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2016
CaroTimm

Projects with Clear Long-Term Goals

These projects have long-term goals for change. Long-term goals tend to be things like: end racism; end homophobia; make the sun stand still in the sky. A campaign with a long-term goal also needs to have some kind of theory of change.
Female Writer 她--美女作家
Practitioner:
Yu Hong 喻红
Date:
Jan 1 2004

Yu Hong’s Female Writer, a painted and photographic portrait of the writer Zhao Bo 趙波 (b. 1971), recalls courtly images of idealized beauties. Yu, however, deliberately complicates the perspective in her composition: she asked the sitters for her She series to select photographs of themselves that could be paired with her paintings, meaning that the images together convey dual female perspectives, both the artist’s and the subject’s.

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Whose Utopia? 谁的乌托邦
Practitioner:
Cao Fei 曹斐
Date:
Jan 1 2005

Whose Utopia? was made by the Chinese artist Cao Fei and filmed at the OSRAM lighting factory in Foshan in the Pearl River Delta in southern China during 2005 and 2006. It was commissioned as part of a project entitled ‘What Are They Doing Here?’ that was run by the Siemens Art Program from 2000 to 2006 and involved Chinese artists undertaking six-month-long residencies at industrial facilities across the country.

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Ladies' Room 洗手间 (2000)
Practitioner:
Cui Xiuwen 崔岫闻
Date:
Jan 1 2000

Ladies’ Room, lasting fewer than six and a half minutes, offers a behind-the-scenes look at a women’s washroom in a nightclub located in a Beijing hotel. A male patron of Cui Xiuwen’s studio first took her there, and she acknowledges being drawn to the ladies’ room precisely because her host did not have access to it.

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Reimagining Albus
Practitioner:
Athenkosi Kwinana
Date:
Jan 5 2022

Through her work, South African art activist Athenkosi Kwinana aspires to deepen the understanding of Albinism in her native country, where she has faced discrimination in most aspects of her life from childhood days on. Working with both drawing and printmaking, Kwinana creates large self-portraits that aim to constructively reimagine the representation of Albinism in the country’s black communities and African contemporary art as whole.

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Zone à Défendre, or “zone to defend” (ZAD)
Practitioner:
local community groups
Date:
Jan 26 2017

The ZAD (zone à défendre, or “zone to defend”) in Western France is 4000 acres of wetland, farmland and forest that was originally intended to be built into an airport in 1965 but is now an autonomous territory occupied by 40 different collectives looking to reclaim the land. There are around 200 people living permanently on the zone, in addition to some 2,000 people coming and going.

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Heritage loss and the Importance of the Past
Practitioner:
Ai Weiwei
Date:
Jan 1 1995

Dropping a Han Dynasty Urn (1995) by Ai Weiwei is a highly provocative work of art. This series of three black and white photographs portray the artist holding a 2,000-year-old Han dynasty urn that, frame by frame, he drops, it falls, and shatters. As much a work of photography as a work of performance art, in each still an unaffected Ai looks directly at the camera aware of his destructiveness.

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