This is a photographic work of Shanghai during the period of the city's lockdown, in which the artist uses rope as a medium to explore the themes of government coercion and individual survival. In the image, the artist ties a small amount of vegetables distributed by the government for the following week with a rope and ties an antigen test to the rope as well.
As the summer warms up, bringing with it sleeveless tops, Xiao Meili, a women’s rights advocate, is collecting photos of women’s armpits. Her goal: to challenge a growing belief in China that a woman must have hair-free armpits to be attractive.
(Taken from Group's Event Statement):
"The big banks have been playing monopoly with our money & our homes. On Saturday July 14th, as part of #J20 Bring the Fight Back to the Banks Week, let's return the favor..."
Rice University’s O’Connor Building for Engineering and Science now houses an immersive public art installation titled “Climate Parliament,” a thought-provoking work by Mexican-Canadian artist Rafael Lozano-Hemmer. Commissioned by Rice’s Moody Center for the Arts for the Rice Public Art collection, the interactive artwork engages visitors with a dynamic experience that addresses the growing global climate crisis.
Last June, Harris Reed became a member of the “Class of 2020” -- the crop of young fashion talent who graduated into an industry on rocky ground due to the pandemic. Over the eight months that have passed since earning his cap and gown at Central Saint Martins, Harris seems to have done a good job of finding his feet.
Last week, a dozen of female artists turned the walls of a downtown parking lot in Cairo into a street art gallery. Colourful group murals carrying personal stories and spreading messages to increase women’s visibility, and positively affect public consciousness.
Introduction: The Ambulatory Free States of Obsidia
The Ambulatory Free States of Obsidia is a tiny, Matriarchal, Micro-nation located at the confluence of feminism and geography.
Grand Marshal Yagjian's Great Vision for The Ambulatory Free States of Obsidia came in 2015 when its land claim was 'liberated' from a former lover’s house for a greater purpose.
Two children stand back-to-back, but they are facing two very different Chicagos. One child blows bubbles in a park under blue skies. The other wears a gas mask against a backdrop of scrap metal and billowing smokestacks.
On July 23rd 2011 a newly formed organization Multi-Story performed Stravinsky’s Rite of Spring in a multi-story car park in Peckham Rye London. In doing so it completely subverted the entrenched traditions of the performance of classical music. The organization used student musicians and did not charge admission.
Climate protesters in Washington, D.C. were handcuffed on Thursday after they dragged paint on a glass cover protecting an art sculpture.
The incident happened at the National Gallery of Art by the activism group Declare Emergency in an attempt to bring attention to climate change, according to the Washington Post.
The protracted queue. That was the first thing I noticed when I arrived. It was winding, unending and impossible to see exactly where it began. I asked one of the security guards if he had any indication as to the waiting time. His response was a “your guess is as good as mine” shrug. As the mammoth line snaked around the building, my heart sank further – it is a myth that Brits love to queue; we feel compelled to, we don’t love it.
In March 1939, a 23-year-old Billie Holiday walked up to the mic at West 4th's Cafe Society in New York City to sing her final song of the night. Per her request, the waiters stopped serving and the room went completely black, save for a spotlight on her face.
Prague's Lennon Wall is a tourist attraction to some, and a participatory street art haven for others. Directly opposite of the French embassy, the wall has been filled with evolving art and graffiti since the 80s. The wall received its first public inscription, a tribute to John Lennon, following Lennon's assassination in September 1980.
This exhibition
is a collection of work by displaced Syrian artists. With the support of the British Council, 'Syria: Third Space' demonstrates the roles that artists play in supporting recovery and resilience. It seeks to show how artists can break boundaries, support and unite communities, re-interpret and offer alternative viewpoints through their practice.
Syria: Third Space
On Sunday, April 29, dozens of protesters occupied the Beaux-Arts Court at the Brooklyn Museum as they reiterated demands for a decolonization commission, about which the art institution has remained silent. The calls for the commission come after the criticisms that followed the appointment of two white curators to the museum, including in the field of African art.
Fresh off the Boat examines the immigrant struggle told from the perspective of Eddie Huang, a modern day chef and video entrepreneur who has found a way to use food to explore culture, diaspora, and more through food, television, and the book that I am discussing now.
This book serves as an important storytelling experience of the immigrant and helps bridge the generational struggles often seen in these stories.
At noon today, a group of artists and activists including members of the Gulf Ultra Luxury Faction (known as G.U.L.F.) unfurled a large parachute in the atrium of the Guggenheim Museum, demanding to meet with a member of the institution’s board of trustees to discuss the labor conditions at its Abu Dhabi site.
The tiny German town of Wunsiedel has for decades seen crowds of neo-Nazis pass through its streets in annual demonstrations, but this year something was different.
While the extremists received a frigid welcome in past years, they were met with colorful banners, cheering locals and a booth of free bananas during their latest march on Nov. 15.