Projects tagged "activist art"

Los Intocables
Practitioner:
Erik Ravelo
Date:
Sep 1 2013
A CUBAN artist's controversial photographs of children being hung from crosses has landed him in hot water. Erik Ravelo took a series of photos of children hung like Jesus from a cross, but in the place of the cross were soldiers, surgeons, priests and Ronald McDonald.
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All The Time. Every Day.
Practitioner:
Fusion
Date:
Feb 20 2015
Last September, Fusion commissioned artist Tatyana Fazlalizadeh, 29, to travel to Mexico City and create an installation of her highly-acclaimed art project protesting street harassment, “Stop Telling Women to Smile.” Fazlalizadeh’s visit to Mexico was her first to the country; it was also the first time the STWTS project — for which Fazlalizadeh papers city streets with hand-drawn portraits of women pushing back against their street harassers — had eve
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Artist Wages Drone War on Thomas Kinkade
Practitioner:
FredaTheArt
Date:
Jul 15 2013
There are few artists more innocuous, more neutered, more universally loved and reviled than Thomas Kinkade. His soft-focus images present an idyllic vision of America and of Christianity, like Norman Rockwell without the blue-collar populism, where everything is beautiful, nothing hurts, and there’s always a warm fire going in the Lincoln-Log cabin just down the trail.
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Tunisian Human Rights Activists Take to the Streets with Art
Practitioner:
Fanni Raghman Anni
Date:
Feb 1 2015
Post revolution Tunisia is all too familiar with protest – usually through demonstrations - but one group of activists are using the power of street art to get their message across. Calling themselves “Fanni Raghman Anni” (Arabic for “My Art in Spite of Myself”), the group simply scouts the streets of Tunisia bringing theater and drama to random passers-by.
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Faces of the Movement
Practitioner:
Faces of the Movement
Date:
Feb 12 2015
Faces of the Movement is a daily-release photo project that highlights the stories of everyday people who have joined together to fight for justice against police brutality in the United States.
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Africa's Political Cartoons
Practitioner:
Africacartoons.com
Date:
Feb 20 2015
Tejumola Olaniyan founded Africacartoons.com, the first continent-wide digital encyclopaedia of political cartoons by African artists.
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The Pianists of Ukraine
Practitioner:
Artists
Date:
Feb 10 2014
In Kiev, clashes between protestors and police have persisted since December. Blood has been shed, and the political stability of Ukraine remains uncertain. During late January and early February, the opposition began to play music (from pianos) in front of riot police. These artists modus operandi has been to serenade protestors and police toward peaceful consensuses.
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Cop d' ull
Practitioner:
Enmedio, TAF!
Date:
May 1 2002
This project was born a few days after a demonstrator lost an eye after being hit by a rubber bullet shot from police guns in Barcelona. Unfortunately, it was not the first time. "Cop d' ull" means a "a blow to the eye" and also "at a glance”, which is a perfect description of this project.
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Carry that Weight
Practitioner:
Emma Sulkowicz
Date:
Sep 21 2014
In a Mattress, A Lever for Art and Political Protest by Roberta Smith
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The Pigeon Palace
Practitioner:
DJ Jamie Guzzie and the community
Date:
May 6 2015
Real estate agents and investors with plans to visit an open house in San Francisco Tuesday were greeted with a somewhat unexpected scene – a motley crew of Mission activists and neighborhood characters holding signs and singing, “If you buy this house, you will have bad karma.” A small brass band played along.
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American Prison Perpestives
Practitioner:
Christoph Gielen
Date:
Apr 11 2010
With American Prison Perspectives, Gielen intends tol illustrate how prison complex designs reflect the politics, economic priorities and anxieties of society, yet there would be so much more to say with pictures inside the prisions.
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Art AIDS America traveling exhibition
Practitioner:
Jonathan David Katz and Rock Hushka
Date:
Jun 1 2015
If you visit the Art AIDS America exhibition expecting to see activist slogans and memorial pieces along with some art-world superstars, you won’t be disappointed—Keith Haring, Robert Mapplethorpe and the “Silence = Death” slogan are present and accounted for—but you might also walk through the show scratching your head in confusion.
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The Oatmeal Protests SOPA and PIPA
Practitioner:
The Oatmeal
Date:
Jan 12 2012
On January 18, 2012, numerous website across the internet called for an internet blackout in protest of SOPA and PIPA. SOPA, or the Stop Online Piracy Act, and PIPA, the Protect IP Act, were a series of bills promoted by Hollywood in the US Congress that would have created a “blacklist” of censored websites.
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Building Images
Practitioner:
Isabelle Wenzel
Date:
Feb 6 2010
Isabelle Wenzel's series of photographs entitled 'Building Images' is a striking view on the idea of the office/ workplace. Not only do her images ironically translate the uncomfortable positions office workers endure sitting in a single position for 8 hours a day, but she also takes on a feminist approach by focusing on feminine models in her photographs that center upon the contorted body and office fashion worn.
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Swift Project
Practitioner:
DodoLab
Date:
May 13 2013
"Since the progress of civilization in our country has furnished thousands of convenient places for this Swallow to breed in, safe from storms, snakes, or quadrupeds, it has abandoned, with a judgment worthy of remark, its former abodes in the hollows of trees, and taken possession of the chimneys which emit no smoke in the summer season." John James Audubon, The Chimney Swallow (or American Swift, Chimney Swift, Chaotura Pelasgia), from The O
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Men's Magazine Prints Editions Using HIV-Infected Blood To Tackle Stigma
Practitioner:
Vangardist, Saatchi & Saatchi
Date:
May 4 2015
Thanks to dramatic advances in drug therapy, infection with HIV has been transformed from a death sentence to a chronic, manageable disease. HIV-positive patients can even enjoy a normal life expectancy if treatment is successful. So we needn’t worry about this virus anymore, right? Sadly, that seems to be the misinformed idea held by many.
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Party at the Unemployment Office
Practitioner:
Enmedio
Date:
Apr 30 2009
The crisis is here, let the party begin! April 30, 2009. At first the crisis was just a state of being, a kind of social sadness that paralyzed everything. To break this atmosphere we couldn’t think of anything better than to throw a party. The first thing you need for a party is a good location, so we set out to find a place where social sadness and fear were extremely present. It didn’t take us long to find one: an unemployment office.
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Art and Activism (TV Documentary)
Practitioner:
Leonidas Martin, Enmedio, Yomango
Date:
Feb 19 2012
A television report written, directed and produced by Enmedio members Leónidas Martín and Xavier Artigas. Collective projects that see art as a kind of social relationship. Artistic interventions that target consumption, media guerrilla tactics, creative mobilisations and protest, critical projects brimming with humour and disobedience, new narratives capable of changing the existing symbols and codes.
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#NOSFALTAN43
Practitioner:
Lavinia Raccanello
Date:
Dec 11 2014
On December 2014 I've been artist in residence at MANY MINI RESIDENCY a short-term residency program organized by Sarrita Hunn and Ryan Thayer and hosted by GYB BYG in Mexico City. During my 12 hour residency I’ve worked on the case of the 43 students from Normal Rural de Ayotzinapa who went missing while in the custody of Iguala’s police force in September 2014.
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Occupy Small Street
Practitioner:
Arts x Activism
Date:
May 22 2012
First Inspired by a doll-sized action in Siberia, #occupysmallstreet staged its first little protest in Melbourne's City Square, as part of #F12, International Art + Occupy Day. Signs are made collectively, by regular Arts x Activism and members of the public (adults and children) who stop by and have something to add.
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TAXI
Practitioner:
HAHA
Date:
Apr 19 2014
Taxi is a car with a digital advertising sign attached to the roof. Linked to a global positioning system, the message changes relative to the car's location, addressing specific neighbourhoods, addresses, and audiences. The technology can target an area as small as a square block. Haha solicits messages through email list serves and through direct contact with various groups throughout the city.
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SPEAK
Practitioner:
various groups around the world
Date:
Mar 25 2013
Last night I attended an Intimate Partner Violence and Sexual Assault Speak Out, where people across campus from the LGBT community and coalitions of color came together in one sacred space to share their stories with strangers. For many, including me, it was the first time we spoke out publicly. It was empowering. It was liberating. Rarely do I let myself shed tears over my repressed memories, yet I cried over every
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Photo Requests from Solitary
Practitioner:
Tamms Year Ten, Parsons The New School for Design, Solitary Watch, the National Religious Campaign Against Torture, and the New York Campaign for Alternatives to Isolated Confinement, the Open Society Foundations, Laurie Jo Reynolds, Jean Casella, Jeanine Oleson, Rachel Herman
Date:
Sep 20 2013
Featuring photographs that represent a unique collaboration between men held in supermax prisons and the photographers who fulfilled their requests. Curated by Laurie Jo Reynolds, Tamms Year Ten, Jeanine Oleson, Parsons The New School for Design, and Jean Casella, Solitary Watch.
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post (r)evolutionary exercises
Practitioner:
Kultivator
Date:
Feb 16 2014
The post (r)evolutionary exercises are the outcome of a meeting/friendship/project that started in summer 2010, when we took part in "Goings on" seminar in Beirut, Lebanon. In this seminar, curated by Cecilia Andersson, Scandinavian and Middle east art groups were invited to meet and learn about each others practices. That's what we did, we got along really well, and we started at once to think of ways to do something together again.
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Mining the Museum
Practitioner:
Fred Wilson
Date:
Apr 3 1993
Wilson’s intervention was a correction of the museum’s identity in the sense that it made the underlying racism apparent. Using glass cases and neat labeling, Wilson’s installations mimicked the usual methods of museum display but with a twist so that a new voice or persona was created. As he said it himself: “By bringing things out of storage and shifting things already on view, I believe I created a new public persona for the historical society.”
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