Projects tagged "United States"

The New York Times Special Edition
Practitioner:
Steve Lambert, The Yes Men, Not an Alternative!, CODEPINK, Packard Jennings, May First/People Link, Improv Everywhere, Joseph DeLappe, L.M. Bogad, FAIR, Stephen Duncombe
Date:
Nov 9 2008
On November twelfth, 2008, over 80,000 copies of a replica of the New York Times were distributed in several cities around the United States. The paper included 14 pages of “best case scenario” news set nine months in the future. See the The New York Times Special Edition website.
The Aphrodite Project
Practitioner:
Norene Leddy
Date:
Jan 1 2000
In the past, prostitution was intrinsically tied to religion ritual and public policy, and it wasn't considered a taboo. Taking up from the idea of ancient sandals worn by prostitutes, the artist has created platform shoes that specifically focused on their protection and safety nowadays, with a GPS tracker that can send emergency signals to 911 or a sex workers' rights group.
THE SLAVE SERIES: QUILTS BY GWENDOLYN A. MAGEE
Practitioner:
GWENDOLYN A. MAGEE
Date:
Apr 24 2014
The image is stark. And shocking. A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."
Can 'Caring Across Generations' Change the World?
Practitioner:
Caring Across Generations
Date:
Apr 11 2012
From The NationBy Laura FlandersA new campaign calling itself Caring Across Generations has in mind nothing less than a 180-degree turn in the way that Americans think about themselves, one another, the economy and workers. This group aims to create 2 million quality jobs in the process and put us all on track for a happy, healthy old age too. But first we need to talk, out loud, about care.
We the People Are Greater Than Fear
Practitioner:
Shepard Fairey
Date:
Jan 1 2017
Colorful portrait of a Muslim woman wearing an American flag colored head scarf. Image on back of a woman with a rose in her hair in black and white with text that states, "We are resilient. We are indivisible. We are greater than fear. We will defend dignity. We will protect each other." -- "The We the People campaign aims to restore hope, imagination, curiosity, and creativity into our country’s dialogue.
Autonomy Cube
Practitioner:
Trevor Paglen, Jason Applebaum
Date:
Jan 1 2014
Pursuing the possibility of emancipatory use of technology, Paglen, together with Jacob Appelbaum, developed Autonomy Cube (2014). Autonomy Cube is a sculpture and internet router designed to be housed in civic spaces. The sculpture is meant to be both “seen” and “used.” Formally it references Hans Haacke's 'Condensation Cube' (1963-65).
#LikeAGirl
Practitioner:
Lauren Greenfield
Date:
Feb 15 2015
The #LikeAGirl campaign was aired as a commercial during the 2015 SuperBowl. In the commercial, young girls were asked to act out certain phrases. They were told to "fight like girl", "throw a ball like a girl", "run like and girl", and so on. As an adolescent or an adult, these phrases carry a negative connotation. Girls are seen as weak, frilly, and inferior.
Guide for Youth Protestors
Practitioner:
Jessalyn Aaland
Date:
Jan 1 2017
The project consists of a double-sided, hand-drawn 8.5" x 11" quarter-fold sheet available to print and distribute freely. It features such topics as basic information on police tactics (kettling, LRADS, tear gas or pepper spray), ways cops might try to get you to talk to them, and your rights as a student.
Art Cannot Provide a Way Out
Practitioner:
Claire Bishop
Date:
Aug 1 2012
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond:
Julius Eastman: Gay Guerilla
Practitioner:
Julius Eastman
Date:
Jun 4 1980
Julius Eastman was a Black and Queer avant garde, minimalist composer and performer from the 1960s-1980s. He used his platform to advocate for the rights and livelihoods of Black and queer people through his unique musical aesthetic and the controversial naming of his pieces, including "Gay Guerrilla," "Evil N-word" and "Crazy N-Word"
Day after Debt
Practitioner:
Ahmet Ögüt
Date:
Nov 23 2014
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
CRIPPING CHOREOGRAPHY
Practitioner:
Yvonne Rainer
Date:
Mar 9 2021
"Rainer’s early choreography celebrated, among other things, ordinary movements: the expressive capacities of kneeling, of shaking your head, of rolling on the floor. And when she went through periods of sickness, those movements became an even more important part of her repertoire. In her 1966 Hand Movie, an 8mm film she shot on her sickbed, we see a dance she choreographed for just her hand, while her body rests.
I Will What I Want
Practitioner:
Underarmour
Date:
Jun 30 2014
I Will What I Want is a campaign launched by Under Armour which speaks to women who do not wait for permission or affirmation in order to go after what they want. The campaign highlights various models and athletes who encourage women to tune out society's standards and pursue their dreams. The campaign began by highlighting Misty Copeland, a soloist at the American Ballet Theater.
COVID-19 RELIEF FUND TO GIVE $10 MILLION TO ARTISTS
Practitioner:
Artist Relief fund
Date:
Apr 8 2020
A coalition of more than twenty national arts funders has launched an emergency relief fund that will provide millions of dollars to artists struggling financially in the wake of the COVID-19 outbreak in the United States, which has more than 400,000 confirmed cases of the virus. The Andrew W.
Cheering Girls into STEM
Practitioner:
Science Cheerleader
Date:
Jan 30 2015
Despite the pushes to motivate more young girls into STEM (science, technology, engineering, and math) fields, women are still very underrepresented in almost every scientific field. Part of this motivation is because a lot of young girls would rather do something else.
Pissed
Practitioner:
Cassils
Date:
May 12 2017
Cassils has used clay, fire, photography, urine and the musculature of their own body as mediums to provoke, challenge and excite whoever experiences their singular creations.
MESOAMÉRICA RESISTE
Practitioner:
Beehive Collective
Date:
Jul 16 2019
The Beehive Design Collective is a wildly motivated, all-volunteer, activist arts collective dedicated to “cross-pollinating the grassroots” by creating collaborative, anti-copyright images for use as educational and organizing tools. We work as word-to-image translators of complex global stories, shared with us through conversations with affected communities.
Healing through sound and community art
Practitioner:
Guadalupe Maravilla
Date:
Feb 25 2025
Glowing softly in the West Texas desert night, artist Guadalupe Maravilla’s Mariposa Relámpago, was once an ordinary school bus but is now a richly decorated, mobile site for remembrance and healing. Like much of the artist’s work, this piece commemorates and confronts the artist’s journey to the United States as an unaccompanied, undocumented minor fleeing civil war in El Salvador in the 1980s.
White Noise Documentary Film
Practitioner:
The Atlantic
Date:
Jun 20 2020
"White Noise explores the seductive power of extremism. Hatred feels good. But the fix is fleeting. As the film progresses, the subjects reveal the contradictions at the heart of their world. Lauren Southern advocates for traditional gender roles, but resents the misogyny and sexism of her peers. Mike Cernovich warns that “diversity is white genocide,” but has an Iranian wife and biracial kids.
Ringgold's art - a visual symphony that harmonizes activism
Practitioner:
Faith Ringgold
Date:
Jan 1 1997
Faith Ringgold is a successful painter, sculptor, mixed-media artist, author, feminist, and political activist. She is particularly known for her narrative quilts, as she explores identity, race, family ties, as well as cultural and political topics through her many different forms of storytelling. “I have always wanted to tell my story or, more to the point, my side of the story” - Faith Ringgold
American Indian artist Brian Larney uses a mix of art, activism to chronicle Indigenous history
Practitioner:
Brian Larney
Date:
Dec 26 2022
Brian Larney is an AI.tivist or American Indian artist. He is also an Artivist where he performs Artivism, a concept that includes art as a form of activism.
United States of Attica
Practitioner:
Faith Ringgold
Date:
Sep 15 1971
In September 1971, after years of mistreatment and months of simmering tensions, more than 1,200 of the 2,200 inmates at the Attica Correctional Facility in upstate New York took control of the prison in protest of its substandard conditions and openly racist corrections officers.
Pink Seesaws Installed at Border Fence
Practitioner:
Virginia San Fratello, Ronald Rael
Date:
Jul 30 2019
Pink seesaws were installed along the United States/Mexico border. The project, created by two professors sought to unite both sides of the fence by creating an activity that required a participant on either side. The seesaws were installed so there is one seat in El Paso, Texas and one in Ciudad Juárez, Mexico with the border fence acting as the fulcrum.
Rituals Adjacent to Capitalism
Practitioner:
Liat Berdugo, Leora Fridman
Date:
Jan 1 2016
The project provides somatic rituals to solve the problems of creative makers, offering specific somatic instructions for how to deal with breaks in (or lack of) creativity. Rituals available as a live, interactive performance and as limited-edition chapbooks, and broaden an understanding of creative “results,” “ends and means,” and the idea of a muse/magic as relates to creative labour.
Capitalism Works For Me! True/False
Practitioner:
Steve Lambert
Date:
Jul 1 2012
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.

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