The project (created in 2009-2010) consists of painted plats and posters depicted with drawings of police torture scenes. Images also include snippets of email exchanges. The plates have been exhibited in numerous galleries in Ukraine, and posters were hung in public spaces.
Out in Schools is a high school outreach initiative that has received acclaim from parents and educators across British Columbia since 2004. The Out in Schools program uses age-appropriate film and video presentations to engage youth and educators on issues related to homophobia and violence.
"At the recent Amnesty International Annual General Meeting, we decided to do an action stating we stand with Shaima Alawadi and Trayvon Martin. Check out the action, even Asma Mahfouz, one of the founders of the April 6th Movement in Egypt and nominated for a Nobel Peace Prize participated in the action." -#MillionHijabMarch
LONG BEFORE WOMEN finally — though incompletely — won the right to vote in the United States in 1920, they were finding ways to influence politics. In late 18th-century New England, colonial women would make muster cakes — spiced, doorstop-heavy confections flecked with candied fruit and soaked in alcohol — for soldiers being gathered (or “mustered”) to fight in the Revolutionary War.
An Egyptian-born activist was arrested yesterday for spray-painting subway billboards that call enemies of Israel “savages” — amid a wave of vandalism unleashed on the inflammatory ads, which have divided the city.
Mona Eltahawy, a self-described “liberal Muslim,” strolled up to one of the signs at the crowded 1/2/3 train mezzanine at the Times Square station and sprayed pink paint on the ads.
El Sistema, also known as The National System of Youth and Children’s Orchestra and Choir, was established in Venezuela in 1975 by José Antonio Abreu, a Venezuelan educator, musician and activist. The music education program operates within the voluntary sector and is funded publicly.
For his latest project, Mark Manzi found himself outside of his comfort zone. For the Amsterdam-based photographer and designer, People of Japan was an attempt to break from his photography-first portfolio. “In the past, my work was very image-focused, whereas with this book I wanted to scan objects, collect receipts, record noises, add copy, and really create something visually striking,” he says.
Natalie Ball’s work challenges dominant stories of Native American identities, taking to task the historical and visual legacies that misrepresent what it means to be “Indian.” She dives deeply into Indigenous histories and forms of knowledge, the use of language, and a wide range of materials—including animal hides, clothing, and synthetic hair—to create a new narrative around Indigenous experiences and identities.
The Overpass Light Brigade (Milwaukee, WI), has been working with Idle No More (WI) in order to give visibility to the cultural and environmental costs of opening up Northern Wisconsin to iron mining. The proposal will soon be voted on and likely passed by the conservative Wisconsin legislature which has been purchased by the Gogebic Mining Company.
In a visually captivating public art venture, the Audonon Mural Project seeks to raise awareness for species of birds threatened by climate change in a rather unconventional way—street art. A collaboration between the National Audubon Society and Gitler &_____ Gallery, scatterings of stunning avian themed murals are cropping up throughout John James Audubon’s old Manhattan neighbourhood.
From an Art Net News Article: ""The installation is called Ghost Forest, a term used to describe vast acreages of woodland that have died out–often due to rising sea tides, which overwhelm forests near estuaries with saltwater, choking out their ability to get nutrients from the earth. In 2012, Sandy caused seawater levels to surge, leaving swaths of ghost forests in its wake.
SAO PAULO, May 16 (Reuters) - At one of Latin America's largest commuter bus terminals in Brazil's gritty downtown Sao Paulo, 84-year-old Rerizenil de Paula Santos waits on a bus decorated with neon lights and bright graffiti amid the hustle and bustle of rush hour.
Last month Amina Tyler, a 19 year old Tunisian blogger, posted a nude photo of herself as a protest; she is now under death threat. In her defense, the Ukrainian group Femen [13] staged a global "topless jihad" [14] on April 4, causing widespread debate [15] about nude protests [16], freedom of expression, and Femen's politics. [17]
The "no nos vamos, nos echan" campaign speaks to making the invisible visible through pictures, videos and global mass demonstrations. Hopefully the Spanish government and other political players in Spain and Europe will see the faces of the population forced in exile.
Brooklyn deli re-brands as artisanal emporium to protest rent hike
The owners of an imperiled Boerum Hill deli have staged an “artisanal takeover” of their 25-year-old corner store, re-branding products with yuppified names and jacking up prices to illustrate the kind of shop that could afford the 250-percent rent hike they say the store’s landlord is demanding.
Between the late 1960s and 1970s numerous alternative printshops were set up across the UK, with the founding objective of producing, providing or facilitating the cheap and safe printing of radical materials. They were started by libertarians, aligned and non-aligned Marxists, anarchists and feminists, and as such were constitutive of the fractured and fractious politics of the post-1968 left.
This wonderful campaign of Earth Action Network against mountaintop removal coal mining focused not on the invulnerable mining companies, but on the banks that financed them - and especially PNC, which based its growth model on recruiting university students. It stopped both PNC and then, because of that, ALL banks from financing mountaintop removal coal mining.
In November 2013, a group of 17 female students at Beijing Foreign Studies University sparked national debate when they staged a bold social media campaign in support of an upcoming performance of The Vagina Monologues, a feminist play by Eve Ensler.