Projects tagged "United States"

We the People Are Greater Than Fear
Practitioner:
Shepard Fairey
Date:
Jan 1 2017
Colorful portrait of a Muslim woman wearing an American flag colored head scarf. Image on back of a woman with a rose in her hair in black and white with text that states, "We are resilient. We are indivisible. We are greater than fear. We will defend dignity. We will protect each other." -- "The We the People campaign aims to restore hope, imagination, curiosity, and creativity into our country’s dialogue.
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The Aphrodite Project
Practitioner:
Norene Leddy
Date:
Jan 1 2000
In the past, prostitution was intrinsically tied to religion ritual and public policy, and it wasn't considered a taboo. Taking up from the idea of ancient sandals worn by prostitutes, the artist has created platform shoes that specifically focused on their protection and safety nowadays, with a GPS tracker that can send emergency signals to 911 or a sex workers' rights group.
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Project 562: Changing the way we see Native America
Practitioner:
Matika Willbur
Date:
Feb 16 2014
Matika Willbur was given a grant by Kickstarter (the worlds largest funding platform for creative projects) to travel around the U.S. for a year and photograph Native America. The goal of the 562 project is to change the way we think of the Native American race, by shifting our collective consciousness and creating a positive lasting legacy of Native America.
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Pissed
Practitioner:
Cassils
Date:
May 12 2017
Cassils has used clay, fire, photography, urine and the musculature of their own body as mediums to provoke, challenge and excite whoever experiences their singular creations.
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Abercrombie and Fat
Practitioner:
Jes Baker
Date:
May 20 2013
Jes Baker, 26, created a campaign called Abercrombie and Fat in response to the CEO of Abercrombie and Fitch. In 2006, the CEO released a statement that his target consumer is the cool, All American kid who has a lot of friends. He continues to say that his business is exclusive and a lot of people do not belong in his clothes.
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Capitalism Works For Me! True/False
Practitioner:
Steve Lambert
Date:
Jul 1 2012
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.
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Music that Propelled the Indigenous Rights Movement
Practitioner:
Buffy Sainte-Marie
Date:
Aug 3 1969
"The Red Power Movement of the 1960s and 70s was a time of profound social change and progress for American Indians in the United States and Canada. In her outspokenness about the injustices facing Indigenous people, Buffy Sainte-Marie also sang for peace, the environment, women and children—believing that art can have impact and make a difference.
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#LikeAGirl
Practitioner:
Lauren Greenfield
Date:
Feb 15 2015
The #LikeAGirl campaign was aired as a commercial during the 2015 SuperBowl. In the commercial, young girls were asked to act out certain phrases. They were told to "fight like girl", "throw a ball like a girl", "run like and girl", and so on. As an adolescent or an adult, these phrases carry a negative connotation. Girls are seen as weak, frilly, and inferior.
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White Noise Documentary Film
Practitioner:
The Atlantic
Date:
Jun 20 2020
"White Noise explores the seductive power of extremism. Hatred feels good. But the fix is fleeting. As the film progresses, the subjects reveal the contradictions at the heart of their world. Lauren Southern advocates for traditional gender roles, but resents the misogyny and sexism of her peers. Mike Cernovich warns that “diversity is white genocide,” but has an Iranian wife and biracial kids.
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Brick X Brick
Practitioner:
Public Displays of Affection
Date:
Jan 21 2018
Brick x Brick is a public art performance that builds human “walls” against misogyny. It is organized by the Public Displays of Affection, a collective of artists, designers, educators and organizers that engages in nonviolent direct art action. During the wall performances, participants wear brick-patterned jumpsuits adorned with colorful brick patches bearing statements of misogynistic violence made by US President Donald Trump.
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Amazon May Day Strike
Practitioner:
Amazon Employees
Date:
May 1 2020
Essential workers at major companies like Amazon, Instacart, and Target across the United States on Friday protested for better safety protections, working conditions, and pay during the coronavirus pandemic.
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THE SLAVE SERIES: QUILTS BY GWENDOLYN A. MAGEE
Practitioner:
GWENDOLYN A. MAGEE
Date:
Apr 24 2014
The image is stark. And shocking. A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."
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Pink Seesaws Installed at Border Fence
Practitioner:
Virginia San Fratello, Ronald Rael
Date:
Jul 30 2019
Pink seesaws were installed along the United States/Mexico border. The project, created by two professors sought to unite both sides of the fence by creating an activity that required a participant on either side. The seesaws were installed so there is one seat in El Paso, Texas and one in Ciudad Juárez, Mexico with the border fence acting as the fulcrum.
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Walk in Their Shoes
Practitioner:
CODEPINK
Date:
Jul 24 2008
"Hundreds of children's shoes create stunning memorial of Iraqi children dead through war.
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Julius Eastman: Gay Guerilla
Practitioner:
Julius Eastman
Date:
Jun 4 1980
Julius Eastman was a Black and Queer avant garde, minimalist composer and performer from the 1960s-1980s. He used his platform to advocate for the rights and livelihoods of Black and queer people through his unique musical aesthetic and the controversial naming of his pieces, including "Gay Guerrilla," "Evil N-word" and "Crazy N-Word"
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The Occult Activism of 1960s Group WITCH is Still Relevant
Practitioner:
WITCH
Date:
Jan 1 1960
When people think of feminist protests of the 1960s, they most often think of bra burning at the Miss America pageant. This is super lame because bras weren’t even burned at that protest, just discarded into a trash can. It’s hard to imagine why this trope has persisted over the decades. Bras are an investment, so I have a hard time believing that any of my friends would willingly burn expensive (and sometimes really fun) garments.
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COVID-19 RELIEF FUND TO GIVE $10 MILLION TO ARTISTS
Practitioner:
Artist Relief fund
Date:
Apr 8 2020
A coalition of more than twenty national arts funders has launched an emergency relief fund that will provide millions of dollars to artists struggling financially in the wake of the COVID-19 outbreak in the United States, which has more than 400,000 confirmed cases of the virus. The Andrew W.
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Autonomy Cube
Practitioner:
Trevor Paglen, Jason Applebaum
Date:
Jan 1 2014
Pursuing the possibility of emancipatory use of technology, Paglen, together with Jacob Appelbaum, developed Autonomy Cube (2014). Autonomy Cube is a sculpture and internet router designed to be housed in civic spaces. The sculpture is meant to be both “seen” and “used.” Formally it references Hans Haacke's 'Condensation Cube' (1963-65).
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Ringgold's art - a visual symphony that harmonizes activism
Practitioner:
Faith Ringgold
Date:
Jan 1 1997
Faith Ringgold is a successful painter, sculptor, mixed-media artist, author, feminist, and political activist. She is particularly known for her narrative quilts, as she explores identity, race, family ties, as well as cultural and political topics through her many different forms of storytelling. “I have always wanted to tell my story or, more to the point, my side of the story” - Faith Ringgold
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Sleep Out
Practitioner:
Covenant House
Date:
Feb 2 2021
Covenant House has started a ‘Sleep Out’ movement that shines light on the youth homelessness crisis and raises funds for young people who seek shelter. "Covenant House empowers young people to overcome homelessness and trafficking by providing them with safe housing, food and clothing, and relentless support. Sleep Out events are held for people who want to join the movement as they give up their bed for one night in NYC.
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Camp Mossandsticks
Practitioner:
Camp Mossandsticks, Alex Tsocanos
Date:
Nov 6 2012
Camp Mossandsticks, named after moss and sticks--two of the most rudimentary tools with which one can spark fire--is a site for young women and girls to become resourceful, defiant, and self-sufficient revolutionaries of today. Started on November 6, 2012, the camp hosts workshops to spark the attendees’ inner political flames, challenging them to confront disenfranchisement created by the status quo and to take matters into their own hands.
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I Will What I Want
Practitioner:
Underarmour
Date:
Jun 30 2014
I Will What I Want is a campaign launched by Under Armour which speaks to women who do not wait for permission or affirmation in order to go after what they want. The campaign highlights various models and athletes who encourage women to tune out society's standards and pursue their dreams. The campaign began by highlighting Misty Copeland, a soloist at the American Ballet Theater.
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Wallyball
Practitioner:
Mexico and US Residents
Date:
Aug 26 2015
The frontier between the United States and Mexico is the busiest land border in the world. It is also among one of the world’s most heavily regulated and policed border zones—the arid climate of which is responsible for many migrant deaths each year.
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Day after Debt
Practitioner:
Ahmet Ögüt
Date:
Nov 23 2014
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
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The New York Times Special Edition
Practitioner:
Steve Lambert, The Yes Men, Not an Alternative!, CODEPINK, Packard Jennings, May First/People Link, Improv Everywhere, Joseph DeLappe, L.M. Bogad, FAIR, Stephen Duncombe
Date:
Nov 9 2008
On November twelfth, 2008, over 80,000 copies of a replica of the New York Times were distributed in several cities around the United States. The paper included 14 pages of “best case scenario” news set nine months in the future. See the The New York Times Special Edition website.
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