The performance, “Lambrakis LivZ”, concerns the re-enactment of the political speech of Grigoris Lambrakis given in Athens in 1962. Grigoris Lambrakis was a peace-activist, assassinated by a paramilitary plot on June 1963 at Thessaloniki, Greece.
“My intention was not to disappear in the environment but instead to let the environment take possession of me” Said Liu Bolin. With his strong photography, Bolin vanishes into the city, creating a powerful statement about our relationship, as humans, to our surroundings.
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
"Writing Political Music in Today's World" I began studying composition with Fred Ho without knowing quite what I was getting myself into. I was 25 with a fresh graduate degree in composition under my belt, lost in that special way only millennial twenty-somethings get to be. I knew I wanted to write political works and, having met Fred twice before, I knew that he was the one who could help me do it.
Kanami Kusakima, also known as the woman who dances in Washington Square Park with the long black hair and the paint, was happy to allow the Mayor's Office of NYC use her image as a promotional tool for a "post-coivd" New York. Yet, she has had multiple encounters with police who want to shut her performance down.
The Violence Against Women (VAW) Art Map was conceptualized in the fall of 2018, in the wake of the #MeToo movement by Dr. Lauren Stetz, as part of her doctoral research in Art Education with a minor in Women's, Gender, & Sexuality Studies at Penn State University.
The performance artist James Luna, who died in 2018 at age 68, had a wicked sense of humor, which made his explorations of the way that Indigenous people have long been objectified, especially in museums, painfully piquant.
Nadya Tolokonnikova is a Siberian artist and a creator of the feminist protest art collective Pussy Riot. Tolokonnikova’s political actions and wide-ranging performance interventions have established her as a leading voice in the fight against authoritarian power. During her residency, she will compose performances that demonstrate her multifaceted approach to resisting systems of oppression and dehumanization.
ACE Bank was a hoax bank developed as part of a bigger campaign by Netwerk Vlaanderen, a Belgian organization concerned with banks’ responsibilities for what they invest in. ACE bank was an elaborate deception, with a headquarters in central Brussels, parodying other banks. It claimed to be investigating whether there was a market for its special way of doing business.
The Yes Lab collaborated with "Knobotiq" to design an action against UBS, a financial services giant renowned for aiding tax evaders, funding environmental destruction, and getting bailed out by the public.
The New Life Foundation is a Colombian organization located in Bogota, whose aim consists of offering vulnerable women alternatives to quit prostitution and rehabilitate from its surrounding dangers (crime, drug addiction, AIDS, etc.) One of its remarkable projects was based on theater as a method to overcome a past of shame and grief building a more dignant present in which they co-construct with their communities.
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.
A striking new cultural space is taking shape in New York’s Hudson Valley. Alex Grey and Allyson Grey, co-founders of CoSM, Chapel of Sacred Mirrors, have launched a Kickstarter campaign to build Entheon, sanctuary of visionary art, to ask for support to complete the build.
On Tuesday morning, when Google CEO Sundar Pichai testified before the House Judiciary Committee about his company’s data collection practices, there was a familiar mustachioed face in the crowd. To most people, this person — also wearing a monocle and toting a bag of cash — is none other than the famous board game character most commonly known as Monopoly Man.
In 2017 Ge Yulu became a national sensation in China. That year, he submitted his final project as a student at the Central Academy of Fine Arts in Beijing, revealing the unnamed road in Beijing that he had claimed in 2014 as his own. Because the Lu character in his name means road, he erected a sign for Geyu Road that blended seamlessly into the setting.
On January 12, 2016, Shanghai's temperature dropped to its lowest of the year. A little girl was seen selling matches in the cold wind on Bund street. The little girl, wearing a classic dress, wrapped in an ocher-red scarf and carrying a small bamboo basket full of matches, gave matches to passers-by.
"This Ain't a Eulogy" is both a staged performance and a durational, outdoor, public performance that reclaims and takes public space. The artist statement is as follows:
‘‘HAMILTON,’’ the new musical biography of Alexander Hamilton created by and starring Lin-Manuel Miranda, kicks off with a doozy of a question. The houselights rise on Aaron Burr, the third vice president of the United States and, infamously, the killer of Hamilton in a duel in 1804. Burr steps to center stage and reels off several lines of verse:
Shu Yong is an artist who has been passionate about environmental protection in recent years. "The Earth Is Bleeding" was created in 1998. The creation was carried out in a studio of more than ten square meters.
Kurokawa Cup is a protest against former head Tokyo prosecutor Hiromu Kurokawa's de facto immunity after he had played mahjong for money, which is an illegal act in Japan.
Between A Rock And A Hard Place is a project consisting of a cleaning performance, a film and a big event on August 18, 2012. From the material recorded on this day, a film and a vinyl record will be made.
In December – as many around the globe were preparing for the holidays – Sama, a former attorney, remained hunkered down in her house in Kabul, Afghanistan, trying to comprehend how her world had changed.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
Chinese artist and activist Ai Weiwei has recreated the image of drowned infant Alan Kurdi that in 2015 became the defining symbol of the plight of Syria’s refugees.
For the recreation, Ai lay on a pebbled beach on the Greek island of Lesbos. His pose was similar to that of Kurdi’s lifeless body, which washed up on a beach near the Turkish town of Bodrum and was captured in a September 2015 photo.
This piece draws on the agit-pop theatre tradition of a short pop-up provocative & disruptive intervention in familiar spaces. The purpose of Punch & Judy style short piece is to inform and raise awareness Ireland’s failure to meet its carbon emission targets and to emphasise the inadequacy of our government’s N.M.P. (National Mitigation Plan).