Just over a decade ago on May 15, 2011, a wave of social outrage began as the Spanish people collectively decided that they had had enough of the corruption, cuts, and inequalities affecting their country.
It was a quick turnaround for federal employers to recognize Juneteenth as a new federal holiday. But some cities were ready with new statues honoring George Floyd, whose killing by police in Minneapolis last year sparked a nationwide racial justice movement.
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Five years after first appearing on the cobblestones of Wall Street, the “Fearless Girl” statue – a petite but controversial symbol for gender equality – is taking on a new digital form.
It has been a tumultuous and anxious week for women in Turkey. When President Recep Tayyip Erdogan issued a decree at midnight last Friday, annulling Turkey's ratification of the Istanbul Convention on violence against women, women poured onto the streets of Turkish cities to protest. Further demonstrations are planned.
While meditating in front of a Nepalese Sarasvati statue on New Year's Day in 1991 at her California home, Mayumi received a calling that brought a sudden halt to painting. Having witnessed the horrors of atomic bombings as a child and later, watching her beloved Japan become a leader in nuclear-energy, and seeing the effects of depleted uranium, Mayumi had to pursue a global cause greater than her art or feminism.
In 2016 an eye-catching sparrow was spotted in Scotland. The bird had ingested feed pellets from a nearby salmon farm, turning its feathers pink. Cramped in underwater feedlots, farmed salmon have no access to the prey that colour their flesh in the wild. Instead, they are fed artificial colourants mixed with supplements, drugs, and hormones, causing them to relentlessly produce the additive-filled flesh that fills supermarket shelves.
Our project aims to show people that joy can be an act of resistance and resilience in the face of global justice issues when harnessed in the right way. The sharing of joy can also act as a connector in a society that continues to grow more polarised through the division of social media and mainstream media.
A coalition of more than twenty national arts funders has launched an emergency relief fund that will provide millions of dollars to artists struggling financially in the wake of the COVID-19 outbreak in the United States, which has more than 400,000 confirmed cases of the virus. The Andrew W.
Without having been commissioned—or even given legal permission at all—Haring set out to create Crack Is Wack on the wall of an abandoned handball court in a park at 2nd Avenue and East 128th Street on June 27, 1986. Upon the completion of the mural, Haring was arrested by the New York City Police Department for vandalism of city property and faced potential jail time in addition to heavy fines.
Troy, Michigan couldn't afford to keep its library open, so it scheduled a vote for a tax increase. A strong anti-tax group waged a dominating campaign against it. Posing as a political group, an outside advertising agency posted signs around town that said, "Vote to close Troy library Aug 2, book burning party Aug 5." We invited everyone to our Facebook page, adding Twitter, Foursquare, want ads, flyers and more to drive engagement.
The Vivienne Foundation exists to honour, protect and continue the legacy of Vivienne's creativity and activism.
Since the start of her career in the 1970s, Vivienne was renowned not only for her fashion design, but also her activism. Vivienne always utilised her platform of prestige to make the world a better place.
In the 1970s, Jaime Lerner, the former mayor of Curitiba, Brazil, transformed six blocks of the main downtown shopping street into a pedestrian zone in 1972, despite fierce objections from the merchants. He quickly accomplished this change in just three days by installing paving, lighting, planters, and furniture. The once-resistant merchants were impressed by the increase in their business and soon demanded an expansion of the traffic-free district.
For some, October 14, 1968, was a clarion call to the future.
On that day, a group of 12 black students at UC Santa Barbara, tired of the unequal treatment and passive-aggressive racism they received as Black athletes — and as members of the campus community at large — barricaded themselves in the university’s North Hall.
Climate activists defaced a work of art near Germany's Parliament Saturday in the latest act of vandalism by protestors concerned with environmental policy.
Members of The Last Generation threw black liquid over a series of glass plates displaying 19 articles of the German constitution. The protestors then affixed posters to the facade that read, "Oil or fundamental rights?" in German.
Rooted in decades of grassroots organizing, the cannabis reform activism at the University of Massachusetts Amherst is one of the longest-running student-led efforts for marijuana legalization in the United States. Led by the Cannabis Education Coalition (CEC), founded in 1991, this movement combined cultural celebration with political advocacy, using public festivals like Extravaganja to destigmatize cannabis and promote drug policy education.
Protesters from Extinction Rebellion disrupted London Fashion Week last weekend (15 February).
The group called on the industry to change its approach to protecting the planet: “We are asking not for sustainability but a complete reinvention of this industry in a way that regenerates the environment,” Extinction Rebellion spokesperson Sara Arnold said.
New York artist Donna Choi wanted to create a “weird, memorable way” to discuss fetishization of Asian women, so she put together a satirical series about how to diagnose Yellow Fever—the specific obsession many Western men have with Asian culture.
The over-the-top series is a discussion of race crafted for the attention span of the Internet.
I emailed with Choi about her thinking behind the Yellow Fever series.
Cleve Jones's powerful vision for memorializing those lost to AIDS was realized in October 1987 in Washington D.C. It showcased the artistic contributions of people who'd lost loved ones to the virus from a number of US metropolitan centers. The quilt has continued to grow for the nearly 40 years since. By 1992, the AIDS Memorial Quilt included panels from every state and 28 countries.
This week, I got to make history. At 18 years of age, I received an honorary doctorate from the University of London for my work in climate justice, making me the current youngest holder of the award globally.
On June 26, contemporary artist Cai Guo-Qiang released the daytime firework display ‘When the Sky Blooms with Sakura’ at Yotsukura Beach in Iwaki City, as commissioned by Saint Laurent’s creative director Anthony Vaccarello.
When Jonathan D. Chang visits the 626, he often wears a black hoodie emblazoned with a colorful print of Guangong on the back. A military general from the Three Kingdoms era turned Taoist guardian deity, Guangong, or Guan Yu, is known throughout China and parts of Vietnam as a symbol of wealth and protection. Chang’s hoodie features his own design of the deity, which he drew in classic chibi fashion with a big head and smaller limbs.
Unleashed by anxiety over the pandemic, the nationwide rise in anti-Asian hate has served as a call to action for many Asian American artists to take a stand: To actively challenge the historic negative stereotype of the vice- and disease-ridden Yellow Peril; to dismantle the pernicious and divisive myth of the model minority that pits achievements by Asian Americas as judgements against other communities of color; and to advocate for social justice, eq
Text by Jessica Stewart
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In Virginia, one artist is helping his community reclaim a controversial monument in the name of Black Lives Matter. The Robert E. Lee Monument now stands as the only remaining Confederate statue on Richmond's historic Monument Avenue. While litigation ties up the statue's removal, light projection artist Dustin Klein is using his art to change the meaning of this contentious monument.
Elina Chauvet’s red shoes are worldly. They’ve been in Milan, Italy, and Grand Rapids, Michigan. Not just one pair, but hundreds — red boots, red heels, red toddler shoes. They’re not there to see the sights, but to take up space. Especially when the women or girls who would have worn them no longer take up any space, except in the lives of their loved ones.