Projects tagged "Arts & Culture"

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Las Vulpes was the first spanish punk rock band formed only by women. It was founded in Baracaldo (Vizcaya, Basque Country) in the summer of 1982, as a result of the guitarist´s desire on creating an all women punk band. After a few changes, the final formation consisted on: Loles Vázquez (guitar), Mamen Rodrigo (voice), Begoña Astigarraga (bass) and Lupe Vázquez (drums), all between 17 and 22 years of age.

The Protest Banner Lending Library is a space for people to gain skills to learn to make their own banners, a communal sewing space where we support each other’s voices, and a place where people can check out handmade banners to use in protests.

Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.

Natalie Ball’s work challenges dominant stories of Native American identities, taking to task the historical and visual legacies that misrepresent what it means to be “Indian.” She dives deeply into Indigenous histories and forms of knowledge, the use of language, and a wide range of materials—including animal hides, clothing, and synthetic hair—to create a new narrative around Indigenous experiences and identities.

Chinese artist Ai WeiWei has drawn on the stool part of that French surrealist's pioneer work for his latest exhibition, the largest ever devoted to Ai, which opens in Berlin this Thursday. The show, entitled Evidence, is at Berlin's Martin-Gropius-Bau exhibition hall, and consists of either entirely new works, or pieces never seen in Germany before. The exhibition is huge, taking up 3,000 square metres in total and running across 18 rooms.

There are no whistles, no loud speakers, and no placards held up high in this quiet act of subversion. Pimsiri Petchnamrob stands silently in a mass of sharply dressed Bangkok commuters, her hands clutched around a copy of George Orwell's 1984. Next to her a small group of young men and women, their faces sombre and their heads bowed low, also read books about fictional and real totalitarian worlds in silence.

Following the backlash of Netflix's support of Dave Chappelle's "The Closer" comedy special, which featured racist transphobic "jokes", Hannah Gadsby took a deal with Netflix to create a comedy special featuring genderqueer comics. The show, titled 'Gender Agenda', was tapped in the Alexandra Palace Theatre in London and released on Netflix on March 5, 2024.

To some, the Clandestine Insurgent Rebel Clown Army (CIRCA) might appear to be but a ragged bunch of activists sporting false noses, a smudge of grease paint, camouflage pants and bad wigs. And those people may be right. But it is also a highly disciplined army of professional clowns, a militia of authentic fools, a battalion of true buffoons.

CNN — Five years after first appearing on the cobblestones of Wall Street, the “Fearless Girl” statue – a petite but controversial symbol for gender equality – is taking on a new digital form.

At the end of 2005, Liu Boln was living in Beijing and working as an artist’s assistant. Beijing’s art world at this time was thriving. On November 16, 2006 when Suo Jia Cun was forcibly demolished, Liu decided to use his works to make a stand against this atrocity. He wanted to show the state of artists in society, that their living and working places had not been protected.

Shea Glover, age 18, began a senior project that became an activist/social campaign. Shea approached people throughout her high school and asked them if they would pose for her senior project. To each person she would say, I'm taking pictures of things I find beautiful". Recording the entire encounter revealed the diverse reactions of each student and teacher. Some erupted with laughter, others a huge grin, while some embarrassment.

Iran is a nation with a fine art tradition that stretches back thousands of years; its reputation for contemporary fashion design less so. Writing that from an external, Western perspective may read unduly dismissive, but it’s a statement that holds up even from within the country’s borders, Shiva Vaqar assures us. “Being a designer has never really been considered a serious job here,” she says over the phone from Tehran.