A video collaboration betweenHayley Silverman and Emily Shinada. Using clips from a Japanese pornography film, the video highlights fears of interpersonal connection and explores the objectification of women. It was on view at Alogon Gallery for theWomen Get Fucked exhibition.
This satirical website ridicules hipster racism and black tokenism, using two fictional white characters - Sally and Johnny - who have many black friends. The webpage is fairly simple and features fictional testimonies by black people celebrating the stereotypes and innocuous, but prejudiced behavior of Sally and Johnny. There is also a section of submitted testimonies and hate mail/fanmail.
From Time Magazine:
It's not a dress—it's a cape
We’ve all seen the woman in the triangle dress that marks women’s bathrooms. But what if that triangle silhouette isn’t really a dress?
The video: https://www.youtube.com/watch?v=Rg58d8opQKA
From Flavorwire:
“Another world is possible!” — so goes the popular activist chant at rallies and marches. Yet one of the most difficult aspects of sustaining a grassroots political movement can be imagining that other world and persisting even when it seems far away.
From Variety:
YouTube launched a campaign with the hashtag #DearMe — encouraging users to upload “video letters” with advice to their younger selves, aimed at helping girls deal with problems — and within an hour it became the No. 1 trending topic on Twitter both in the U.S. and worldwide.
The satirical website was launched at noon on Monday, December 3. According to the site, “PINK loves CONSENT is our newest collection of flirty, sexy and powerful statements that remind people to practice CONSENT. CONSENT is a verbal agreement about how and when people are comfortable having sex.”
Global Citizen arranged a virtual concert to celebrate all those who are working during the COVID-19 epidemic, from the healthcare workers to essential workers. The lineup included Lady Gaga, Taylor Swift, Billie Eilish, Jennifer Hudson, and over 30 more artists. The concert took place live on Youtube and ran for around 6 hours.
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
Logic, a rapper known to incorporate meaningful messages with his music, recently released his newest track, “1-800-273-8255.” Covering topics of depression and suicide, the song and its subsequent music video uses the phone number of a national suicide hotline as its title.
"When it comes to the effects of the virus on black lives, the roots run deep.
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This is one of the hardest illustrations I’ve ever done. Not because of the tree - but because of the overwhelming nature of the subject at hand. Seeing headlines like “Blacks are Dying at Higher Rates from Covid-19” SHOOK me!
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With the 21st century in full swing, the internet has become an integral part of everyday life for much for the world. From shopping to social lives, we have become increasingly reliant on the internet to get things done, as well as to communicate with other people. The younger generations, starting with Millenials, have never grown up in a world without the internet.
Shmoogle is a Google randomiser. When you type your query into Shmoogle, you get Google's results but in random order. In one click Shmoogle instantly neutralizes the PageRank hierarchy and the whole SEO industry induced by it. Missdata, questions the implications and significance of the digital paradigm in which we live. She proposes different alternatives to daily digital tools.
The Arte Útil archive presents a growing archive of over two hundred case studies that imagine, create and implement beneficial outcomes by producing tactics that change how we act in society.
Creative Time, a public art fund, invited artists to make online comics that addressed contemporary issues. Every month for two years a new artist presented their comic strip online. At the end, there were a total of 24 comic works that were archived online and also released as a publication in 2010.
The video for “Borders,” a song off MIA's album Matahdatah, features images recalling all sorts of migrations from the developing world—there are people crossing deserts, fences, and bodies of water. Though much of M.I.A.’s work has been about women and children, this video is filled with brown men: the ultimate bogeyman for many in the West, stereotyped as terrorists, criminals, and job-takers.
Started by UK resident Laura Bates, The Everyday Sexism project is an open forum for women to record their stories of experienced sexism. The project was started as a means to show that gender inequality and sexism pervade contemporary society.
Angry Asian Girls United was created in 2012 by a then-17 year old girl who was frustrated with feeling like there was no place for her to talk about issues of racism and othering. This community has since grown in the thousands and seen hundreds of stories told from Asian girls and women all over the world.
Pneumoconiosis has become the most serious occupational disease in China, and the vast majority of sufferers, nearly 6 million, are migrant workers. Because of the long-term inhalation of dust caused by pulmonary fibrosis, they usually breathing if not oxygen machine help, easy to suffocate.
Black Lives Matter has pushed the national conversation on race—but the trauma and pain behind the fight against systemic racism can weigh heavily on black organizers and the communities they serve.
This was the case for Kleaver Cruz, a 27-year-old writer and community organizer at Black Lives Matter: NYC. A few days after Thanksgiving, he woke up deeply saddened, physically unable to move.
The 1975’s ‘Love It If We Made It’ is a dystopian love story that feels appropriate for the last 18 months. Even though it was written before the pandemic, its relevancy has only increased tenfold since its release in 2018.