This Anti-Abortion Influencer Is Using ‘Magical Birth Canal’ Videos to Supercharge the Movement
Laura Klassen is using props, satire, and a pink wig to pioneer a young and edgy approach to anti-abortion messaging in Canada.
By Valerie Kipnis and Elizabeth Landers
May 4 2020, 12:45pm
Presaged by shimmering spin-off hits “Dreams” and “Linger,” The Cranberries’ landmark debut album, Everybody Else Is Doing It, So Why Can’t We?, suggested its creators had taken up the baton handed down by jangly indie-pop classicists The Smiths and The Sundays.
The Kiss of Love campaign in India is a non violent protest against moral policing. It started out as a Facebook page but gained momentum across India when a mob of conservative, right-wing party members attacked and demolished a coffee shop in Kozhikode, Kerala. Their grounds to do so was public display of affection by couples inside the coffee shop, which they saw as immoral activity.
Mona Haydar’s first single, “Hijabi (Wrap My Hijab)” is an empowering anthem for women everywhere who wear headscarves.
It’s also a sharp rebuke to those who dare to ask headscarf-clad women what their hair looks like underneath, whether they’re hot in there, and whether it feels too tight.
The Rev Lucy Winkett is having trouble sleeping. This is because her church on Piccadilly has decided to erect a full-size copy of the Israeli separation barrier to block off her Christopher Wren church. And because she lives above the shop, the grim presence of this temporary structure is with her all the time. "Politics aside, living beside the 26ft wall is having a curious effect on those who are here.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
Yazan Halwani is a young Beiruti artist who paints murals of revered Lebanese and Arab figures on prominent walls in a bid to help overcome sectarianism in this fragmented city. “What I try to do,” he explains down a fuzzy line from Beirut, “is write the stories of the city, on its own walls – creating a memory for the city.”
The exhibition "Unpacking the 21st Century: Artists Engaging the World" included work by five New York City area artists that examined a range of social and political issues and offered companion special events.
The Iranian filmmaker Mohsen Makhmalbaf opens “The Gardener” with the declaration: “I am an agnostic filmmaker.” From anyone else, this might seem like a simple statement, but not from the complex Mr. Makhmalbaf. In 1974, when he was 17, religious and involved in a guerrilla group, he stabbed a policeman, for which he received a bullet to the stomach and a prison sentence.