Visual artist Alexandre Orion removes soot in an artful manner to produce skulls in the tunnels of the polluted city of Sao Paulo. Orion does so in an attempt to create intervention, raise awarenes, and decrease pollution. "From the ocular cavities of so many dead, his work looks out on the living and interrogates people passing by; it quietly criticizes our omission, our comfortable acceptance of pollution." ( Jose De Souza Martins)
When Behnaz Babazadeh was young, her family moved from Afghanistan to the US. She loved almost everything about her new home — especially America’s amazing selection of candy — but she also loved wearing her familiar pink-flowered headscarf, which she’d grown used to wearing as part of her school uniform in her old home.
From an Art Net News Article: ""The installation is called Ghost Forest, a term used to describe vast acreages of woodland that have died out–often due to rising sea tides, which overwhelm forests near estuaries with saltwater, choking out their ability to get nutrients from the earth. In 2012, Sandy caused seawater levels to surge, leaving swaths of ghost forests in its wake.
The new exhibit “MESH” at Portland Art Museum features Indigenous contemporary artists advocating for change
Visual artist, writer and activist Ka’ila Farrell-Smith says she considers herself a wartime artist.
She is a member of the Klamath tribes and lives in Modoc Point, Oregon. When asked about how history influences her work, the answer weaves through over 150 years of white colonization and Indigenous struggles in the West:
Marcel Duchamp, father of the readymade, forced the world to consider mundane things as significant objects, worthy of greater-than-average contemplation — yet his bicycle wheel, shovel, and urinal didn’t come freighted with all that much history.
It’s women’s history month, and your favorite radical feminist avengers want you to go ape. The Guerrilla Girls have been making noise about gender and racial inequality in the art world since 1985. Fighting discrimination with a sense of humor and their signature faux fur, these masked feminists continue to challenge major museums to spotlight more women and artists of color.
When Tracey Emin aired her dirty laundry in the 1999 Turner Prize exhibition at Tate Britain, she set a new standard for confessional art. She conceived of the installation, titled My Bed (1998), after a long, bedridden bender following a bad break-up. When Emin finally left her sheets, she examined the mess she’d created.
I went on a graffiti tour that went through NOHO, SOHO and the Lower East Side last weekend. We saw works by street artists - Space Invader and Roa - that were remarkable. Roa had created a commissioned mural of a bird on the side of a building, and the former artist derived his work from the unforgettable arcade game, Space Invader.
"A week-long party characterizes Brazil’s Carnival, the Mardi Gras of the southern hemisphere. Celebrations and parades are held throughout the country, most notably in the city of Rio de Janeiro and the Brazilian states of Bahia and Pernambuco. Carnival celebrations vary in length and content, depending on the area.
Vince Staples mentioned Long Beach's Ramona Park approximately 80 times on his debut album Summertime '06 and even allotted the park two of its own tracks: "Ramona Park Legend Pt. 1" and "Ramona Park Legend Pt. 2." "The sun come down and guns come out, you know Ramona Park."
Back after a five year hiatus, V-Day Sedona joins with hundreds of other productions across the globe in celebrating V-Day’s 20th anniversary with an act of artistic activism. For its 20th anniversary, V-Day is calling on activists around the world to Rise, Resist and Unite.
The kidnapping and enslavement of African people was the life-blood of transnational corporations like the "Royal African Company." In law, these human resource corporations were called "artificial people." Their human cargo was called "cargo."
Francisco Goya created “The Disasters of War” from 1810-1820. These 80 etchings and aquatints show scenes from the Spanish struggle against the French army under Napolean Bonaparte, who invaded Spain in 1808. When Napolean tried to install his brother Joseph Bonaparte, as King of Spain, the Spanish fought back, eventually aided by the British and the Portugese.
Anjali Mehta is an illustrator from New Delhi, India. She is primarily known for her graphic shapes, gentle lines, bold colors, and strong female subjects. She is also designing a series titled Enroute Extinction that uses the same bright colors and familiar layout of a postage stamp. This series highlights animal species in India that are at risk of extinction.
El Rey de la Ruina, aka The King of Ruin, is a local artist based in Madrid, Spain, who creates artistic activist pieces that range from the impact Covid-19 had on the social life of people in Spain, to the impact gentrification has taken on various groups of people. He tends to utilize (at least in his more recent pieces) bright colors and fun, geometric shapes in his art.
Shortly after the close of this year’s International Women’s Day, China’s Twitter-like service Sina Weibo shut down Feminist Voices. With 180,000 followers, the group’s social media account was one of the most important advocacy channels for spreading information about women’s issues in China, but in an instant, it was gone. A few hours later, the private messaging app WeChat also shuttered an account for the group.
RACC Satellite Space in Garden City
1205 Franklin Avenue, 3rd Floor, Garden City, NY 11530
June 26, 10 am – July 28, 7 pm
Monday – Friday, 10 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
A toothless garbageman who once wandered Hong Kong’s streets with dingy bags of ink and brushes tied to his crutches is now the subject of a major retrospective. About 300 calligraphic works by the late Tsang Tsou-choi — who is best known by his self-dubbed title, the King of Kowloon — are showing at the ArtisTree art space in a high glass tower.
Gregg Segal -- a California-based artist who is known for using the medium of photography to explore culture with the "sensibility of a sociologist" -- travelled around the world asking kids to keep a journal of everything they ate in a week. Once the week was up, Segal made a portrait of the child with the food arranged around them:
A coalition of more than twenty national arts funders has launched an emergency relief fund that will provide millions of dollars to artists struggling financially in the wake of the COVID-19 outbreak in the United States, which has more than 400,000 confirmed cases of the virus. The Andrew W.
This is continued exploration of some work I recently had published for a culture jam project in response to the documentary "The Corporation". There are a lot of layers working here. There are thoughts about food deserts, how multinational corporations prey upon them, and finally how particular images regarding development are used to sell the idea of what hunger should look like.