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El acoso sexual a las mujeres en México, no es novedad. Desde un chiflido o grito de “mamacita” en la calle hasta una alarmante cifra de seis feminicidios diarios, la violencia machista es un asunto cotidiano. Lo que sí es novedad es que este año las mujeres no se estén quedando calladas, y que salgan a las calles, ya no con miedo, sino con determinación de defender su derecho a ser respetadas.

In this mobile game, the studio Molleindustria makes commentary on the people and practices behind the creation of mobile devices. Not lost on the authors is the deep sense of irony in that the game itself relies on mobile platform. The "game" is structured as a narrative where the process begins in mining materials in Africa (slavery) to putting together the devices in China (labor abuse), to heavy purchasing in the U.S.

If you’ve spent a decent amount of time on Twitter, you’re probably familiar with the concept of K-pop fancams. The short clips of live performances, primarily by South Korean acts, often dominate replies on the app and are hated by many. This week, however, the social phenomenon has taken over in a different way: to fight for the rights of Black Lives Matter protesters seeking justice after the death of George Floyd.

On Friday, in room 43 of London's National Gallery, two young women opened cans of tomato soup and threw their contents onto Vincent van Gogh’s famous painting Sunflowers. The soup-throwers donned shirts displaying the logo of Just Stop Oil, an activist group that has been staging nonviolent demonstrations across the United Kingdom to protest the production of fossil fuels.

Originally written for the Onion, “Amèrikan Takes Over the Fashion New World,” is an article that speaks of a fictitious company that has broken through the clothing market. This company was created as a way to inform the consumer of the appropriation different companies often get away with due to their consumers lack of knowledge.

ATHENS — The young man climbed a 30-foot scaffold on a building in central Athens and dipped a brush into a tray of gray paint. With rapid flicks of his wrist, he outlined a haunting image: a baby with two faces, looking simultaneously into an abyss and toward the sky, its vacant eyes searching for a future that was not there.

Wafaa Bilal's childhood in Iraq was defined by the horrific rule of Saddam Hussein, two wars, a bloody uprising, and time spent interned in chaotic refugee camps in Kuwait and Saudi Arabia. Bilal eventually made it to the U.S. to become a professor and a successful artist, but when his brother was killed at a U.S. checkpoint in 2005, he decided to use his art to confront those in the comfort zone with the realities of life in a conflict zone.

Anti-opioid activists unfurled banners and scattered pill bottles on Saturday inside the Sackler Wing of the Metropolitan Museum of Art in New York, which is named for a family connected to the powerful painkilling drug OxyContin. The protest, which was organized by a group started by the celebrated photographer Nan Goldin, started just after 4 p.m., when several dozen people converged at the Temple of Dendur inside the wing.

Power Call is a nomadic, interactive energy commons in San Francisco to the Bay Area. Using low-tech systems, Power Call harnesses, stores and dispenses energy for recharging a variety of cell phones. Anyone can contribute to the energy commons by spending a few minutes pumping the machine, creating a charge for yourself or a future person in need.