Cassils has used clay, fire, photography, urine and the musculature of their own body as mediums to provoke, challenge and excite whoever experiences their singular creations.
A performance of empathy, democracy and power, created fresh in each city where it is presented, with local artists, activists, government officials and other citizens.
The project takes as its departure point the formal structures of local government. An emphasis on the formal elements helps us engage, play, critique and enliven, among other things.
In many of his works, the Belgian-Mexican conceptual and performance provocateur Francis Alÿs questions the relationship between action, effort, and outcome. His works tend to inspire one toward a blurring of lines between the actions done in artistic expression and those in social response, making the viewer question the value and effect of the toil.
The frontier between the United States and Mexico is the busiest land border in the world. It is also among one of the world’s most heavily regulated and policed border zones—the arid climate of which is responsible for many migrant deaths each year.
On Sunday April 3rd, Art Not Oil coalition member group BP or not BP? occupied the Great Court of the BP-sponsored British Museum with a 'disobedient exhibition'. Called 'A History of BP in 10 Objects', the exhibition featured artifacts submitted by frontline communities around the world who are fighting back against the impacts of BP's operations.
In March 2016, Chinese feminist activists had planned to launch a crowdfunding campaign against sexual harassment advertisements, and they worked hard to raise 40,000 yuan in a month and a half. However, after perfunctory, evasive, and rejection by the relevant departments, anti-sexual harassment advertisements finally failed to go online.
A social experiment testing the public’s reaction to gay people in China has gone viral.
The blindfolded activists stood in public wearing T-shirts that said “I’m gay would you hug me?” and video of the protest then spread rapidly on Weibo, a hugely popular social media platform in China.
The social experiment follows a recent announcement by Weibo to ban gay content on its platform of 400 million active users.
The Guardian:
Olafur Eliasson is putting the chill into climate change. The revered Scandinavian artist has placed 24 large blocks of centuries-old ice, harvested from the Nuup Kangerlua fjord in Greenland, in a circle outside the Tate Modern in London, with another six on display in the City.
Shu Yong is an artist who has been passionate about environmental protection in recent years. "The Earth Is Bleeding" was created in 1998. The creation was carried out in a studio of more than ten square meters.
ONGOING ORGANIZATION:
CALLED: Iranti [pronounced írantì] is the Yoruba word for ‘memory’. Largely found in South West Nigeria and parts of Benin Republic, the Yoruba people consider memory a prized form of intelligence which determines how often one remembers what they see and hear.
This action was suggested in the workshop assembly by a neighbor of Arrayán street itself. At the end of this street giving the market there was a wall in a state of collapse that
concerned the neighborhood. On several occasions, either neighbors or from the same Peña Bética in front of them, they had
given by the City Council, but without results. And every day having to go all the way through that gorge with two
The 9,000 bottles of water on display at an art gallery in Beijing last month appeared identical to those of Nongfu Spring, one of China’s most popular spring water brands, with one jarring difference. Inside each bottle was brown, murky groundwater collected from a Chinese village.
Using Performance Art to Alert Drivers to Look Out for Pedestrians
A series of three street performances taking place this Thursday and Friday carries a simple message - remember to see and stop for pedestrians.
"I collected 83 images of disappeared women from Chinese social media. I printed them out, cut them, organized them, and made them into a tarot deck called "Missing Persons Notice.'"
Runners and walkers planning to take part in a 5K race in Asheville early next month might do better with a compass — a well-tuned political compass, that is.
Jo’Artis Ratti is sure he looked intimidating to the police officers who were suddenly confronted by his agitated dancing at a California protest Sunday.
“I’m 210 pounds,” said Ratti, 35. “I have tattoos on my neck. I don’t have a passive energy; I’m very enthusiastic. And I know this looks unfamiliar.”
It all started when a 70-year-old fish market stall owner nicknamed “Booghy” was grooving in public, in violation of Iranian law.
A new form of protest against the government is rocking Iran: a viral dance craze set to an upbeat folk song where crowds clap and chant the rhythmic chorus, ‘oh, oh, oh, oh.’
LOS ANGELES — At the Grammy Awards on Sunday night, pop’s megastars will compete for the music industry’s most prestigious trophy, and put on flashy performances that are sure to ricochet through social media.
On October 16, 1964, the artist collective Hi Red Center, clad in sanitation masks and white uniforms and wielding small brooms and toothbrushes, spent several hours meticulously cleaning the streets of the Tokyo district of Ginza, amid the hustle and bustle of a “normal” day.
New York performance artist Matthew Silver is at it again. In his most recent stunt he reminded people that self love can't be achieved through commodities. Chanting "You don't need stuff to love yourself" in his underwear at Columbus Circle he created a spectacle that attracted more and more people to his message.
Eight years after his death, the annual August Wilson Monologue Competition provides high school students from around the country an opportunity to carry on the African-American playwright’s legacy. That legacy includes Pulitzer Prizes for “Fences” and “The Piano Lesson,” two installments of Wilson’s 10-play series set in his hometown of Pittsburgh that examined 20th-century black life through the personal and political struggles of everyday people.
On Saturday, October 19, 2013, Creative Time and the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum presented Between the Door and the Street, a major work by the internationally celebrated artist Suzanne Lacy, perhaps the most important socially-engaged artist working today.