsor, Canada-based collective Broken City Lab—an artist-led interdisciplinary research group—Cross-Border Communication was a performative public art project that took place in November 2009 between the cities of Windsor and Detroit, which are separated by the Detroit River. For three nights, Broken City Lab projected a series of messages across the river which were visible in Detroit.