“Teilchenbeschleuniger” ist ein investigatives Kunstprojekt des Künstlerduos 431art, welches Atomenergie kritisch reflektiert. Der “Teilchenbeschleuniger” verteilt Teilchen namens “Jülicher Törtchen”, “Brokdorfer Mürbchen” oder “Muffins Fukushima” an die Bevölkerung.
The Violence Against Women (VAW) Art Map was conceptualized in the fall of 2018, in the wake of the #MeToo movement by Dr. Lauren Stetz, as part of her doctoral research in Art Education with a minor in Women's, Gender, & Sexuality Studies at Penn State University.
In the 2012 presidential election, did you know that one of the underdog anti-party runners was Gumby?!
In the attached video, you will hear Gumby offer transportation alternatives (Pokey and friends), challenges of not believing in vice presidents, and the importance of people and clay-people working together.
An artist in Culiacan, Mexico—which has the highest rate of gun deaths in the country—has found a way to transform the agents of death into seeds of life.
In 2008, artist Pedro Reyes started running television ads urging locals to exchange their guns for food coupons to be redeemed at local stores.
The campaign—Palas Por Pistolas, or “Shovels for Guns"—collected 1,527 guns, which Reyes publicly smashed with a steamroller.
MEXICO CITY — Of the half-dozen pieces that form Tania Bruguera’s series “Tatlin’s Whisper,” the one that the Cuban government silenced may have resounded most.
The Amplification Project: Digital Archive for Forced Migration, Contemporary Art, and Action (https://theamplificationproject.com) is a community-led participatory public digital archive to which any artist and activist can document, preserve and share their work inspired, influenced, or affected by forced migration.
Object Orange (formerly Detroit. Demolition. Disneyland. is an artistic project in Detroit, Michigan which seeks to draw attention to dilapidated buildings by painting them orange.
This project served as an educational tool to demystify the female body and bring awareness to the issues of reproductive rights and the ignorance that sometimes plagues common misconceptions about the reproductive system. I think this campaign is very successful in its approach. It exhibits paintings and displays of uterus and the female form in a non-sexual way.
“The Washington Post” asked the Guerrilla Girls to create a full page for their section on feminism and art, which was published on April 22, 2007. The Guerrilla Girls’ page contains an image of a fake tabloid, called “NOT OK! The Guerrilla Girls’ Scandal Rag,”. The tabloid’s cover features a sensational headline and some statistics, which highlight the fact that national museums rarely feature female artists and artists of color.
They call themselves feminist masked avengers in the tradition of Robin Hood, Wonder Woman and Batman. They wear costume gorilla masks to remain anonymous, and they are devoted to fighting sexism and racism within the visual art world internationally.
The starting point of this artistic project, carried out by MAPA within its Laboratory of Artists in Colombia, is the disappearance of one of the oldest "barrios" downtown Bogotá: El Cartucho.
The Spanish artist Santiago Sierra is planning to immerse a British flag in blood donated by indigenous peoples from countries colonised by the British Empire.
The resulting artwork, titled Union Flag, is intended to be an “acknowledgement of the pain and destruction colonialism has caused First Nations peoples, devastating entire cultures and civilisations,” the artist said in a statement.
On Tuesday evening, at the end of an action staged by Occupy Museums at the Metropolitan Museum of Art to protest the unveiling of the David H. Koch Plaza, three members of The Illuminator were arrested. Earlier in the evening, police had moved protestors to a cordoned area on the opposite side of the street from the museum; a substantial police presence remained throughout the evening, but no other arrests took place.
Blair Holt was shot and killed while he shielded another classmate from the bullets a gunman sprayed on a CTA bus in Chicago in 2007. His father is a police officer and his mother is a fire department chief, and that’s what they had taught him to do.
The snapshots are thrust at us urgently, as if they were passports being shown at a border crossing, official proofs of national identity. Mostly, they are prosaic pictures of family members or houses. Sometimes a diploma will be offered up instead, or theater reviews clipped from newspapers or a membership card to a duck-hunting club. Later, other, more frightening, pictures will be shown, but they all serve the same function.
Four prominent Australian artists – Aretha Brown, Claire Martin, Kaff-eine and Jane Gillings – will gather in Canberra this Sunday, to discuss their art, activism and ideas, marking the closing weekend of Kambri’s HERE I AM festival.
The Art Activism by Great Women Conference is a day-long event, involving artist talks, Q&A sessions, panel discussions, afternoon tea, wine tasting and networking.
Angel Azul is an environmental documentary that follows the work of eco-sculptor Jason deCaires Taylor. Jason creates artificial coral reefs from statues he's cast from live models and installed on the ocean floor in an underwater museum off the coast of Cancún. The film explores issues that threaten the world's coral reefs which are suffering unprecedented losses.
For over 60 years, Colombia has been facing war between guerrilla groups, the State, paramilitary groups and drug dealers. Hundreds of thousands of people have been killed, raped, displaced and threaten by this armed conflict. The common trait of this tragedy has been the people being in the middle, the people that still today pay the consequences.
On the 25th revolutionary 1st of May demonstration in Berlin-Kreuzberg, protesters were throwing huge inflatable cobblestones, made of silver-reflective foil and tape. The creative intervention was initiated by the former art-activist collective “eclectic electric collective” (e.e.c.) and was meant as a celebration of an object which is both a symbol and a material weapon of anti-authoritarian struggle everywhere.
Camp Mossandsticks, named after moss and sticks--two of the most rudimentary tools with which one can spark fire--is a site for young women and girls to become resourceful, defiant, and self-sufficient revolutionaries of today. Started on November 6, 2012, the camp hosts workshops to spark the attendees’ inner political flames, challenging them to confront disenfranchisement created by the status quo and to take matters into their own hands.
Last August, as protesters marched in Ferguson, Missouri, after the death of Michael Brown, the 18-year-old unarmed teen shot by a police officer, another group of activists began thinking about how to incorporate the creative community into the movement. The result is Manifest:Justice, a free pop-up art show taking place in Los Angeles.