In 2008, my work as an artist took me to a gigantic landfill outside Rio de Janeiro called Jardim Gramacho. After operating for more than 30 years, the sanitary facility, once one of the largest in the world, had reached its maximum capacity and was on the eve of closing permanently.
"State Names" is a painting by Jaune Quick-To-See Smith. You immediately recognize the outline of the United States, but at the same time, that map is obscured and made difficult to read. It’s at once recognizable and not recognizable. She describes her use of icons as a ploy, as something that brings the viewer closer, and they think they know what they’re going to see.
Adrian Piper's "Funk Lessons" (1982-84) was a series of performances and collaborative events in which the artist taught white participants about black funk music, its culture, and its history, aiming to deconstruct stereotypical ideas about Black culture.
Alexandria "Lexi" Aniyah Rubio was looking forward to playing volleyball when she got to junior high. She dreamed of going to law school one day, and she loved astrology, butterflies, and the color yellow.
“My intention was not to disappear in the environment but instead to let the environment take possession of me” Said Liu Bolin. With his strong photography, Bolin vanishes into the city, creating a powerful statement about our relationship, as humans, to our surroundings.
During the public vacation of May Day, also called International Workers’ Day, “For People, Food is the First Necessity: Qiu Zhijie’s Writing in a Market” was launched at the crowded Sanyuanli market in Beijing.
Created by and for women, Broccoli is an independent print magazine based in Portland, Oregon. Although intended for cannabis users, Broccoli is an art and lifestyle magazine that bills itself as “playful, informed, eclectic, and thoughtful.” It encourages the discovery and appreciation of cannabis through explorations of art, culture, and fashion.
The aim of the action is to create a fractal network of poets, where their poems will be recited, recorded, set to music, will be activistically acted as performance material in order to resist the censorship of art.
The field of action is the poets who will be born and the network that will be created by the restless artists.
Bob and Roberta Smith has been at the forefront of activist art for 2 decades; so who better to ask about how art is responding to these politically bleak times?
In El Paso more than 100 murals have been painted since the mid-1960s. The murals, located throughout the city's various corridors, often depict themes common to Chicano muralism, such as mestizo heritage or social problems, but they also tell unique stories about the "merging of ideas, cultures, and dreams" along the United States-Mexico border.
This modestly scaled exhibition, featuring work by three (then) young and relatively unknown photographers named Diane Arbus, Lee Friedlander, and Garry Winogrand, had a lasting influence on modern photography.
Liao Guohe’s solo exhibition ----“Satisfaction Guaranteed”, the first-time all-round summary of his paintings in last 10 years, is held from November 14, 2014 to March 14, 2015 at Sifang Art Museum in Nanjing, China.
Shooting Without Bullets incubates young artist activists and eliminates systemic barriers in art and society for Black and Brown youth, all while spreading bold messages of justice and equity across Northeast Ohio and beyond. In Our DNA, their new public art initiative, uplifts Cleveland’s Black history to catalyze present and future racial equity, social justice, and civic engagement efforts across Cleveland communities.
"Two weekends ago, a loose network of these artists and activists, under the name Subvertisers International, launched their first global effort to reclaim our shared public environment from its monopolization by commercial media. The demand was not for better or more truthful advertising, but to imagine what a city would look like when the stories we told ourselves in public space reflected a democratic voice.
A grey minivan rattled through São Paulo’s hilly suburbs, loaded with spray cans, paint rollers, buckets and a ladder as five street artists drove to the Atibainha river, rap lyrics blaring from their speakers.
On the sweltering afternoon of 26 February, they painted colourful protest murals on the legs of a bridge that crosses one of São Paulo’s most important water sources, nestled in the Serra da Cantareira mountain range.
This is a prime example of the marriage of art and activism. The Silence = Death poster is simple but extremely powerful representation of the obstacles the AIDS movement was facing (suppression of gay people + their problems, lack of awareness surrounding the pandemic).
“Badass Indian Pinups” is a series of paintings by Indo-Canadian artist Nimisha Bhanot, that features paintings of Indian women being confident and sexually liberated.
An exhibition of textile-based work by disabled artists, organised in protest at the inaccessibility of an exhibition by a popular artist, when it came to Leeds.
This month, the art of Chinese dissident Badiucao has finally seen the light of day in Melbourne — more than a year after the Australian artist's Hong Kong exhibition was cancelled due to threats reportedly made by Chinese authorities.
"Myanmar has been engulfed in protest since February 1, when Burmese army general Min Aung Hlaing seized control of the government in a military coup, refusing to accept to the landslide election victory of the National League for Democracy and its leader, Aung San Suu Kyi.
“Piano Stairs” is an interactive playful musical stairway installation created into the Odenplan underground station of Stockholm to make people use stairs more often than elevator. The project was part of a Wolkswagen initiative called “The fun theory” whose main objective and mission is to “change people’s behaviour for the better by making it fun to do.”
From Black Power to Migrants’ Power
BY Robin Cembalest POSTED 01/22/13
As ’60s activist art enters museums, a new generation is creating an iconography of protest for today
New York artist Donna Choi wanted to create a “weird, memorable way” to discuss fetishization of Asian women, so she put together a satirical series about how to diagnose Yellow Fever—the specific obsession many Western men have with Asian culture.
The over-the-top series is a discussion of race crafted for the attention span of the Internet.
I emailed with Choi about her thinking behind the Yellow Fever series.