The scraps of paper swirled through the Guggenheim Museum in New York on Saturday night like confetti, thrown from an upper walkway into the central rotunda before floating to the ground.
Five leaders of British political parties called for dramatic action to confront climate change in a televised debate on Thursday, just two weeks before the country’s general election.
A melting ice sculpture stole the show.
It's an evocative image — and it was intended to be: Diana, Princess of Wales, wearing a protective visor and flak jacket, walking through a live minefield in Huambo, Angola. The image of the princess, at the time one of most famous women in the world, surrounded by danger, made headlines across the world.
Students at art colleges across China are taking a strong stance in the midst of the largest wave of protests to have gripped the country since 1989. As demonstrations against the government’s strict Covid-19 policies erupted across the country over the weekend, students rallied on campuses to create protest art and graffiti.
"This project took aim at a public relations campaign produced by The Union Square Partnership, a local Business Improvement District (BID) attempting to privatize the north end of NYC’s Union Square park and install a high-end celebrity chef restaurant. They hosted historical walking tours of the park for decision-makers, as a means of getting buy-in for their development initiative.
Public Movement is a Tel Aviv based ‘performative research body’. Through large-scale performances in the public realm they construct alternative arenas for the consideration of communal identities – national, religious and cultural – revitalising debate around the distribution of power.
My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.
"Cat House for Dogs," said an ad in the Village Voice, "featuring a savory selection of hot bitches..." Along with this ad, a press release was sent to the media saying that if your dog graduated from obedience school, if it was his birthday, or if he was just horny, for $50 you could get your dog sexually gratified. This was not a breeding service, but purely a sexual pleasure service.
"He's been running all his life, running for freedom, running for peace.It started when he ran away from home at the age of eight. Later he ran away from his homeland, Iran, and spent seven years on a bicycle, pedaling 49,700 miles across 55 countries. In 2002, he reached America. He now lives in a tent in Death Valley. It's been nearly 10 years since Reza Baluchi escaped from Iran.
We are sitting at a dhaba – a roadside tea-shop in Pakistan often frequented by lower-to-middle income men. At our table: four women and camera crew. The reporter from ‘one of the most globally viewed’ [read: western], mainstream British outlets looks me in the eye: “So, how safe do you feel at the moment? We were just surrounded by a group of little boys [because of the cameras], do you think the situation can ever turn on you?"
From the two shores of the Mediterranean, Zoukak theatre company and cultural association (Beirut) and Center for cultural decontamination CZKD (Belgrade) collaborates by sharing their experiences and knowledge in working within sociopolitical contexts in the field of art and culture.
The “Perceiving Freedom” glasses sculpture on Cape Town’s Sea Point promenade looking towards Robben Island, commemorates late President Nelson Mandela and the values of freedom and equality.
On a freezing Friday in January, Khmer-American artist Kat Eng sits in front of retail giant H&M’s Time Square store working on a manual sewing machine. For eight hours, Eng stitches together U.S. dollar bills while wearing a surgical mask and bloodstained shirt. Her performance “</3 Less Than Three” protests the way fast fashion and consumer culture creates oppressive conditions for Khmer workers.
Wafaa Bilal’s brother, Haji, was killed by a missile at a checkpoint in their hometown of Kufa, Iraq in 2004. Bilal feels the pain of both American and Iraqi families who have lost loved ones in the war, but the deaths of Iraqis like his brother are largely invisible to the American public.
When Rage Against the Machine arrived in Philadelphia to play their 15-minute set as part of Lollapalooza ’93, the Los Angeles band knew they had a problem. Zack de la Rocha, the band’s incendiary frontman who was as outspoken on the mic as he was loud in his cadence, had no voice. A month of playing shows on a tour to support their self-titled debut album released the previous November had taken its toll on the frontman’s vocal cords.
As Denmark moves to deter refugees from crossing its borders, a new theater production dramatizing their plight seeks to change how many in the country perceive their new neighbors. Uropa: An Asylum-Seeker’s Ballet, [is] a dance piece performed in part by refugees portraying themselves.
A performance of empathy, democracy and power, created fresh in each city where it is presented, with local artists, activists, government officials and other citizens.
The project takes as its departure point the formal structures of local government. An emphasis on the formal elements helps us engage, play, critique and enliven, among other things.
A viral video of a student dance performance in southern China’s Guangxi Zhuang Autonomous Region has won praise for speaking out against so-called ghost marriages, which many today see as an archaic and even dangerous tradition.
Ge Yulu’s artistic practice playfully pulls at the strings of a social system that, although seemingly all-encompassing, is in fact a malleable structure consisting of individual human beings. For his 2016 project Eye Contact, Ge positioned himself in front of a surveillance camera and stared directly into the lens for hours, then negotiated with a security guard to buy the footage.
In March 2016, Chinese feminist activists had planned to launch a crowdfunding campaign against sexual harassment advertisements, and they worked hard to raise 40,000 yuan in a month and a half. However, after perfunctory, evasive, and rejection by the relevant departments, anti-sexual harassment advertisements finally failed to go online.
Joseline de Lima was wandering the dusty alleys of her working-class neighborhood in the capital of Togo one day last year, when a disturbing thought crossed her mind: Who would take care of her two boys if her depression worsened and she were no longer around to look after them?