By Will Potter
I tried to resist. I really did. But when I jokingly posted on the Green is the New Red Facebook page that I wanted to make a “Sh*t the FBI Says” video, ya’ll went nuts about the idea. Like the videos that started the trend, it’s pretty goofy. But sadly, it’s all based on statements the FBI has made in court, in the press, or to activists themselves (I’ve heard quite a few of these myself).
Maryland Hall, in partnership with the Banneker Douglass Museum and Maryland Commission on African American History and Culture, invited Maryland-based Black artists, whose work encapsulates activism and social justice and using the creative process to educate their audiences about diversity, equity and inclusion to send proposals to take one of six 5 ft.
From March 14, 2010 to May 31, 2010, in the Museum of Modern Art, Marina Abramović held an activist art called The Artist Is Present. In the exhibition, there were simply a pair of chairs and a desk. Abramović sat on one chair, and the participators could sit on another chair voluntarily. Without a word, Abramović and the participators just looked at each other’s eyes.
It was 1974 when Beuys arrived in New York City, ready to tackle a whole new challenge and create what was to become one of the most famous works of art of the time. Upon arrival, his assistants wrapped him in a large piece of felt and transported him, by ambulance, to the René Block Gallery in SoHo. There, awaiting the artist, was a live coyote. Beuys spent three consecutive days, eight hours at a time, locked up with the wild animal.
“Art is so often only experienced through looking,” artist Caitlin Rose Sweet explained to The Huffington Post. “It’s a short pathway from the eyes to the brain. I want the whole body involved.”
The performance artist James Luna, who died in 2018 at age 68, had a wicked sense of humor, which made his explorations of the way that Indigenous people have long been objectified, especially in museums, painfully piquant.
The artist has assembled a set of 300 installations around New York City, based around the concept of fences and borders, to showcase the ‘narrow-minded’ attempts used to ‘create some kind of hatred between people’
The Resistance Arts Trust Political Action Committee is a Super PAC with the mission of challenging great Artists to create public works of political art meant to inform communities, start conversations and drive media coverage on progressive issues, and empowering artists and the arts to a greater role in American political discourse.
Three months ago, when New York government officials ordered nonessential businesses closed to slow the spread of coronavirus, high-end retailers sheathed their stores in plywood barriers, as though readying for civil unrest.
Gum Election
Gum Election is a guerilla art project which started in New York City in October 2008. It encouraged people to vote during the presidential election in 2008 and also not to spit out their chewing gum carelessly on New York Cities already dirty streets. Now the Gum Election is back and New Yorkers are voting again “who’s sucking the most”.
The Guerrilla Girls tactic was well thought-out and was effective in creating a spectacle to draw attention to the issue at hand, which is the lack of female representation in the museum. Where I think the campaign has some drawbacks is in the actual message on the billboard. The rhetorical and ironic message is subtle and really only reaches those who are privy to the art world and/ or the museum.
When Bay Area activists Moms 4 Housing began their campaign, they were fighting gentrification and institutional poverty. Now, as California's housing crisis compounds during the COVID-19 pandemic, their work has taken on new significance.
This modestly scaled exhibition, featuring work by three (then) young and relatively unknown photographers named Diane Arbus, Lee Friedlander, and Garry Winogrand, had a lasting influence on modern photography.
“Some people call you the elite,” George W. Bush joked to his wealthy funders, “I call you my base.” Whether candidate Bush meant it as a joke or not, the Billionaires for Bush (B4B) campaign used humor, street theater and creative media actions to show the country how true the quip was.
Susan Speirs fed four dollars into the Amend-o-matic Stamp Mobile. After spiraling up the "Tower of Corrupted Power," gliding past a clanging gong and sliding down hairpin turns on a roller coaster-style track to a final stamping station, the bills came out with bright red lettering in all caps.
Now, they read, "Stamp money out of politics."
On Tuesday morning, when Google CEO Sundar Pichai testified before the House Judiciary Committee about his company’s data collection practices, there was a familiar mustachioed face in the crowd. To most people, this person — also wearing a monocle and toting a bag of cash — is none other than the famous board game character most commonly known as Monopoly Man.
Introduction: The Ambulatory Free States of Obsidia
The Ambulatory Free States of Obsidia is a tiny, Matriarchal, Micro-nation located at the confluence of feminism and geography.
Grand Marshal Yagjian's Great Vision for The Ambulatory Free States of Obsidia came in 2015 when its land claim was 'liberated' from a former lover’s house for a greater purpose.
The image is stark. And shocking.
A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."
"Turkish past, Ottoman present" and "Spengler in Turkey"
105 NY-110, Melville, NY 11747
August 5, 11 am – August 30, 7 pm
Monday – Friday, 11 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
For centuries, (male) artists have perpetuated a relatively consistent image of the female nude: She’s soft, willowy, and docile. Sensual but not sexually aggressive. Flirtatious but not confrontational. She’s not quite a human but, mediated through the lens of a camera and the eyes of a man, an object of desire in the flesh.
With past government shut downs and teetering the fiscal cliff, debt
ceiling now eliminated, credit line increase after credit line
increase? I thought my timely art piece may be interesting for your
viewers and spark healthy/heated discussion.
The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect.