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By Summer Dawn Hortillosa Jersey City’s got an art scene of movers and shakers but few can say they’ve done what David McCauley has in the past two years.

#SaveNYC is a grassroots, crowd-sourced, DIY movement to protect and preserve the diversity and uniqueness of the urban fabric in New York City. As our vibrant streetscapes and neighborhoods are turned into bland, suburban-style shopping malls, filled with chain stores and glossy luxury retail, #SaveNYC is fighting for small businesses and cultural institutions to remain in place.

From the Australian, 27 September 1992.

This piece is fascinating because of its use of just a few words and country names, muted colors, and the recreation of famous art. The artist used this canvas to depict a concern about events happening in the Gaza strip.

The Bed-Stuy Aquarium (also known as the Hancock Street Bed-Stuy Aquarium) is a makeshift goldfish pond located on a sidewalk in the Bedford-Stuyvesant, Brooklyn neighborhood of New York City. The pond, originally formed by a puddle from a leaky fire hydrant, garnered attention from locals and the press beginning at the time of its creation in August 2024.

Call it art, exhibited as an installation piece in the October 2014 show "Crossing Brooklyn," a collaboration of more than 100 artworks by 35 artists (or groups) who live or work in Brooklyn, presented at the Brooklyn Museum... or call it "A survey of Art from Brooklyn" as hyperallergic journalist Jillian Steinhauer wrote... it exists on the streets as a social practice, albeit using creative means for community-building.

Prague's Lennon Wall is a tourist attraction to some, and a participatory street art haven for others. Directly opposite of the French embassy, the wall has been filled with evolving art and graffiti since the 80s. The wall received its first public inscription, a tribute to John Lennon, following Lennon's assassination in September 1980.

The creative fusion of art and activism in urban spaces has propelled the British collective Led by Donkeys into the spotlight, garnering millions of views for their interventions on social media. Their critical visual occupations - whether billboard messages during the day or large-scale projections at night - raise a compelling question: which medium holds the greater persuasive power?

Aaron Hughes, an artist-activist and Iraq War veteran walked into the middle of a busy intersection in Champaign, Il. where he was then going to college, and propped up a signboard that read: “I am an Iraq War Veteran. I am guilty. I am alone. I am drawing for peace.”