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Jordan Peele discovered halfway through the making of “Get Out” what story he wanted to tell: A horror-thriller for black audiences that delivered a searing satirical critique of systemic racism.

The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.

When Rage Against the Machine arrived in Philadelphia to play their 15-minute set as part of Lollapalooza ’93, the Los Angeles band knew they had a problem. Zack de la Rocha, the band’s incendiary frontman who was as outspoken on the mic as he was loud in his cadence, had no voice. A month of playing shows on a tour to support their self-titled debut album released the previous November had taken its toll on the frontman’s vocal cords.

By Dr. S. O'Sullivan and C. McCausland

Ah, the unsolicited dick pic. Technology has made it all too tempting for men's penises to pop up on a woman's phone while she's reading on the train or walking home from work. This is a fairly recent invention, because who would've taken their rolls of film to the local drug store to get their dick pics developed?

In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.

Four months ago, I was in a multifaith brainstorm for the People’s Climate March when someone said, “What if we had a giant ark?” I think we all had the same reaction: Great … but how do you build an ark?

Following in the strong tradition of using graphic novels to explore social ills, DC Comics is releasing two new politically activist issues in their "New 52" series. The first is called "The Movement" and is written by Gail Simone. Simone describes that "The Movement is an idea I’ve had for some time. It’s a book about power–who owns it, who uses it, who suffers from its abuse."

Seattle Times: In 1921, just four years after the Bolshevik Revolution, American journalist Albert Rhys Williams wrote: “The visitor to Russia is struck by the multitude of posters — in factories and barracks, on walls and railway-cars, on telegraph poles — everywhere.”