Emory Douglas joined the Black Panthers in January 1967 at the age of 23, just three months after Huey P. Newton and Bobby Seale founded the party. Douglas, who had studied graphic design at San Francisco City College, swiftly became the organization’s minister of culture and the art director in charge of its eponymous newspaper.
New Beijing, New Marriage is a documentary shot by Fan Popo, a Chinese gay rights activist in 2009. The film recorded that a gay couple and a lesbian couple, who were volunteers instead of real homosexual couples, were having their wedding photos taken at Qianmen Street on Valentine’s Day. Qianmen Street is a crowded and famous shopping street in Beijing.
El Rey de la Ruina, aka The King of Ruin, is a local artist based in Madrid, Spain, who creates artistic activist pieces that range from the impact Covid-19 had on the social life of people in Spain, to the impact gentrification has taken on various groups of people. He tends to utilize (at least in his more recent pieces) bright colors and fun, geometric shapes in his art.
Nanfu Wang feels safe in New York. Surveillance, that essential preoccupation of the documentarian in America, is a chokehold from which she has been temporarily released. From her Brooklyn apartment, the Chinese filmmaker prepares for the release of her debut feature documentary, Hooligan Sparrow.
We demand that AATA respond to Karen Pence's stated commitment to our field by asking her to publicly take action for the rights of LGBTQIA people, Native people, Black and Brown people, Muslims, survivors of sexual assault, people with disabilities, immigrants, refugees and all people who are in danger as a result of the policies of the current administration.
The Ginsburg without photoshopped sunglasses and a crown fueled a revolution with lawsuits instead of protests. She believed in incremental progress instead of bold gestures. She was projected to be a conciliator on the court, not its preeminent liberal dissenter.
Now, “everyone wants to take a picture with me.”
tattoo on someone's thigh which reads "FEAR IS THE MOST ELEGANT WEAPON. YOUR HANDS ARE NEVER MESSY. THREATENING HARM IS CRUEL. WORK INSTEAD ON MINDS AND BELIEFS. PLAY INSECURITIES LIKE A PIANO. BE CREATIVE IN APPROACH. FORCE ANXIETY TO EXCRUCIATING LEVELS OR GENTLY UNDERMINE THE PUBLIC CONFIDENCE. PANIC DRIVES HUMAN HERDS OVER CLIFFS; AN ALTERNATIVE IS TERROR-INDUCED IMMOBILIZATION. FEAR FEEDS ON FEAR. PUT THIS EFFICIENT PROCESS IN MOTION.
Shine, written by Stoneman Douglas students Sawyer Garrity and Andrea Peña in response to the tragic shooting at their school on February 14, 2018 to inspire unity, hope, and change. MSD alum Brittani Kagan collaborated with students and faculty to create this music video to honor the victims and the school.
Palestinian and Israeli flags flutter in pro-Irish and pro-UK neighbourhoods in Northern Ireland, tapping into its own history of conflict and division that still affects everyday life despite a 1998 peace deal that largely ended violence.
CAM brings contemporary art and ideas directly to Saint Louis Public High School and Middle School students through its ArtReach program. Tailored to meet the needs of individual schools and teachers, ArtReach is designed to raise awareness of contemporary issues through an exploration of contemporary art. The program includes a curriculum-based offering of museum tours, school visits, and creative workshops for students and teachers alike.
The Nanny Van is a public art initiative run by REV- and the National Domestic Workers Alliance. This project aims at shorting distances, gaps and obstacles between domestic workers and the proper information of their rights. Therefore, Nanny Van is a smartphone app every person can download in order to access information about the legal conditions and state any kind of questions or claims.
Lady Gaga showed up to the 2010 MTV Music Video Awards wearing a dress made out of raw meat. She claimed that the dress showed her disgust towards the Don't Ask Don't Tell policy, but missed the media opportunity to clearly string her thoughts together.
Vem Pra Rua is a nonpartisan, democratic, and pluralist movement that emerged in response to society’s fight for a better Brazil. Brazilians of all regions, social classes, and ages began mobilizing at the end of 2014—building on the 2013 marches that protested corruption, inequality, and other socio-economic and political problems.
By COREY KILGANNON
There was something odd about the ice cream truck that pulled up to the curb on Park Avenue near 67th Street on Friday, with its proletarian color scheme and its overdressed driver with the subversive grin.
Two design students were awarded the Futurapolis prize last Wednesday for their project to adapt the Furan (underground river) , a response to the migration crisis.
NORTHFIELD, Minn. — Exactly 1,281 white garments hang from the ceiling of the Perlman Teaching Museum’s Braucher Gallery. The collared shirts, knit sweaters, tights, and other items of clothing glow with an eerie luminosity.
There are over 200,000 migrant domestic workers living in Lebanon
today — a large number when you considered that Lebanon’s population is
only a little over 4 million. Most migrant workers live with their
Lebanese employers, cleaning their houses, washing their clothes,
cooking their food and looking after their children. Yet these workers
are not included under Lebanon’s labor laws — they are not entitled to
When mothers take to the streets — particularly those from privileged groups — governments take note. The “wall of moms” in Portland has taken up the cause against police violence.
Artists in Rio de Janeiro have staged a pop-up street show to protest against the closure by the new far-right state government of an exhibition because of a performance attacking dictatorship-era torture.
Between the World and Me
by Richard Wright
And one morning while in the woods I stumbled
suddenly upon the thing,
Stumbled upon it in a grassy clearing guarded by scaly
oaks and elms
And the sooty details of the scene rose, thrusting
themselves between the world and me....
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
"An atmosphere of fear and anger spread across Myanmar this week as millions of people awoke to find out the military had taken control, ousting the elected government.
But how do you fight back in a country where protests have been violently suppressed before?
For some, it has meant putting pen to paper and taking the battle online.
There are no whistles, no loud speakers, and no placards held up high in this quiet act of subversion. Pimsiri Petchnamrob stands silently in a mass of sharply dressed Bangkok commuters, her hands clutched around a copy of George Orwell's 1984.
Next to her a small group of young men and women, their faces sombre and their heads bowed low, also read books about fictional and real totalitarian worlds in silence.
The idea was born in an instant.
A curator attending an opening at the Baltimore Museum of Art was immediately captivated by a painting from an artist she had barely heard of, Mary Lovelace O’Neal.
The No Hate Speech campaign has come to its fourth anniversary this week, because it was on the 18th of March 2013 when the Spanish Institute for Youth IMG_9707(INJUVE) officially launched the campaign in Spain, to commemorate the 21st of March, declared by the UN as Day for the Elimination of Racial Discrimination of that year.