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LONG BEFORE WOMEN finally — though incompletely — won the right to vote in the United States in 1920, they were finding ways to influence politics. In late 18th-century New England, colonial women would make muster cakes — spiced, doorstop-heavy confections flecked with candied fruit and soaked in alcohol — for soldiers being gathered (or “mustered”) to fight in the Revolutionary War.

I think this is a very interesting project that is intended to pay hommage by showcasing portraits of survivors of the Cuban revolution. They are displayed in the streets of Havana and, as the artists explains, this is a place that lacks commercial advertising/ billboards in the streets. So they are displaying the courage and strength of those, people who should be admired, earned their place in a sense.

I have several theories about why song rewrites work well. Theory aside, people know the tunes and can learn the words. Scholars differ on whether you should make it as simple as possible or let the crowd be the artist by recognizing their ability to learn and perform something a bit tricky. Either way, it's great when songs are repurposed and people get to shout and sing instead of just chanting or listening to speeches.

By Jessie Blaeser

From Public Delivery: "The art piece, which was showcased at the Flashpoint Gallery in Washington D.C. from February 1 to 17, 2019, allowed visitors to interact with it. The audience had a pile of crumbs placed right in front of the three-walled setup, which they would through and watch as ‘Ivanka’ vacuumed them all up.

BY MIRANDA NEUBAUER | Friday, March 30 2012

"What I Couldn't Say in Public" transforms individual secrets into a public, anonymous spectacle. While origins and exact location of the "What I Couldn't Say in Public" project are unknown, awareness about the project has grown over the micro-blogging platform of Tumblr. Amassing over 132,480 notes on the website, this practice may have possibly inspired others to imitate the same or similar projects in different locations.

20-year-old Ilyssa, from New York, sees communism as the only viable alternative, one that will improve the societal issues we currently face. “From a young age, I was very aware of the stark class differences that existed,” she says. “I grew up with a single mother in a very poor family.

Mattress Performance (Carry That Weight) (2014–2015) was a work of endurance/performance art which Emma Sulkowicz conducted as a senior thesis during the final year of a visual arts degree at Columbia University in New York City.[1]