Whose job is it to create a city? Our intention is to jumpstart a new profession that can re-invent and negotiate the complex mix that encompasses a city. We have defined a radical new occupation to regenerate, pioneer, and sustain the future urban realm. These innovative multi-disciplinarian advocates are called Urbaneers. Their immense task is to manifest and facilitate the next expression of city across the globe.
Close to 100 artists and activists staged a protest at the Brooklyn Museum yesterday afternoon in response to displacement — both in Brooklyn and Palestine.
"A Night of Philosophy and Ideas is a thinker’s lollapalooza. The free, 12-hour weekend lyceum at the Brooklyn Public Library includes spirited debate, live music, theater, performance art pieces, and film screenings. At any given hour, five or six different events will be taking place simultaneously. Visitors are encouraged to come and go as the spirit moves them.
On Saturday, October 19, 2013, Creative Time and the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum presented Between the Door and the Street, a major work by the internationally celebrated artist Suzanne Lacy, perhaps the most important socially-engaged artist working today.
Conceived and curated by Bushwick native Joe Ficalora, the Bushwick Collective has evolved into an extraordinary open-air gallery since its first mural surfaced in 2011.
Attracting a wondrous array of local, national and international artists, it showcases first-rate street art -- from legendary Blek Le Rat stencils to huge collaborative walls by such world-renowned artists as Case Ma'Claim and Pixel Pancho.
While most people slept, a trio of artists and some helpers installed a bust of NSA whistleblower Edward Snowden in Brooklyn on Monday April 6. They fused it to part of the Prison Ship Martyrs Monument, a memorial to Revolutionary War soldiers. By later that day, officials had removed the bust. But then a group called The Illuminator art collective replaced the missing bust with a hologram projection of Snowden.
Promoted as a DIY festival with no corporate sponsorship, the 2015 Latino Punk festival in Brooklyn, NY featured bands from all over the Americas. With an emphasis on local bands supporting each other and nurturing local scenes, this festival functions in reference to the ideals of the punk and Riot Grrrl movements in the 1990s.
Desi is giving all she has to the project Women In the Making (WIM). From rooftop farming and summer education, to her radio show and online presence. She is an advocate for better health, food, and policy in Brooklyn, and nurturing young activists.
Brooklyn deli re-brands as artisanal emporium to protest rent hike
The owners of an imperiled Boerum Hill deli have staged an “artisanal takeover” of their 25-year-old corner store, re-branding products with yuppified names and jacking up prices to illustrate the kind of shop that could afford the 250-percent rent hike they say the store’s landlord is demanding.
Stop Telling Women to Smile is a street art project by Tatyana Fazlalizadeh that addresses gender based street harassment.
Street harassment is a serious issue that affects women world wide. This project attempts to take women's voices, and faces, and put them in the street - creating a presence for women in an environment where women are a lot of times made to feel uncomfortable and unsafe - outside in the street.
Stephanie H. Shih is a Brooklyn-based ceramist who explores Asian American identity through clay interpretations of grocery items. The ceramicist has created life-size painted clay Sriracha bottles, Pocky cartons, soy sauce gallons, and instant ramen as part of a series Shih conceived in 2018 called Oriental Grocery, to explore nostalgic foods of the Chinese American diaspora.
The Brooklyn Paper
March 26, 2012
BY ELI ROSENBERG
Occupy Wall Street wants to occupy your wall space.
A collective of poster printers in Gowanus is attempting to help reignite the social movement’s flames for a May 1 “General Strike,” with a handful of new pin-ups it hopes will be as arresting as the image of a ballerina atop a bull that kicked off the whole protest in September.
"is a conceptual documentary project in which I photographed every Mom and Pop-style cornershop on the island of Manhattan as quickly as possible, as I walked each block in the city ( CLICK FOR A MAP of my route). I fear these veritable microcosms of NYC will be swallowed in the presently swelling wave of corporate homogeny.
Katharina Grosse's public exhibition "Just Two of Us" consists of eight large meteor looking sculptures painted in bright technicolors. The sculptures, which have been placed in the public plaza at Metro Tech Commons, have transformed downtown Brooklyn. Grosse is a German artist based in Berlin, who is known for her use of spray gun techniques to create abstract colorful paintings on unconventional surfaces.
Call it art, exhibited as an installation piece in the October 2014 show "Crossing Brooklyn," a collaboration of more than 100 artworks by 35 artists (or groups) who live or work in Brooklyn, presented at the Brooklyn Museum... or call it "A survey of Art from Brooklyn" as hyperallergic journalist Jillian Steinhauer wrote... it exists on the streets as a social practice, albeit using creative means for community-building.
Nearly 15,000 mostly Asian-American protesters rallied in Brooklyn Saturday for former NYPD Officer Peter Liang, claiming that the rookie cop was a “pawn” of anti-police politics and was wrongly prosecuted for a tragic accident.The crowd filled Cadman Plaza Park, with many carrying signs with slogans like, “One tragedy, two victims” and, “Scapegoating won’t bring peace.” Many placards bore Martin Luther King Jr.’s photo and quote, “Injustice anywhere is
Street harassment is one of the most pervasive forms of gender-based violence and one of the least legislated against. Comments from “You’d look good on me” to groping, flashing and assault are a daily, global reality for women and LGBTQ individuals. But it is rarely reported, and it’s culturally accepted as ‘the price you pay’ for being a woman or for being gay.
“Art is so often only experienced through looking,” artist Caitlin Rose Sweet explained to The Huffington Post. “It’s a short pathway from the eyes to the brain. I want the whole body involved.”
Over the past twenty-five years or so, ever since her spectacular New York début at the Drawing Center, in 1994, the now forty-four-year-old artist Kara Walker’s visual production—sculptures, cutouts, drawings, films—has been diaristic in tone.