This installation of 13 photographic self-portraits explores European-American heritage, my family and their role in the history of racism, colonization, genocide, and classism. The ancestors, real and imagined, span over 2000 years from the Celtic Iron Age to the present day. The life size portraits are accompanied by audio diaries from the perspective of each character.
Late last year, the New York Times published an op-ed short film written and narrated by Jay Z. The clip was called “The War on Drugs Is an Epic Fail,” and that kind of title was explicit enough for everyone to grasp the entertainment mogul’s general argument, whether they knew anything about drug war or not.
Mass media using propaganda to brainwash citizens. Confusion and ignorance causing a divide. People rising up against an oppressive government. Humans being torn between rage and love. These are the themes of Green Day’s widely successful 2004 album, “American Idiot.” These themes still sound familiar. Nearly two decades later, the world, especially the United States, faces these same issues.
The N.R.A. Reimagines Classic Fairy Tales, With Guns.
The world of make-believe can be a scary place, but never fear: Thanks to a series of reimagined fairy tales published online by the National Rifle Association, classic characters like Hansel and Gretel are now packing heat.
Josh Keyes is a contemporary artist who takes a "satirical look at the impact urban sprawl has on the environment and surmises, with the aid of scientific slices and core samples, what could happen if we continue to infiltrate and encroach on our rural surroundings."
Trickery and disguise, usually followed by revealing the truth, are often tactics used by liberal activism, like the Yes Men for example. When used by the right, however, it can have different implications. Pretending to be a CEO or billionaire in order to expose corporate greed and corruption is clearly different then pretending to be a minority. The use of disguise can manipulate and shed light on hierarchies of power.
In Drones We Trust, 2014 - Joseph DeLappe
Crowd Sourced, Participatory Rubber Stamp Currency Intervention
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