Projects tagged "history"

The American Library
Practitioner:
Yinka Shonibare
Date:
Jul 14 2018
Debuting at Cleveland Triennial for Contemporary Art, July 14 – September 30 for FRONTart 2018 is ‘The American Library’ by Yinka Shonibare MBE, a celebration of the diversity of the American population. It aims to be an instigator of discovery and debate. The thousands of books in this art installation are covered in the artist’s signature Dutch wax printed cotton textile.
Augmented reality project puts monumental public art at New Yorkers’ fingertips
Practitioner:
Kinfolk
Date:
Nov 29 2017
Digital art platform Kinfolk has launched its New York City-wide participatory exhibition Signature Series, the initiative’s largest public endeavour to date. The project places newly created augmented reality (AR) monuments by four New York artists—Pamela Council, Derrick Adams, Tourmaline and Hank Willis Thomas—into designated public spaces across the city.
Spectres of Liberty
Practitioner:
Dara Greenwald and Josh MacPhee and Olivia Robinson
Date:
May 1 2008
Spectres of Liberty is an on-going public, hybrid media project about the history of the movement to abolish slavery in the United States. Through this project we explore the following questions: How do we make visible histories of people and movements which resisted a status quo of oppression? What are the best forms to manifest submerged and complex
People's History Markers
Practitioner:
The Howling Mob Society
Date:
Jan 1 2010
The Howling Mob Society has created ten historical markers representing history from the perspective of the working class. In particular, these markers detail events and significant locations from the Great Strike of 1877 - a historical event in Pittsburgh's labor history that ignited a popular uprising of workingmen, families, and neighbors alike as citizens stopped train services, burned railroad
A Dallas Drinking Fountain
Practitioner:
Lauren Butterfly Woods
Date:
Oct 2 2013
"FOUNTAINS: A public artwork in three parts by lauren woods
Sima Qian: China's 'grand historian'
Practitioner:
Chinese historians, Carrie Gracie
Date:
Oct 7 2012
Sima Qian: China's 'grand historian' By Carrie Gracie BBC News, Beijing Speaking truth to power has always been a high-risk strategy in China. Its rulers tend to prefer flattery, and writers who forget this do so at their peril. China's "grand historian" - 2,000 years ago - was one of many who have paid a terrible price.
History of Korean Women
Practitioner:
Cho Duck Hyun
Date:
Jun 22 1993
In the series The History of Korean Women, Cho's suggests that the cost of that gain cannot be paid for by a cultural amnesia masking the pain and suffering of previous generations. Here the semantic emphasis is on the official - the status of women and their contribution to the survival and growth of Korea. Their efforts have gone uncelebrated due to their relegated status within a five hundred year old social system.
People's Tours: A social history of the South End walking tour
Practitioner:
People's Tours
Date:
Jun 16 2012
In early 2012, a group of artists, activists and assorted other odd balls got together to form People's Tours. The idea was to give walking tours in the Boston area. Standard enough. But instead of the usual history, we would talk about social justice, contested spaces, important protests, and shady corporations. So far, the group has consisted of Dave Taber, Heather McCann, Kristin Parker, Neil Horsky, and Tim Devin.
Teen Actors Keep Playwright August Wilson’s Legacy Alive
Practitioner:
The National August Wilson Monologue Competition
Date:
May 6 2013
Eight years after his death, the annual August Wilson Monologue Competition provides high school students from around the country an opportunity to carry on the African-American playwright’s legacy. That legacy includes Pulitzer Prizes for “Fences” and “The Piano Lesson,” two installments of Wilson’s 10-play series set in his hometown of Pittsburgh that examined 20th-century black life through the personal and political struggles of everyday people.
Freedom of Information
Practitioner:
IOANA (Ioana Urma)
Date:
Jul 28 2012
Located within Boston’s historic (brick) core, and using the history of Boston as example, this kinetic, site-specific, public art installation is a humorous commentary on our use and trust of the internet for learning.
Black Dandyism, the 2025 Met Gala’s Theme, Has Its Roots in 18th-Century Painting
Practitioner:
The Costume Institute
Date:
May 10 2025
A young Black boy, wearing deep red livery with gold trimming, a gold earring, and red-and-white turban secured with a jeweled brooch, stares out at the viewer. Standing before a ship at sea, he hands a letter, addressed to “Monsieur le chevalier de Rohan, captain of the King’s ships at Rochefort,” to an older white man, dressed in regal-looking steel armor.
The Great Wall of Los Angeles
Practitioner:
Judy Baca
Date:
Apr 11 2001
The Great Wall of Los Angeles represents a minority perspective/p.o.v. of the history of the city. Judy Baca first began the mural in 1974 through SPARC at the rise of the Chicano movement. The project was a part of the community and completed by Baca, other local artists and local youth volunteers. This mural is effective in depicting the racial tension of the past, but maybe it would be enhanced by a prospective future.
The Freedom Trail on Trial
Practitioner:
Urbano Project
Date:
Nov 20 2011
In the fall of 2011, Urbano’s teen artists and artist-in-residence Neil Horsky partnered with professional artists, educators, librarians, and historians to undertake a critical investigation of Boston’s Freedom Trail.  During the investigative process teen artists questioned the assumptions, accuracy, comprehensiveness, and impartiality of public presentations of the city’s
The Prometheus Project
Practitioner:
American Repertory Theater
Date:
Mar 1 2012
The Prometheus Project is a partnership between the American Repertory Theater and Amnesty International to bring the theater arts to the service of human rights advocacy.
State Names
Practitioner:
Jaune Quick-to-See Smith
Date:
Jan 1 2000
"State Names" is a painting by Jaune Quick-To-See Smith. You immediately recognize the outline of the United States, but at the same time, that map is obscured and made difficult to read. It’s at once recognizable and not recognizable. She describes her use of icons as a ploy, as something that brings the viewer closer, and they think they know what they’re going to see.
Mining the Museum
Practitioner:
Fred Wilson
Date:
Jan 19 1993
When Fred Wilson did an installation at the Maryland Historical Society in 1992, he shook up the museum world. Co-sponsored by the historical society and the Contemporary Museum, Mining the Museum did not involve artwork made by the artist; rather, it involved reinstalling items from the historical society's collection in such a way as to make us reconsider them.