Female Frequency is a collective dedicated to empowering women & girls through the creation of music that is entirely female generated. "We are making an album created entirely by females, start to finish --
this means that all writing, instrumentation, arrangement, performance, production, engineering, mixing, mastering, marketing and visual media will be carried out by females."
Last Friday, Pablo Picasso’s Buste de Femme, (1943), was put on display at the International Art Academy Palestine in Ramallah. Marking the very first time that the Picasso’s work has been shown in Palestine and as the result of a loan request to the Van Abbemuseum in Eindhoven, this project is the tenacious vision of artist Khaled Hourani (also the Artistic Director of IAAP).
The scraps of paper swirled through the Guggenheim Museum in New York on Saturday night like confetti, thrown from an upper walkway into the central rotunda before floating to the ground.
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Dior is facing accusations of cultural appropriation after Chinese social media users – and protesters outside one of the label’s Paris stores – claimed that a $3,800 skirt was inspired by a centuries-old traditional garment.
Chuu Wai Nyein felt an overwhelming sense of guilt when she first arrived in Paris from Myanmar at the end of April. “I was pushed to leave the country, but it was not how I wanted to leave,” says the 28-year old. As an artist working for the last ten years, mostly in the central city of Mandalay, Chuu built up an international reputation for her expressive paintings of women.
female:pressure is an international network of female artists in the fields of electronic music and digital arts founded by Electric Indigo: from musicians, composers and DJs to visual artists, cultural workers and researchers. A worldwide resource of female talent that can be searched after criteria like location, profession, style or name.
The Nahmads have been dealers in Modern art since Giuseppe Nahmad set up in Milan in 1957. But they have been the Warren Buffetts of the business, sticking to the tried and true. Now Joseph Nahmad, one of Giuseppe’s grandsons, is plunging into the shark pool of Contemporary art.
In 1978, while studying print-making in Hamburg, Gavin Jantjes was deemed a persona non grata by South Africa. His crime? Creating a series of prints that documented the violence and discrimination in the apartheid state, which he gathered together under the tongue-in-cheek name of a "colouring book".
“As an educator, I want people to have a sense of empowerment. I want them to have ownership of their own creative experience. It’s a very humane thing knowing we are inherently creative.”
Melissa is a down-to-earth, friendly woman in her 50s, and it seems that she has always met life with a certain amount of courage. She grew up on another continent, and after early motherhood, then divorce and a first career in business, she moved to the UK with her second husband. She then built another career working with survivors of domestic violence, before setting up a climate emergency centre in Abingdon, Oxfordshire.
Project Row Houses (PRH) is a neighborhood-based nonprofit art and cultural organization in Houston’s Northern Third Ward, one of the city’s oldest African-American communities. PRH began in 1993 as a result of discussions among African-American artists who wanted to establish a positive, creative presence in their own community.
The artist I chose to focus on personally is the photographer Cristina Garcia Rodero. I used photos from her photography essay España Oculta, in which Rodero traveled to small villages in Spain to document the resident’s lives. Our group's main focus is on gender issues, and I personally wanted to focus on activism involving women and representation. Rodero uses photos of rituals and activities among those outside of the majority population.
A woman dressed in western clothes and a hijab is a common sight across Europe’s capital cities – a fact now reflected on the catwalk at Milan fashion week.
Halima Aden, a Somali-American model, is fast becoming fashion’s face of 2017, currently stealing the show at fashion week from the catwalk superstar Gigi Hadid.
Founded 19 years ago, the Beijing Queer Film Festival (aka Love Queer Cinema Week) is one of the grassroots film festivals in China focusing on independent queer film screenings and cultural exchange activities. We aim to expand public discussions on sexuality / gender identity / gender expression, we aim to give a platform to sexual and other minorities in China and the World, and we celebrate diversity.
Protesters from Extinction Rebellion disrupted London Fashion Week last weekend (15 February).
The group called on the industry to change its approach to protecting the planet: “We are asking not for sustainability but a complete reinvention of this industry in a way that regenerates the environment,” Extinction Rebellion spokesperson Sara Arnold said.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
Shirin Neshat’s Women of Allah is a photographic series exploring the complex identities of Muslim women in post-revolutionary Iran. Combining black-and-white portraits, Persian calligraphy, and symbolic elements such as guns and veils, Neshat interrogates themes of martyrdom, violence, femininity, and resistance.
Eight years after his death, the annual August Wilson Monologue Competition provides high school students from around the country an opportunity to carry on the African-American playwright’s legacy. That legacy includes Pulitzer Prizes for “Fences” and “The Piano Lesson,” two installments of Wilson’s 10-play series set in his hometown of Pittsburgh that examined 20th-century black life through the personal and political struggles of everyday people.
SAY NO TO AI
Artstation is a showcase of an artist's industry-relevant ability. AI generated imagery dilutes appreciation for the art that it mimics, and devalues the work of the artists it exploits. There are no regulations for the way that AI utilizes scraped data from the net and no recourse for artists who have uploaded their work freely for the enjoyment of others.
BRASILIA (AFP).- Despite the economic crisis, Brazil announced Thursday it planned to give workers here a 50-real ($25) monthly stipend for cultural expenses like movies, books or museums. "In all developed countries, culture plays a key role in the economy," Culture Minister Marta Suplicy said in an interview on national television.
During the Black Lives Matter protests in Richmond, VA, the two fourteen-year-olds posed in a powerful photo in front of Confederate General Robert E. Lee’s statue. Ava had originally arranged an appointment with photographer Marcus Ingram, but as she and Kennedy posed in front of the graffiti-covered monument with their fists firmly jutted in the air, several photographers began snapping pictures.
There is no embassy of Iran in Jerusalem.
We ask why.
We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments.
The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
The Vivienne Foundation exists to honour, protect and continue the legacy of Vivienne's creativity and activism.
Since the start of her career in the 1970s, Vivienne was renowned not only for her fashion design, but also her activism. Vivienne always utilised her platform of prestige to make the world a better place.