In the summer of 2011, squatters take over an unused building, once an animal shelter, and begin renovating it into a social and cultural center for a neighborhood on the outskirts of Amsterdam. They call it Op de Valreep ("in the nick of time").
Text by Jessica Stewart
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In Virginia, one artist is helping his community reclaim a controversial monument in the name of Black Lives Matter. The Robert E. Lee Monument now stands as the only remaining Confederate statue on Richmond's historic Monument Avenue. While litigation ties up the statue's removal, light projection artist Dustin Klein is using his art to change the meaning of this contentious monument.
As the death toll from Israel’s attacks on the besieged Gaza Strip continues to rise, a guerrilla projection on May 13, 2021 illuminated a building in Brooklyn’s Dumbo neighborhood with messages of solidarity with Palestinians.
ŠTO TE NEMA is a public monument created as a response to Europe’s worst atrocity since World War II - the systematic killing of 8,372 Muslim men and boys in the UN-protected safe area of Srebrenica in Bosnia and Herzegovina in July of 1995.
A major exhibition by Ai Weiwei this autumn features a new series of monumental sculptural works in iron, cast from giant tree roots sourced in Brazil during research and production for last year’s survey exhibition, ‘Raiz’, at the Oscar Niemeyer-designed OCA Pavilion in Ibirapuera Park, São Paulo.
“I am a silkworm.” Liang Shaoji has repeatedly used this phrase to describe his work, underscoring his preoccupation with the materiality of silk and the technology of sericulture, or silk farming. For more than twenty-five years, Liang Shaoji has raised silkworms and trained them to spin silk onto different objects in his Nature series.
Per os is a research-based art project about the pharmaceutical companies' role in our society, psychiatry and healthcare. Using surveys I have conducted over the past three years and a large amount of anger at how wrong and corrupt the system is, I would like to interpret this research artistically in order to develop material for an exhibition and interventions.
Entitled 2016, the year it was made, this painting depicts a golden boat sinking below the surface of the ocean. The composition’s central subject is a chaotic tumble of black, white, gold and flesh-toned colours, suggesting the boat’s inhabitants are spilling over its edges into the water.
Western Flag depicts the site of the 'Lucas Gusher' - the world's first major oil find - in Spindletop, Texas in 1901, now barren and exhausted. The site is recreated as a digital simulation the center of which is marked by a flagpole spewing and endless stream of black smoke.
Hello and thanks for viewing.
This was a little installation that took place in the beauty of West Texas. The goal was to reorientate the site specific Prada Marfa into something more relevant, TOMS Marfa. Prada Marfa, being in the middle of nowhere, a structure placed as sort of a apocalyptic trophy for the high art world meant to challenge time; TOMS Marfa was to accelerate that vision with 2014 subject matter.
Bellefaire JCB, an organization that provides care, education, and advocacy to better the emotional, physical and intellectual well-being of children, young adults and families has launched Take A Closer Look, a campaign which aims to raise public awareness about the issues surrounding homeless and missing youth and educate communities on how they can help.
Luzinterruptus turns their art activism towards the overabundance of dog doo littering the city’s streets.
The studio inflated 500 poop-scoopin' plastic bags and placed a lightbulb inside each one.
Installation lasted nine hours.
CNN
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Five years after first appearing on the cobblestones of Wall Street, the “Fearless Girl” statue – a petite but controversial symbol for gender equality – is taking on a new digital form.
On the 6th February 2013, 40 activists across 6 states plastered 110 ANZ ATMs with 'Out of Order' notices, sharing them on social media the following day. The objective was to use a hoax style action to exploit mainstream media sensitivity around ANZ Bank's unethical funding of fossil fuel projects that had been generated by Jonathan Moylan's Whitehaven Hoax a week earlier.
On September 19,2015 in Paris, 140 animals sailed up the River Seine to bring awareness to climate change, ahead of the COP21 UN meeting in December. French artist Gad Weil created this pop art piece from fully recyclable acrylic sheets, and installed the animals on top of a barge in front of the Eiffel Tower.
A unique piece captured significant attention at the Central Academy of Fine Arts undergraduate graduation exhibition in June. The work featured an "anime-style" girl's skull linked to a human skeleton and internal organs, all encased within a thin film. As visitors entered the exhibit area, her breathing and gaze would alter accordingly.
ONGOING ORGANIZATION:
CALLED: Iranti [pronounced írantì] is the Yoruba word for ‘memory’. Largely found in South West Nigeria and parts of Benin Republic, the Yoruba people consider memory a prized form of intelligence which determines how often one remembers what they see and hear.
It took 17 high schoolers, eight mentors from Kansas City and a 1967 Volkswagen Karmann Ghia to create the first ever social media powered car.
The concept was to bring MINDDRIVE to life with tweets, posts, shares and likes which were monitored by an Arduino device. This open-source, single-board microcontroller triggered the vehicle’s motor based on the number of tweets and posts about the project.
For more than 30 years, the Guerrilla Girls have travelled the world exposing sexism and inequality in the art industry, and this week they proved Hong Kong was no exception.
Three members of the anonymous feminist collective—calling themselves Frida Kahlo, Käthe Kollwitz and Zubeida Agha—spoke at the University of Hong Kong on Monday, dressed in their signature black outfits and gorilla masks.
In response to Spain's increasingly restrictive legislation limiting access to abortion in the country, a group of art activists known for their bold, disruptive flair are taking action.
I Wish This Was began in New Orleans in November 2010. It was inspired by vacant storefronts. There are a lot of them where Candy lives in New Orleans. There are also a lot of people who need and want things. What if we could easily voice what we want, where we want it? How can we influence the businesses and services in our neighborhoods?
Find the Future: The Game is a pioneering, interactive experience created especially for NYPL’s Centennial by famed game designer Jane McGonigal, with Natron Baxter and Playmatics.
After researching several potential sites as far afield as Baltimore, Eisenbach and Ruppert “became attracted to the library because the plaza has never been used,” Eisenbach says, citing the fact that the library’s second-level entrance onto the plaza is locked.