The upcoming year of fashion shows look set to be charged with climate change and environmental themes.
This year, more than ever before, we have seen that the business of fashion, at the highest levels, is responding to the push to take the very pressing issue of climate change and environmental damage seriously.
A climate activist smeared pink paint on a Tom Thomson artwork at the National Gallery of Canada as part of activities this week drawing attention to demands for a national firefighting service.
A video uploaded to Facebook by the group On2Ottawa appears to show Kaleb Suedfeld, 28, splashing paint onto Thomson’s 1915 landscape Northern River, kneeling and gluing his hand onto the floor before pulling a written speech from his pocket.
This is not a drill: Jane Fonda has officially joined TikTok.
On Thursday night, the 82-year-old actress and activist posted her first video to the app TikTok and announced that she would be reviving her legendary home workouts to help people stay active during this period of coronavirus "home sequestration."
A young man melting into a puddle of himself is something you don’t see everyday, much less in a busy public square. Yet this humourous but surprisingly effective spectacle is the latest effort by the Red Cross of Argentina to raise awareness about climate change.
On this International Women’s Day, we wanted to celebrate the commitment of a very special human being. Her name is Zaria Forman, a leading artist in contemporary art with a cause. She is not only an exceptional human being; she is also an incredible American drawer who uses art to convey the emergency of climate change.
"This is the video that Coca-Cola, PepsiCo, and Nestlé don’t want you to see.
The big brands want you to believe they are taking steps to reduce single-use plastic BUT they are actually working hand in hand with the fossil fuel industry to produce even MORE!
Watch now to learn that the actual “Story of the Bottle” has devastating effects on our health, planet, and communities!
This month’s blast of arctic air may have roused climate-change skeptics. But the composer Laura Kaminsky and the painter Rebecca Allan were unfazed. Holed up in their apartment in Riverdale in the Bronx on one of the coldest days in decades, these longtime artist-activists were doing what came naturally: fighting the planet’s warming.
Cheat Neutral satirizes the carbon offset model by offering people the opportunity to pay someone else not to cheat on their partner in order to neutralize their own infidelity. Cheatneutral allows you to pay £2.50 to carry on cheating while funding “monogamy-boosting offset projects”.
Many artists are inspired to bring climate change into their work after a direct experience with it. Catherine Sarah Young hopes her work helps people understand and talk about their experiences with climate change.
From an Art Net News Article: ""The installation is called Ghost Forest, a term used to describe vast acreages of woodland that have died out–often due to rising sea tides, which overwhelm forests near estuaries with saltwater, choking out their ability to get nutrients from the earth. In 2012, Sandy caused seawater levels to surge, leaving swaths of ghost forests in its wake.
In December 2008, Tim DeChristopher, along with his church group, was protesting outside a Bureau of Land Management oil and gas lease auction of 116 parcels of public land in Utah's red rock country. Tim decided to take his protest inside and disrupt the auction itself. Instead, at the door, he was offered a bidder's paddle — which, after a split second of hesitation, he accepted.
Environmental activist Franny Armstrong's brainwave came as she was walking to a debate with the then Secretary of State for Energy and Climate Change Ed Miliband. She had read a report saying that the developed world must cut its carbon emissions by 10% by the end of 2010 to avoid passing the tipping point. Armstrong, 39, dropped her idea to start a campaign into the debate. 10:10 was born.
From Public Delivery:
For Ice Watch (2014), he extracted 30 blocks of glacial ice from the waters of Greenland and in 2018 strategically placed them in front of Tate Modern in London . The ice was left here to melt. Ice Watch was to inspire public action against climate change, advocating for a rapid public response.
American artist Bob Partington created a wax sculpture of a Florida panther and her cub to display at a nonprofit zoo in Tampa, Florida this September.
When it debuted, the sculpture looked like nothing special. But as the wax began to melt under the heat of the sun, the bodies of the endangered species started to disintegrate. Within a couple days, the mother panther’s melting body revealed a simple message: “More heat, less wildlife.”
When And Where Will #TeamTrees Plant 21.5 Million Crowdfunded Trees?
Two months after reaching one of the most ambitious crowdfunding goals in YouTube history, #TeamTrees is getting closer to delivering on behalf of its 800,000+ unique donors.
On September 19,2015 in Paris, 140 animals sailed up the River Seine to bring awareness to climate change, ahead of the COP21 UN meeting in December. French artist Gad Weil created this pop art piece from fully recyclable acrylic sheets, and installed the animals on top of a barge in front of the Eiffel Tower.
Does it vex you, the environmental impact of Olafur Eliasson’s Ice Watch? Do you hear about the transportation of 30 icebergs from the Nuup Kangerlua fjord in Greenland to be displayed in London as a memento mori for our inhabitable environment and judge the project a bit of an own-goal, sustainability-wise? You would not be alone – on personal evidence, this seems a popular response.
A site-specific, community-engaged process: Sarah and NYC collaborators gathered at the water’s edge every month from September 2020 (when the work was initially scheduled to take place but was postponed due to the pandemic) until September 2022, to build Kin To The Cove, a site-specific community-powered environmental public art process that connects local residents to the Cove and Water that surrounds NYC.
Italian environmentalists used a dye to turn Venice's Grand Canal green on Saturday in protest at what they said was a lack of progress at the COP28 climate summit in Dubai.
The protesters from the Extinction Rebellion group, dangling from the Rialto Bridge over the canal with the aid of climbing ropes, also displayed a banner that read: "COP28: While the government talks, we are hanging by a thread."
Rice University’s O’Connor Building for Engineering and Science now houses an immersive public art installation titled “Climate Parliament,” a thought-provoking work by Mexican-Canadian artist Rafael Lozano-Hemmer. Commissioned by Rice’s Moody Center for the Arts for the Rice Public Art collection, the interactive artwork engages visitors with a dynamic experience that addresses the growing global climate crisis.
The political artist I chose to investigate is Ruth Peche, a Spanish sculptor and photographer. Her themes tend to center around plastic waste and the impact it has on the environment, using this as a muse for describing the relationship human society has with the natural world. Peche’s interest in art activism, particularly with themes of preserving the environment, is something that was sparked for her in during her childhood years.
The work of Marcela Cantuária (b. 1991, Rio de Janeiro; lives in Rio de Janeiro) often portrays female figures who navigate regional, international, and social boundaries. Often highlighting symbols from tarot and astrology as well as themes that reflect political and environmental activism in Latin America, she weaves narratives of social spheres, political associations, and ethereal wishes.
Birds Watching I, 2018 was created for Storm King Art Center's Indicators: Artists on Climate Change, in partnership with NRDC, which ran from May–Nov 2018, and featured 100 U.S. climate-threatened species derived from Audubon's first report. That work was reinstalled as a public sculpture in Chicago on the elevated 606 Bloomingdale Trail between St. Louis Ave. and Kimball Ave. and is fully-accessible via the Spaulding Ave. ramp.