By Will Potter
Multiple states have considered “Ag Gag” bills that criminalize investigators who document animal welfare abuses on factory farms. Iowa and Utah are the latest to approve them. These bills, lobbied for by Big Ag groups, are part of a long line of attempts to blame activists for exposing abuses, rather than hold corporations accountable.
A new, three-minute ad by Coca-Cola, "Small World Machines," starts with a relatively straightforward premise: India and Pakistan do not get along so well. It ends with the promise of peace: "Togetherness, humanity, this is what we all want, more and more exchange," a woman, either Indian or Pakistani, narrates as the music swells. Sounds great. How do we get there? By buying Coke, of course.
There was once a time when Israeli songs like A Matter of
Habit were routinely written, aired and became hits. These
were songs of political commentary or protest, songs of hope
and idealism. They represented the aspirations of Israel's
secular liberal (generally Ashkenazi) elite. But that was
long ago.
By Steven Jiang, CNN
https://www.cnn.com/2018/03/14/asia/china-viral-eye-roll-intl/index.html
(CNN)It was the eye roll that resonated with millions -- and broke the internet in China.
Burners Without Borders (BWB) is a grassroots, volunteer-driven, community leadership organization whose goal is to unlock the creativity of local communities to solve problems that bring about meaningful change. Supporting volunteers from around the world in innovative disaster relief solutions & community resiliency projects, BWB is known for the unbridled creativity they bring to every civic project they do.
Art Works Projects’ mission is to use design and the arts to raise
awareness of and educate the public about significant human rights and
environmental issues. AWP provides visual advocacy tools which produce
action on human rights crises at the grassroots, media, and policy
levels. Conceptualized and created in conjunction with established
humanitarian and human rights advocacy organizations, AWP’s art and
"Two weekends ago, a loose network of these artists and activists, under the name Subvertisers International, launched their first global effort to reclaim our shared public environment from its monopolization by commercial media. The demand was not for better or more truthful advertising, but to imagine what a city would look like when the stories we told ourselves in public space reflected a democratic voice.
PERIPLUS is a transoceanic route through community arts (music, performing arts and interdisciplinary projects) across five continents. It aims to disseminate knowledge and enhance the visibility of education, social and artistic initiatives by critically analysing the synergies which arise from connections in these three fields.
Injustice is an interactive VR experience themed around racially motivated police brutality. Guests witness an act of racial discrimination in front of them, forcing them to make moral and ethical decisions on the spot. Injustice is an experience aimed at exploring the emotional impact of VR space vs. traditional film.
"SOA Cycle, and what it later became, which is called the Democracy Cycle, is a group of seven large works that approach the question of democracy. What is democracy? How is it constructed? How is it implemented? Is it something that is to be thought of in relation to its political influence? Or is it something that plays out in terms of cultural and social, and even emotional terms, for instance?
hat’s it like to be black at Harvard? Students at the Ivy League university are offering a picture of their experiences there with a play and a photo campaign called “I, Too, Am Harvard,” a nod to the famous Langston Hughes poem.
The project responds to the urgency that many asylum seekers and refugees have as soon as they touch a new country's soil: working and learning the language. The project, located in the former army barracks 'Caserma Piave' in Treviso, started as a grassroots initiative.
The elimination of Net Neutrality is a much bigger issue than most people would like to admit. This issue stems far from just an issue dealing with an open internet, free from biased control of the internet service providers, whom which we rely on.
Artist Maya Lin first burst onto the scene in 1981, when her design was selected for the Vietnam Veterans Memorial while she was still a senior at Yale. Since then, Lin has turned her focus to environmental issues, with her most recent show at Pace Gallery investigating Manhattan’s landscape and environmental history.
This interactive, site-specific project is a comment on how we - constantly attached to mobile devices - neglect to observe the environment around us. Like ostriches, we willingly trap our heads, minds, and imagination in a fantasy world that is detached from reality.
Three colorful fabric tunnels span a man-made grove of Elm trees in downtown Boston, defining an intimate courtyard where nature clashes with cartoonish representation.
Within the topic of terrorism, the idea of loss and memory is always a pervasive idea that cannot be avoided. Within the topic of loss and memory, the idea of monuments is always a pervasive idea that cannot be avoided because they are used to commemorate and remember those that lost their lives to the terrorists.
For the past few years, I've been creating what I call "art of social conscience:" tv spots, viral emails, paintings and posters, but none of it has engaged viewers as much as this series of "historical" markers, each one a small story containing a discrete point of view.
From Black Power to Migrants’ Power
BY Robin Cembalest POSTED 01/22/13
As ’60s activist art enters museums, a new generation is creating an iconography of protest for today