‘Since Plotinus’, writes Joseph Tanke (2019, p. 486), ‘Western art has been consecrated to beauty, and beautiful art has been understood as the achievement of good form’. But alongside this interest in beauty and form, art has been committed to politics and perspectives, equity and rights. Consequently, and particularly since the start of the modern era, artists frequently initiate or participate in ‘difficult conversations’.
In 2013, Shell sent out press releases about their upcoming event, the Science Slam, which would aim to “celebrate the company’s responsible oil production” and “showcase ideas for renewable energy by scientists and students.” Essentially, Shell organized this event in the hopes that it would allow the multinational oil company to appear as if it is actually concerned about the environment and finding alternatives to oil.
Most nights since a coup returned Myanmar to military rule on Feb. 1, a spectral symbol of protest has glowed on a mildewed side of a building.
Where the next illumination will appear in Yangon, the country’s biggest city, is a mystery. But, suddenly, a projected image appears in the dark. Three fingers raised in a rebellious pose. A dove of peace. The smiling face of Daw Aung San Suu Kyi, whose government was ousted in the army putsch.
During a moment when the facade of social media seems to be cracking, it’s easy to look to Instagram stars and wonder what’s real and what’s fake. Last month, Essena O’Neill, the Australian teenager who racked up more than half a million Instagram followers, quit Instagram after claiming that social media is “not real life.”
This piece is about multiple layered “creative activism”. There is art, activism, and community building.
According to the Merriam Webster dictionary, a zine is a “noncommercial often homemade or online publication usually devoted to specialized and often unconventional subject matter.”
58,241 evictions were conducted in Spain in 2011, mostly through real estate speculation by the Mediterranean Savings Bank. In Intervention #1, the artist created a cooperative through which she contracted a construction worker (who himself had been evicted from his own house) to remove the entrance doors to other foreclosed properties. In this way, houses were accessible and open to public use, and occupants were not liable for housebreaking.
By Steven Jiang, CNN
https://www.cnn.com/2018/03/14/asia/china-viral-eye-roll-intl/index.html
(CNN)It was the eye roll that resonated with millions -- and broke the internet in China.
Hok Kolorob. Let there be noise.
It was perhaps these two words of protest that eventually led to the arrest of two engineering students for allegedly molesting a fellow student at Kolkata’s Jadavpur University last month.
Haiti is a conservative society where Roman Catholicism shapes many of its social norms. Patriarchal norms, says Haitian feminist Pascale Solages, co-founder and general coordinator of feminist organization Nègès Mawon, have informed its strict views on abortion. In Haiti, women can’t legally access voluntary abortions. Doctors can’t perform them unless the woman’s life is in danger.
A changing cast of theater workers — actors, seamstresses, lighting technicians and prop masters — are protesting the privatization of a stage once graced by some of Europe’s greatest thespians, from Sarah Bernhardt to Vittorio Gassman.
Starting in 2019 out of the East Harlem neighborhood in New York, Watermelon has served as recurring series of cookout-themed events that are 100% vegan, while also centering BIPOC businesses. People from all over the city come to the reoccurring events to enjoy different vegan recipes and learn about different aspects of the vegan lifestyle and activism. Brands and organizations are welcome to participate upon coordination with the organizers.
A short documentary about Artist Stephen Sheehan's performance called 'Weighed down by a cushion' performed at Liverpool One. The footage contains views from the public captured during the performance.
There is no embassy of Iran in Jerusalem.
We ask why.
We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments.
The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
Sitting at a folding table in the basement of Trinity Episcopal Church in downtown Columbus, Monica Jacobo used a felt tip marker to write the words “No means no!” on a white bandana.
The China Folk House project grew out of the Sidwell Friends School China Fieldwork Semester, a program which had ran for five years (2014 – 2018) that took students to Yunnan Province, China, for an integrated semester of experiential learning based at the Linden Center in Xizhou.
At Rio+20 we present a bread tank with a garden inside to underline the realistic possibility of eradicating hunger and extreme poverty by redirecting military spending.
Cut and Paint is a website with free access to a wide variety of visual designs that can be printed out, cut, and used as graffiti stencils anywhere. Access to a variety of resolutions of each design is free for all, and there is a standing invitation for artist-activists to contribute their own designs for others to use.