WEST PALM BEACH, Fla. —
Supporters of the LGBTQ+ and arts communities in West Palm Beach are protesting the closure of two popular spots for creatives in the city.
Haiti is a conservative society where Roman Catholicism shapes many of its social norms. Patriarchal norms, says Haitian feminist Pascale Solages, co-founder and general coordinator of feminist organization Nègès Mawon, have informed its strict views on abortion. In Haiti, women can’t legally access voluntary abortions. Doctors can’t perform them unless the woman’s life is in danger.
Direct Cause: Students' freedom to enter and leave the campus has been restricted for two weeks, but the university has not even issued an official document, only a verbal rule of "not leaving the campus unless necessary."
Objective: To protest the arbitrary closure policy of Beijing Film Academy.
‘Since Plotinus’, writes Joseph Tanke (2019, p. 486), ‘Western art has been consecrated to beauty, and beautiful art has been understood as the achievement of good form’. But alongside this interest in beauty and form, art has been committed to politics and perspectives, equity and rights. Consequently, and particularly since the start of the modern era, artists frequently initiate or participate in ‘difficult conversations’.
Gender equality charity Women of the World (WOW) is launching a one-day festival of activism that invites people from all generations, genders and backgrounds to take part in conversations around sexual violence.
"I collected 83 images of disappeared women from Chinese social media. I printed them out, cut them, organized them, and made them into a tarot deck called "Missing Persons Notice.'"
Dropping a Han Dynasty Urn (1995) by Ai Weiwei is a highly provocative work of art. This series of three black and white photographs portray the artist holding a 2,000-year-old Han dynasty urn that, frame by frame, he drops, it falls, and shatters. As much a work of photography as a work of performance art, in each still an unaffected Ai looks directly at the camera aware of his destructiveness.
“My intention was not to disappear in the environment but instead to let the environment take possession of me” Said Liu Bolin. With his strong photography, Bolin vanishes into the city, creating a powerful statement about our relationship, as humans, to our surroundings.
The group of NYU graduate students went to bars in Manhattan to shout back against sexual harassment and bring awareness to the Everyday Sexism project. Armed with coasters that said "#shoutingback" on them, as well as a slogan. Three different coasters with three different slogans were put on bars and tables in local watering holes. The slogans included "She ordered a drink.
By throwing away 1,000 pure gold rice grains into a river, a Chinese artist, who wanted to raise public awareness about food waste, found his behavior was not well received by the general public who called the performance "fake art and a waste of money."
Post revolution Tunisia is all too familiar with protest – usually through demonstrations - but one group of activists are using the power of street art to get their message across. Calling themselves “Fanni Raghman Anni” (Arabic for “My Art in Spite of Myself”), the group simply scouts the streets of Tunisia bringing theater and drama to random passers-by.
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
In an endeavor to raise awareness at the local and international level, Razia organized the Mifohaza Masoala (Wake Up Masoala) music and environmental festival, which took place at the edge of the Masoala Rainforest in October 2011. The concert featured some of Madagascar’s most thrilling performers, and the festival was a tremendous success, with over 10,000 people in attendance.
Wafaa Bilal’s brother, Haji, was killed by a missile at a checkpoint in their hometown of Kufa, Iraq in 2004. Bilal feels the pain of both American and Iraqi families who have lost loved ones in the war, but the deaths of Iraqis like his brother are largely invisible to the American public.
CultureStrike, the national arts and activism group, teamed up with undocumented youth and NY-based artist Miguel Luciano to hold a kite-based symbolic public art project in Washington D.C.
In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.
On 19 November 2011 over 100 dancers converged at Occupy SF & Oakland to dance the world awake. Flashmob Produced & Directed by Magalie Bonneau-Marcil of DancingwithoutBorders.org, Video Directed & Edited by Ben Flanigan (BenFlanigan.com), Thanks to our team of choreographers: Giuliana Blasi, Samantha Sweetwater and Mika Lemoine. Co-sponsors: CODEPINK.org & SFNOW.org Want to bring the flash mob to your community?
The internet has reshaped the ways we learn and communicate. Information becomes heuristic, concomitantly - knowledge becomes protean. If you dedicate enough time to any particular platform, you are likely to acquire a community with congenial individuals. Social media’s proliferation has obfuscated the lines between reality and fiction. Embraced as a tool for many, these digital spaces typically have no monitoring process.
(NEWS 8) — A day after pulling double-duty as both the host and musical guest on "Saturday Night Live," actor-writer-comedian-musician Donald Glover was garnering attention on Sunday for another reason.
Social media blew up this weekend with reactions to Glover's new music video for "This is America," released under the name of his musical alter ego, Childish Gambino.
The Tel Aviv Museum of Art is joining the countrywide judicial overhaul protests planned for Thursday, March 23, and will darken the halls and galleries of the museum, closing exhibits to the public and canceling planned tours and lectures.
The only exhibit that will be open to the public, for free, is the exhibit of Israeli art from the museum’s collection, “Material Imagination: Center of Gravity,” which has been open for a year.
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
Musicals for Change is a project aimed at educating elementary children to be active participants in the world through theater. Written by Diane Beckstead, these musicals promote uplifting messages about the importance of community, the arts, and helping each other, while raising support for worthy causes.
It’s the summer of 1971 and tourists flock around one of Washington DC’s most famous hotspots – the Capitol steps. Journalist Art Goldberg recalls ‘a squad of soldiers moving through the space. They are grubby-looking troopers, clad in jungle fatigues. Jumping a low fence, they begin shouting at a group of tourists. “All right! Hold it! Hold it! Nobody move. Nobody move!” Their voices full of tension and anger. A man runs from the crowd.
The incident began when two clowns, Hannah Morgan and Louis Jargow, scaled the steel barricades protecting the landmark. The clowns began spanking and climbing the beast, traditional ways of coaxing a bull into anger in preparation for a Castilian corrida, or bullfight.