In recent years, a fashion for painting the human figure has preoccupied the art world, with an emphasis on race, gender and other urgent social issues. Yet another pressing topic in America has been curiously absent from art: abortion, which became all the more timely when the Supreme Court overturned Roe v. Wade in June.
The streets of the Cairo suburb Manshiyat Naser, nicknamed "Garbage City," are lined with trash, and the people who live there — Coptic Christians who make their living sorting through it and recycling anything they can — are called zabaleen, or "garbage people."
In the past few years we have seen a growing awareness and concern with Internet freedom and privacy, fuelled by Edward Snowden’s revelations of the vast U.S.
This urban action was consisted from mapping of over 50 locations of illegal garbage disposing sights and signing of 16 places across Macedonia where people dispose large amounts of heavy garbage and constructive waste.
In France, abstention, vote of protest, lassitude or violent reactions rise from all over the crisis of our "representative democracy ».
What about thinking the other way round ? What if we reappropriate the iconography of the election?
ODBK is an activist organization that aims to create a more equal, diverse, inclusive, transparent and democratic art world. ODBK seeks to do this by diversify and increase the number of people who understand and engage with contemporary art.
A toothless garbageman who once wandered Hong Kong’s streets with dingy bags of ink and brushes tied to his crutches is now the subject of a major retrospective. About 300 calligraphic works by the late Tsang Tsou-choi — who is best known by his self-dubbed title, the King of Kowloon — are showing at the ArtisTree art space in a high glass tower.
I must first come clean, I studied fine arts in high school from years nine to 12. Since my studies were concluded, I had never held a paintbrush again.
The Ginsburg without photoshopped sunglasses and a crown fueled a revolution with lawsuits instead of protests. She believed in incremental progress instead of bold gestures. She was projected to be a conciliator on the court, not its preeminent liberal dissenter.
Now, “everyone wants to take a picture with me.”
"State Names" is a painting by Jaune Quick-To-See Smith. You immediately recognize the outline of the United States, but at the same time, that map is obscured and made difficult to read. It’s at once recognizable and not recognizable. She describes her use of icons as a ploy, as something that brings the viewer closer, and they think they know what they’re going to see.
Since her breakout show, Penis Nailed to a Board, held at south London’s City Racing gallery in 1992, British artist Sarah Lucas has never shied from making a statement. Working with sculpture, photography and installation, the Goldsmiths graduate and prominent YBA member has honed her provocative and playful oeuvre to question culturally prescribed notions of femininity and sex.
"Puppets Against Aids was launched by Gary Friedman on 1st December 1988 in time for 'World Aids Day' in Johannesburg, South Africa. During 1987, Friedman had been studying with Muppet master, Jim Henson, in Charleville-Mézières, France. Henson provided the initial financial contribution to launch the African Research and Educational Puppetry Programme 'Puppets Against Aids'.
Four months ago, I was in a multifaith brainstorm for the People’s Climate March when someone said, “What if we had a giant ark?” I think we all had the same reaction: Great … but how do you build an ark?
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
The Violence Against Women (VAW) Art Map was conceptualized in the fall of 2018, in the wake of the #MeToo movement by Dr. Lauren Stetz, as part of her doctoral research in Art Education with a minor in Women's, Gender, & Sexuality Studies at Penn State University.
UK photographer Alicia Bruce collaborated with Zero Tolerance, a Scottish non-profit to end GBV, to produce a new version of the Violence Unseen campaign, launched for the first time in the 1990s and created by Franki Raffles. The new one was launched in 2018, 25 years after the original iconic Zero Tolerance campaign, shot by the late Franki Raffles.
Palas por Pistolas initiated in the city of Culiacán, a city in western Mexico with a high rate of deaths by gunshot. The botanical garden of Culiacán has been comissioning artist to do interventions in the park and my proposal was to work in the larger scale of the city and organize a campaign for voluntary donation of weapons.
The term “Afrofuturism” was coined in the 1990s by the cultural critic Mark Dery, who recognized a preoccupation with the future in the work of a number of black artists. Ever since, it has remained a term that is retrospectively applied to seemingly disparate artists, from Missy Elliot to Toni Morrison. What unites the movement is a shared fascination with the black experience, particularly in America.
To mark the 200th anniversary of Karl Marx, PL Henderson offers an appreciation of one of Frida Kahlo’s greatest paintings, which was heavily influenced by Marx's creative thinking.
The Immigrant Yarn Project (IYP), organized and created by Cindy Weil was a massive work of public and democratic (crowd-sourced), yarn-based art honoring our immigrant heritage and promoting tolerance, difference, and community. Weil reached out across the state and beyond to collect yarn-based creations by immigrants and their descendants.
I will create a series of paintings with acrylics on canvas size 15" x 19". The subject of my art works will be the futility and immorality of modern warfare.
Mural artists add color and flavor on 800 South in the Granary District of downtown Salt Lake City. There’s an old-fashioned bar on the side of a locally-owned brewery, and a Southern Utah landscape on another building. Down the street, on the south corner of 800 South and 300 West, there’s a new mural that’s far more potent.
Henry Taylor (born 1958) is an American artist and painter who lives and works in Los Angeles, California. He is best known for his experimental figurative paintings and exploration of contemporary and relevant historical social issues. Taylor rewrites art history, often with art historical references, to amplify Black people who have been overlooked or undermined by the canon and systems of power and control.