This Artist Captured the Non-Stop Flow of Plastic Pollution Favorite 

Practitioner: 

Date: 

Oct 14 2021

Location: 

France

Benjamin Von Wong’s latest art-as-activism installation looks like something Photoshopped onto reality. A large brass-looking faucet, suspended in the air, pours a river of plastic out of its spout.

The symbolism of the #TurnOffThePlasticTap installation is somehow both over-the-top and just right. It’s a screaming warning about the plastic crisis — just imagine if that faucet were active and real — and a neat distillation of what’s going on around the world as plastic pollution overwhelms marine and land ecosystems and pervades our food system, water sources, and each breath of air.

Even though awareness of plastic pollution has never been greater, the problem continues to worsen. During the COVID-19 pandemic, plastic consumption in the US increased by up to 300% compared to the previous period. Many types of pandemic-era plastic, including various types of medical gear such as single-use personal protective equipment, are hard to recycle and have gone on to pollute marine environments.

Over the next decade, plastic production is expected to increase by 40% and, as Von Wong told Global Citizen, that’s more than our planet can handle.

“We’re kind of at the breaking point where we’re incapable of processing all the plastic that we produce,” he said. “And so, we need to go back to the source and stop producing so much in the first place.

“It’s sort of like if the bath or the sink was overflowing with water and instead of trying to shut the water off, you’re just cleaning up the mess and hoping that it’s gonna be enough,” he said. “That is the symbolism of #TurnOffThePlasticTap.”

Posted by ChrisC on

Staff rating: 

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Effectiveness

How does this project help?

Timeframe For change

The artist sought to bring attention to the issue of plastic waste, specifically the root of the issue--plastic production. The installation calls for the end of plastic production.

Notes

This installation is eye-catching and highlights the issue of plastic production in terms of the volumes of plastic left in the environment. The largeness of the installation pushes this point and prompts the viewer to think about the issue. However, the installation, on its own, does not inform the viewer of the impacts of plastic production. The additional information would have to be found by the viewer in their own research or by going to the artist's webpage. It is also unclear to what extent this installation actually put pressure on social institutions to make substantial changes or on individuals to reevaluate how they use/re-use plastics in their daily lives.